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Types and Roles of Models in Adaptive Architecture

Abstract

If adaptive architecture is both, a techno-spatial environment and a set of environmental behaviors and practices, its design requires the collaboration of diverse disciplines. During the process of collaboratively developing an adaptive high-rise, models turn out to be the central medium in the multidisciplinary teamwork. They contribute to disciplinary questions of development and realization; they also generate and transfer knowledge and act as translators by facilitating exchange and cooperation between disciplines. The present study examines tasks and relations from the first design model to different functional models for the adaptive high-rise. It shows the initial architectural model as an overall role model and vision. While functional models perform isolated dynamic tasks, analytical models are used for review and discussion.

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Types and Roles of Models in Adaptive Architecture

Author: Ulber, Marie Luise,Mahall, Mona,Serbest, Asli
Publisher: IISTE
DOI: 10.7176/ADS/82-04
Source: https://repos.hcu-hamburg.de/bitstream/hcu/702/1/52542-56667-1-PB.pdf
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Types and Roles o Models in Adap i e A chi ec u e
Ma ie Ulbe 1 Mona Mahall1 Asli Se bes 2
1.A chi ec u e and A , Ha enCi y Uni e si y Hambu g, Übe seeallee 16, 20457 Hambu g, Ge many
2.Tempo a y Spaces, Uni e si y o he A s B emen, Am Speiche XI 8, 28217 B emen, Ge many
Abs ac
I adap i e a chi ec u e is bo h, a echno-spa ial en i onmen and a se o en i onmen al beha io s and p ac ices,
i s design equi es he collabo a ion o di e se disciplines. Du ing he p ocess o collabo a i ely de eloping an
adap i e high- ise, models u n ou o be he cen al medium in he mul idisciplina y eamwo k. They con ibu e
o disciplina y ques ions o de elopmen and ealiza ion; hey also gene a e and ans e knowledge and ac as
ansla o s by acili a ing exchange and coope a ion be ween disciplines. The p esen s udy examines asks and
ela ions om he i s design model o di e en unc ional models o he adap i e high- ise. I shows he ini ial
a chi ec u al model as an o e all ole model and ision. While unc ional models pe o m isola ed dynamic asks,
analy ical models a e used o e iew and discussion.
Keywo ds: adap i e a chi ec u e, mul idisciplina y esea ch, design p ocess, ansla ion models, knowledge
ans e
DOI: 10.7176/ADS/82-04
Publica ion da e:May 31s 2020
1. In oduc ion
Adap i e a chi ec u e undamen ally changes ou idea o buildings as well as ou expe ience o and in e ac ion
wi h he buil en i onmen (Ulbe , Mahall, Se bes , 2020). Fo a chi ec s, his ype o a chi ec u e b ings wi h i
p e iously unknown oppo uni ies and challenges. Adap i e buildings, which espond dynamically and in eal
ime o changing en i onmen al o use condi ions, a e s ill a ecen de elopmen . So a , his includes adap i e
s uc u es, shells, açades, spa ial con igu a ions, u nishings o in e io clima e. Adap i e echnology challenges
he a chi ec u al design wo k and equi es new app oaches, me hods and coope a ion. The e o e his case s udy
analyzes he oles and uses o di e se models in he Collabo a i e Resea ch Cen e “Adap i e Skins and S uc u es
o he Buil En i onmen o Tomo ow” a he Uni e si y o S u ga . I explo es he ela ions o a ious model
ypes o he demons a o high- ise s uc u e ha is cu en ly being buil . The de elopmen o he adap i e high-
ise is he cen al p ojec o he esea ch g oup, equi ing mul idisciplina y coope a ion and in ol ing new
in e connec ed design and de elopmen p ocesses. In hese p ocesses, ou ini ial hypo hesis s a es ha models play
a c ucial ole as a medium be ween di e en disciplina y knowledge cul u es: ha is, be ween design and
echnological ields. The case s udy also p o ides insigh in o he design and de elopmen p ocesses o an adap i e
building and discusses he ole o a chi ec u e and i s models in a mul idisciplina y p ojec . I s esul s can he e o e
also poin o a new design app oach o adap i e a chi ec u e.
Buildings ha e always been adap ed h ough use s changing hem acco ding o hei needs and cu en
si ua ion, e.g., en s ha can be se up in di e en loca ions o wi h closable openings o en ila ion o ligh . The
e m adap i i y was ini ially associa ed wi h he euse and ans o ma ion o building s uc u es in o ano he
ela i ely cons an s a e, ep esen ing a linea adap a ion sequence. This includes "adap able a chi ec u e" which
discusses a ious adap able mechanisms and s a egies, including adjus able, e sa ile, e i able, con e ible,
scalable and mo able buildings (Schmid III, Aus in, 2016, p. 146). Ac i e adap a ion p inciples o buildings,
howe e , include eac ion o building s uc u es, shells and in e io design o cu en en i onmen al and use
equi emen s. Cu en ly, he adap a ion p inciples a e designed and de eloped in ad ance, bu he in ensi y o he
adap i e ac ion depends on he si ua ion in eal- ime.
Ac i e adap i e eac ions a y. One op ion is o use ma e ials wi h adap i e p ope ies, such as in he
Hyg oSkin: Me eo osensi i e Pa ilion by he Ins i u e o Compu a ional Design (ICD, 2013), in which hin
wooden lea es open and close depending on humidi y, hus p o iding an adap i e en ila ion concep . The
adap i e eac ions can also be ca ied ou by engines, as in he adap i e ex e nal açades o he Al Bah owe s.
Senso s de e mine he wind and sun in ensi y and acco dingly he açade elemen s a e opened o closed by
compu e con ol (Hill, 2018, pp.118-121). Adap i e esponses a e linked o adap a ion objec i es, ei he
en i onmen al condi ions and/o use needs. In he ECO-29 e en oom by FoxLin and B ahma A chi ec s, 2012,
he inne lexible shell o he oom can be adap ed wi h mo o s and allows a a ie y o spa ial con igu a ions
depending on he e en (Fox, 2016, pp. 106-13). In con as , he Beng Sjos om S a ligh Thea e by S udio Gang
A chi ec s in Rock o Illinios, 2003, shows an adap i e eac ion o he en i e oo cons uc ion which opens he
audi o ium o he sky (Yiannoudes, 2016, pp.40-41). In he Sha ifi-ha house in Teh an, I an, designed by
Nex o fice, 2013, an en i e oom pe le el can o a e ou and hus shi he bounda ies be ween inside and ou side
(Kola e ic, Pa lac, 2015, p.7). The ac ha adi ionally a he immobile massi e a chi ec u al elemen s become
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mo able and lexible means a undamen al change. In his sense, he Sma Shell buil in 2012 by he Ins i u e o
Ligh weigh Cons uc ion a he Uni e si y o S u ga ep esen s a u he de elopmen al s ep. The ou
cen ime e hick wooden shell wi h a span o 10m has one ixed and h ee hyd aulic base poin s o "compensa e
o bo h s a ic and dynamic s ains" (Sobek, 2016, p. 167). This makes o me s a ic elemen s dynamically lexible
by eac ing o di e en load cases depending on he si ua ion. The buildings men ioned he e mos ly exhibi only
one adap a ion p inciple, bu he discussed dimensions o adap i i y show ha , in he u u e, buildings will be able
o adap o di e en en i onmen al si ua ions and uses. In addi ion o ex ending he li e ime o buildings, ma e ials
and ene gy a e ac i ely sa ed depending on he adap a ion p inciples, hus conse ing na u al esou ces. In imes
o global ecological change, adap i e buildings enable a mo e sus ainable and esilien a chi ec u e. Bu how does
adap i e a chi ec u e change he way a chi ec s wo k? The model s udy on he design and de elopmen genesis
o he adap i e demons a o high- ise aims o p o ide new insigh s in his ega d.
Models play an impo an ole in he p ocess o designing and planning a chi ec u e (Yane a, 2009, 158). As
ep esen a ional media, models and d awings a e essen ial ools in he a chi ec u al design p ocess (Schilling, 2018,
p. 31). Models a e h ee-dimensional exp essions o a design and a e used ini ially o spa ial explo a ion,
examina ion and co ec ion. Albena Yane a (2005) analyzed in an e hnog aphic s udy a he O ice o
Me opoli an A chi ec u e (OMA) he design p ocess o he Whi ney Museum addi ion wi h scaling models o ind
he bes solu ion on a ious scales. The ‘P ada Genealogy’ shows he design genesis h ough models beginning
wi h he u ban posi ioning o a olume, in e io and açade s udies up o he inal model o he P ada S o e in
Tokyo 2003 by he a chi ec s He zog & de Meu on (U sp ung, 2012). Bo h s udies show a chi ec u al o m- inding
p ocesses h ough models. The design genesis concludes wi h an a chi ec u al o m ha insepa ably uni es all he
conside a ions and ideas o he designe s wi h ega d o building si e, use, spa ial s uc u e, ma e ials, e c. (Zum ho ,
2006, 69). Finally, he inished design is p esen ed in a model alongside d awings o con ince he clien o a
compe i ion ju y. These “ideal” models a e a communica ion medium o he ou side wo ld o illus a e he
a chi ec u al idea. Today, a chi ec u al design wo k is done wi h bo h physical and digi al models. Fo adap i e
a chi ec u e, his design wo k wi h models is challenging because se e al s a es, appea ances and o ms mus be
designed. The ques ion a ises, how models in adap i e a chi ec u e p ojec s ake o e wha kind o asks and uses?
2. Adap i e high- ise as a common ision
In he design, de elopmen and implemen a ion o he adap i e demons a o high- ise, a wide a ie y o
disciplines a e in ol ed and wo king oge he . The in es iga ed Collabo a i e Resea ch Cen e ’s (CRC 2017)
"Adap i e Skins and S uc u es o he buil En i onmen o Tomo ow" a he Uni e si y o S u ga pu sues a
sus ainable and ecological a chi ec u e wi h ega d o clima e change and sca ci y o aw esou ces. Based on
ligh weigh cons uc ion, ma e ial and ene gy consump ion a e educed and new adap i e concep s o an
a chi ec u e o he u u e a e de eloped. The demons a o high- ise plays a cen al ole in he esea ch p ojec , as
all adap i e de elopmen s e e o i . Wi h he adap i e suppo ing s uc u e, he high- ise eac s ac i ely o wind
loads o ea hquakes. Since ac ua o s educe maximum load cases, he cons uc ion can be educed in dimension
and ma e ial. Va ious adap i e componen s a e de eloped, ins alled and es ed in he high- ise including açade
elemen s, shells and an adap i e indoo clima e which eac in elligen ly and adap i ely o he en i onmen and
use s. In addi ion, he con ol and eliabili y o adap i e concep s, as well as inno a i e me hods o designing and
implemen ing adap i e a chi ec u e mus be de eloped.
The esea che s in ol ed in he demons a o high- ise p ojec and in e iewed o he model s udy wo k in
he disciplines o a chi ec u e, ci il enginee ing, s uc u al enginee ing, mechanical enginee ing, sys em dynamics,
ae ospace enginee ing, isualiza ion echnology, building physics and polyme chemis y. The p ojec s uc u e o
he Collabo a i e Resea ch Cen e is di ided in o ou p ojec s: (A) Design and planning me hodology, (B) Sys em
enginee ing and design, (C) In eg a i e componen s and (D) Economic, ecological and socio-cul u al aspec s. Wi h
hei sub-p ojec "A chi ec u al Design Concep s o Adap i e Skins and S uc u es", he au ho s belong o p ojec
A "Design and Planning" and egula ly ake pa in p ojec mee ings and doc o al colloquia. The in ol ed
depa men s and esea che s o he Uni e si y o S u ga a e spa ially sepa a ed om each o he on campus and
in he ci y. In addi ion o di ec collabo a ions o speci ic design solu ions, he pa icipan s egula ly exchange
insigh s and p og ess a p ojec mee ings, doc o al colloquia and he yea ly summe school. I is ou hypo hesis
ha models play a special ole in his exchange, which is examined in his s udy.
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Figu e 1. Adap i e high- ise building in model pho o and 3D ende ings. C edi : Ins i u e o Ligh weigh
S uc u es and Concep ual Design (ILEK), Uni e si y o S u ga .
The design o he demons a o high- ise en isions an adap i e s uc u e ha in ol es many disciplines in i s
de elopmen and ealiza ion. The i s model pho o shows he a chi ec u al design wi h he winning o
demons a o and s ai owe (Figu e 1). The blue colo ed pic u e is a mosphe ically cha ged, he anspa en
ac ylic glass owe shines. The isualiza ion embodies he i educible o e all idea. In he second ende ing some
adap i e unc ions ind hei exp ession. The isola ed demons a o building wi h changing açades indica es ha
he expe imen al building will in eg a e a ious new adap i e de elopmen s. The hi d ende ing shows he design
o he i s implemen a ion o he demons a o high- ise wi h a homogeneous açade. Wi h he in oduc ion o he
esea ch p ojec including o ganisa ional s uc u es, pa icipa ing disciplines and he sho p esen a ion o he
cen al building p ojec , he backg ound o his s udy is e ealed. S a ing om his poin , he case s udy examines
he use o a ious models in he de elopmen and implemen a ion o he adap i e high- ise.
Figu e 2. T ansla ions o model indings in o ske ches and d awings.
3. Me hodological app oach
In he case s udy wi hin he Collabo a i e Resea ch Cen e , semi-s uc u ed in e iews and in e p e a i e g aphic
ansla ion we e combined as a me hodological app oach. The au ho s hemsel es a e wo king on a sub-p ojec on
a chi ec u al concep s and egula ly ake pa in p ojec mee ings and doc o al colloquia, which led o he
hypo hesis ha he models a e o pa icula impo ance in he mul idisciplina y esea ch p ojec . In o de o gain
u he insigh s, semi-s uc u ed in e iews wi h colleagues we e conduc ed (Hel e ich, 2014, pp. 559-74). The
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esea che s we e asked abou he use o models in hei sub-p ojec , including challenges o su p ises, abou he
ela ionship o he demons a o building, and abou he ype and ole o hei own and o he models in exchange
wi h o he esea che s. The in e iews we e conduc ed acco ding o he p inciple “ ollow he ac o s” om he ac o
ne wo k heo y, which is based on he assump ion ha human and non-human beings a e equally in ol ed in
ac ions, hus also in design and esea ch p ocesses (Yane a, 2009, pp. 23-27). Wi h his app oach, he ques ion o
con ibu ions o he models o he design and de elopmen p ocess o he demons a o building we e being kep
open. S a ing wi h in e iews in ou own p ojec g oup, he selec ion was la e based on in o ma ion om
esponden s who o en e e ed us di ec ly o colleagues and models who we e also in ol ed in he design,
de elopmen and implemen a ion p ocess o he demons a o high- ise. A o al o 20 ou o 25 esea che s we e
in e iewed, which shows ha he wo k o many pa icipan s is closely ela ed o he demons a o building. The
esul s o he obse a ions and in e iews we e ansla ed in o ske ches. This o m o in e p e a i e esea ch eco ds
he mos impo an indings in g aphics (Ulbe , 2017, p. 84). Subsequen ly, he ske ches we e a anged in a i s
e e ence sys em showing he model ypes in he ela ional con ex (Figu e 2). The p ocessing o he ske ches in o
d awings makes he esea ch ne wo k ound in his s udy eadable o o he s. E e y single d awing ep esen s a
model wi h ce ain cha ac e is ics ha a e e ealed in he desc ip ion. The esul s o his model s udy we e
elabo a ed bo h in discou se and in g aphics. The s udy and he su ey we e communica ed in p ojec mee ings,
la e i s esul s and ske ches o he model cosmos we e shown and inally he d awings and esul s we e p esen ed.
This enabled a discussion in which ou esul s could be e iewed by ou esea ch colleagues (Dö ing, Bo z, 2016,
p. 70).
Figu e 3. Model cosmos wi h analyzed models in ela ion o he demons a o high- ise.
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4. Model cosmos
The model cosmos documen s all models o he Collabo a i e Resea ch Cen e ound in he s udy in a ela ion o
he demons a o high- ise (Figu e 3). The d awing gi es an o e iew o he models de eloped wi hou scaling
and used in wo and a hal yea s o ongoing esea ch. Like an abs ac map, i shows de ec ed e e ences and
connec ions o he models in hei all-dimensional and simul aneous de elopmen . The e ical and ho izon al axes
display all models o he demons a o building, he lowe hal gi es space o models o de eloped adap i e
componen s, and e lec i e and analy ical models a e p esen ed as su ounding sa elli es. Unde s ood as h ee
ca ego ies, he indi idual models and hei asks as well as hei ela ionship o he demons a o high- ise a e
discussed sepa a ely. These include physical and digi al design, calcula ion, simula ion and unc ional models,
mockups, samples and heo e ical p ocess models. Each indi idual model d awing un olds i s asks, meaning and
e e ences in he desc ip ion and discussion.
Figu e 4. Models o he demons a o high- ise in model cosmos.
4.1 Models o he demons a o high- ise
The i s conside a ion o he model cosmos ocuses on comple e models o he demons a o building ha we e
ound in he model s udy (Figu e 4). The a chi ec u al design models lead om he op down o he cen ally
depic ed demons a o high- ise. The i s model, made o ac ylic glass, is an u ban planning model on a scale o
1:1000. This model and i s blue pho os se e as a ision and ole model in he Collabo a i e Resea ch Cen e
(Figu e 1, le ). The a chi ec u al design p esen ed in his model pe sis s h oughou he mul idisciplina y planning
p ocess and is he e o e unde s ood as a posi ioning. This can be seen in he second a chi ec u al model made o
wood in he scale o 1:500, which conc e izes he design in e ms o he numbe o loo s and cons uc ion ype.
Bo h models s and in an u ban con ex , which is no shown in he g aphic, bu can be seen o example on he
model pho o (Figu e 1, le ). Below he cen al demons a o , he building model is iewed h ough augmen ed
eali y glasses ha enable he wea e o expe ience he high- ise building in ad ance in a mixed eali y, i ually
in ull size a he eal cons uc ion si e. The cu en ende ing o he demons a o building is based on he same
3D model (Figu e 1, igh ). Bo h p o ide a p e iew o he appea ance o he possible u u e.

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Ho izon ally, he d awing depic s he unc ional models ound in his s udy o he demons a o high- ise. The
ini e elemen model (FEM) shown o he igh o he demons a o building p o ides he necessa y knowledge o
he adap i e s uc u e. The digi al model o he load-bea ing s uc u e is used o calcula e he occu ing loads,
bending and o sion, ha means he de o ma ion igu e. The esea che also use his model o de e mine he
posi ion o he ac ua o s, as shown on he igh . To he le o he adap i e high- ise, he 1:18 model demons a es
i s beha io wi h adap i e eac ions. Wi h he wo ib a ion pla es, he model is se in o oscilla ions, which a e
ac i ely compensa ed by he ac ua ed columns and diagonals. I is also used o eco d he mo emen s by came a
and o de elop a edundan su eillance sys em. The adap i e beha io o he 1:18 model and he demons a o
high- ise is coo dina ed ia sys em con ol. Shown on he le , he de eloped sys em model con ols he ac ua o s
based on he incoming senso da a. The sys em model and 1:18 model a e used o analyze occu ing e o s and o
de elop a ailu e-sa e sys em, as shown on he a le .
The models o he e ical and ho izon al axis ha e undamen ally di e en cha ac e is ics. The a chi ec u al
models e e o a whole, he ision o he ealized and con ex ualized demons a o high- ise. The ini ial
a chi ec u al models can be unde s ood as a conc e ion, as hey ei y an idea o he i s ime. Bo h, he i s ac ylic
glass model and also he second wooden model wi h a owe su ounded by anspa en pape de ine he olume
spa ially. In hei abs ac , some imes exagge a ed design, hey bea mani old e e ences no only o place, local
building cul u e, use, bu also o a chi ec u al his o y. Bo h models a e se in he u ban con ex ; he augmen ed
eali y model is also bes iewed a he building si e. All h ee in ol e he su oundings and open up pe spec i es
o he u u e high- ise and possible quali ies, shape, and use. The a chi ec u al design is o ma i e o he u he
design p ocess, as he i s model is a posi ioning and unc ions as a ision and ole model o he u he
in e disciplina y design p ocess. The ollowing unc ional models educe he a chi ec u al concep ion o he
bene i o a unc ion, hey conc e ize in pa icula he adap i e dimensions o he a chi ec u al design. I becomes
appa en ha a chi ec u al models ollow a holis ic app oach, while unc ional models educe he o e all design
o execu e and ep esen he adap i e beha io .
Figu e 5. Model cosmos wi h adap i e componen s o he demons a o high- ise.
4.2 Models o he de elopmen o adap i e componen s
In second conside a ion o he model cosmos, he models ound in his s udy, which we e c ea ed in he cou se o
he de elopmen o a ious adap i e componen s o he demons a o high- ise building, a e discussed (Figu e 5).
The 1:1 ame p o o ype on he le has one qua e o he heigh and he açade wid h o he demons a o building.
I was buil o es he unc ionali y o he ac ua ed componen s on a s uc u al uni . As planned o he high- ise,
he de eloped ac ua o s a e se ially in eg a ed in o he diagonals and connec ed in pa allel inside he s eel column.
Wi h he cons uc ion o he ame p o o ype, he sys em o he ac i a ed s uc u e was success ully es ed and he
measu emen da a could alida e he s a ic calcula ions. The esea che s imp o ed he design o he ac ua o s o
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he high- ise on he basis o he knowledge gained om he 1:1 ame. In he de elopmen o he ac ua o s,
comp essi e o ces om he hyd aulics had o be edi ec ed in o ensile o ces o he diagonals. The esea che s
ound ha he 1:10 models o he ac ua o s om he 3D p in e con eyed he unc ional p inciple much be e han
ende ings.
The high- ise design allows adap i e componen s o be g adually ins alled and es ed such as adap i e açades,
as shown on he igh . A i s açade p ojec looks o sma ma e ials and echnical con ols o eplace he
p ope ies o he missing mass in ligh weigh cons uc ion. Concep s o adap i e açade elemen s a e i s
e alua ed in e ms o building physics in a combina ion o di e en so wa e, since hese can only simula e ixed
s a es and no hei ansi ions. Be o e ealiza ion, mockup models illus a e he unc ional p inciple, e.g. a
empe a u e-dependen su ace change om ligh o da k. A second p ojec de elops sandwich açade elemen s
wi h in e nal olding s uc u es, which mus i s unde go endu ance es ing. The es ed olded s uc u es indica e
possible ac u es and a e used o demons a e he olding p inciple. A u he p ojec is expe imen ing wi h
elec oac i e polyme ac ua o s (EPA) o swi chable b ea habili y in building skins. The EPA memb ane samples
p o e he possible p oduc ion and con ol be o e unc ion-op imized p o o ypes a e ab ica ed. In addi ion, senso y
and anspa en ibe -ma ix composi e ma e ials a e de eloped o gas- illed and adap i e açade cushions. Based
on chemical calcula ions, ma e ial samples a e p epa ed, whose analysis and indings imp o e u he samples.
G adually, he desi ed adap i e ma e ial p ope ies a e app oached. All unc ionally op imized açade sys ems will
be ins alled and es ed on he demons a o high- ise. This also includes conc e e beams wi h in eg a ed luid
ac ua o s, whose unc ionali y and esiliency a e examined wi h es objec s. While a simula ion is ma hema ically
exac , ole ances a ise du ing he p ac ical implemen a ion, which explains why physical unc ional models a e
necessa y. De ia ions allow esea che s o d aw conclusions on inaccu a e simula ion, on la ge ole ances in he
implemen a ion o w ong assump ions.
The s udy shows ha i is an impo an in eg a i e ea u e o he a chi ec u al design ha he high- ise is open
o he successi e ex ension o adap i i y. Tha means, he ins alla ion o he de eloped adap i e componen s one
a e he o he . In he de elopmen o hose componen s, concep s and echnical calcula ions a e ans o med in o
models o samples. In he s udy i becomes clea , ha while mockups only illus a e he adap i e p inciple,
unc ional models and ma e ial samples con i m and p o e he possible p oduc ion and pe o m an adap i e
unc ion. The impe ec samples p o ide he esea che s wi h impo an in o ma ion o possible imp o emen s in
calcula ion o implemen a ion. Wi h each new es , he esea che s app oach he desi ed adap i e ma e ial
p ope ies and quali ies. Wi h he ins alla ion o he adap i e açades and beams in he demons a o high- ise, a
comple e measu emen alida ion becomes possible. As a esul , he deg ee o adap a ion o he adap i e high- ise
building g adually inc eases.
Figu e 6: Model cosmos wi h analy ic p ojec s o he demons a o high- ise.
4.3 Theo e ical, e lec i e and p ojec i e p ojec s on he demons a o high- ise
The hi d ca ego y shows analy ical models ound in he s udy ha e lec he design, planning and de elopmen
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p ocess o he high- ise o ea i as a case s udy (Figu e 6). The complex design and planning p ocess o he
demons a o high- ise is e lec ed in a p ocess model and ecommends ea ly mul idisciplina y coope a ion
be ween a chi ec u e, s uc u al design, sys em dynamics and mechanical enginee ing o adap i e building ( op
le ). As shown on he igh , a pa ame e -based compu a ional design ool is de eloped o in eg a e he di e en
and some imes con adic o y adap a ion goals in o he design p ocess om he e y beginning. Fo his pu pose,
op imiza ion algo i hms de eloped on he high- ise a e in eg a ed in o he p og am, bu also au onomous design
in e en ions by a chi ec s a e made possible. In he hi d p ojec , he ecological sus ainabili y o he high- ise is
balanced wi hin he amewo k o he li e cycle analysis (LCA), and i is examined o see whe he a d i en s uc u e
is mo e sus ainable han a con en ional one, whe eby adap i e ope a ion mus also be included in he calcula ion.
Fo his pu pose, esea che s de e mine he CO2 balance o building ma e ials, cons uc ion, ope a ion phase and
ecycling in he calcula ion model. As a ou h p ojec , he de elopmen and con ol o an adap i e indoo clima e
is shown, which is linked o esea ch on adap i e açades. The adap i e indoo clima e eac s o indi idual use
needs and en i onmen al condi ions, i s in he simula ion and la e on one loo in he demons a o high- ise.
Finally, ou own subp ojec should be men ioned he e, since he model cosmos e lec s he use o di e en model
ypes and hei ela ions o each o he as well as hei con ibu ion o he implemen a ion o he high- ise.
The analy ical models ound in he s udy a e no only used o e lec and isualize p ocesses bu also o
calcula e and simula e p ocedu es. The eby, he analy ical models indica e ha he en i e esea ch p ojec can be
unde s ood as a model om whose de elopmen s and indings, algo i hms, compu e p og ams, echnical sys ems,
secu i y s anda ds, s anda diza ion, me hods and p ocess models a e de i ed. The publica ions o he a ious
de elopmen s and conside a ions ha e he e ec ha he adap i e high- ise is al eady placed in he esea ch
discou se be o e i s implemen a ion. The buil demons a o high- ise will in u n be a "model" o o he adap i e
buildings.
Figu e 7: Design p ocess wi h a chi ec u al and unc ional models o he demons a o high- ise.
5. Design and de elopmen models in he adap i e design p ocess
The a chi ec u al design and de elopmen p ocess o adap i e s uc u es uns in pa allel, so a chi ec u al planning
mus be open o he p og ess o he disciplines in ol ed. The a chi ec u al models (Figu e 7, model 1 and 3) show
he owe as mass and space, he second one wi h a s a emen abou he cons uc ion. The s uc u al models (2 and
5) desc ibe s a ic o con ol sys ems and a e ma hema ically unc ional models. In he 1:18 model and he 1:1 ame
p o o ype (4 and 6), he de elopmen s om building cons uc ion, mechanical enginee ing and con ol echnology
come oge he , o a s a ically adap i e eac ion. All models g adually con ibu e o he implemen a ion o he
adap i e high- ise s uc u e (7).
The i s a chi ec u al model, as a ole model, de e mines he u he design p ocess. The quali a i e
e alua ion o he a chi ec u al models is based on a chi ec u al, spa ial and aes he ic c i e ia. The a chi ec u al
models e e o a planned whole, he demons a o high- ise, and a e open and in ended o in eg a e he upcoming
( echnically) de elopmen s and de ailing o o he disciplines. The unc ional models conside ably educe he
a chi ec u al design in o de o de elop selec ed unc ions, mo emen s o beha io s. As ac i a ed models, hey
pe o m o simula e he beha io o he adap i e s uc u e o calcula ion and dimensioning, de elopmen and
con ol, and o in es iga ion. The e o e, unc ional models a e always quan i a i ely e alua ed and op imized
acco dingly.
Rega ding he adap i e design in he analyzed p ojec , he a chi ec s a e esponsible o he holis ic
conside a ion and o m inding, unde s ood as an ini ial ision; he necessa y in eg a ed unc ional, sys emic and
echnical solu ions a e de eloped in close in e disciplina y coope a ion. In his p ojec , he adap i e beha io is
cu en ly only ca ied ou by he unc ional models and has been omi ed in he a chi ec u al models. In u u e
adap i e a chi ec u e p ojec s his could change. Associa ed wi h his, new asks o bo h he a chi ec u al models
and he a chi ec u e become appa en . Adap i e a chi ec u e needs new o addi ional models ha pe o m. In
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addi ion o he de e mined models, dynamic models a e needed ha show changing s a es o adap a ion.
Figu e 8. Models and esea che in he mul idisciplina y design ne wo k.
6. Models as signi ican ac o s in he mul idisciplina y p ojec de elopmen
In addi ion o hei di ec con ibu ion o he design, de elopmen and ealiza ion o he demons a o high- ise,
he models ha e u he essen ial unc ions and asks ha a e impo an o he success o he p ojec . These a e
so and inhe en dimensions ha hey ake on as non-human ac o s and which a e e ealed in he join
conside a ion wi h he esea che s in he esea ch p ocess (Figu e 8). The models and hei images also ha e an
essen ial social dimension. The holis ic a chi ec u al design app oach ma ks he beginning o he p ojec and uni es
esea che s om a ious disciplines because he o e all a chi ec u al idea p o ides o ien a ion and mo i a ion
o all pa icipan s by o mula ing a common ision. While he esea ch p ocess con inues, all o he models and
hei illus a ions emain as impo an miles ones in he p ojec de elopmen .
The design p ocess is a mul idimensional, simul aneous and collabo a i e de elopmen wi h a ious
discipline-speci ic con ibu ions o he implemen a ion o he high- ise. The e o e, he a chi ec u al design is open
so ha a join de elopmen and de ailing is possible. In he adap i e high- ise p ojec , he ea ly coope a ion o he
disciplines, especially a chi ec u e, s uc u al mechanics and sys em dynamics, was new o e e yone, and hus
also he ch onological coo dina ion and specialized communica ion. Bu pa icula ly o adap i e a chi ec u e,
close and ea ly in e disciplina y coope a ion p omo es well in eg a ed design solu ions (Honold, Leis ne e al.
2019). All models in he model cosmos s and o he mul idisciplina y asks and coope a ion o ealize he adap i e
high- ise.