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Analyzing and teaching diversity and gender with a case study

Abstract

Underline the value of diversity is of great interest resulting in a changing, flexible social context and aims to maintain the welfare state and the effectiveness of both labor organizations and school or sports; in community life. The analysis and the work of these films in the classroom can promote the exchange of ideas and shared enrichment. All with the purpose of helping undoubtedly the qualification of a personal identity but also in the construction of acceptable for everyone group and social identity. Having this budget heading, we consider gauge the value of gender diversity in sport and offer cinema as an effective way to think about it doing a content analysis of three films and proposing keys to be used in the classroom tool.

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Analyzing and teaching diversity and gender with a case study

Author: Núñez Domínguez, Trinidad; García González, Alfonso Javier
Publisher: Center for Promoting Ideas (CPI
Year: 2014
Source: https://idus.us.es/bitstreams/4435741a-22c4-494b-8955-03057b18a6f1/download
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Analyzing and Teaching Di e si y and Gende wi h a Case S udy
Núñez, M.T.
Ga cía, A.J.
Social Psychology Depa men
Uni e si y o Se ille
Se illa, Spain.
Abs ac
Unde line he alue o di e si y is o g ea in e es esul ing in a changing, lexible social con ex and aims o
main ain he wel a e s a e and he e ec i eness o bo h labo o ganiza ions and school o spo s; in communi y
li e. The analysis and he wo k o hese ilms in he class oom can p omo e he exchange o ideas and sha ed
en ichmen . All wi h he pu pose o helping undoub edly he quali ica ion o a pe sonal iden i y bu also in he
cons uc ion o accep able o e e yone g oup and social iden i y. Ha ing his budge heading, we conside gauge
he alue o gende di e si y in spo and o e cinema as an e ec i e way o hink abou i doing a con en
analysis o h ee ilms and p oposing keys o be used in he class oom ool.
Keywo ds: Spo , Cinema, Gende , Di e si y Managemen
In oduc ion: Budge s S a ing
We highligh h ee issues ha seem ele an . In No embe 2003, he Gene al Assembly adop ed esolu ion 58/5
wi h in i es Go e nmen s o conside spo as a means o p omo e educa ion, heal h and communi y de elopmen .
2005 was also named he In e na ional Yea o Spo and Physical Educa ion, p o ided ha con ibu es e y
e ec i ely, human and social de elopmen . In 2008, he Audio isual Council o Andalusia b ings ou a s udy ha
highligh s he in isibili y o women in ele ised spo . These p eceden s, legal, symbolic and expe imen al, ha e
inspi ed and ocused ou e lec ion. A e lec ion ha is ancho ed in h ee a eas o analysis: in e pe sonal and
social alues as a ool o enhancing communi y heal h, spo and gende and ilm as a eaching esou ce and
he e o e use ul o co ne gende bias.
1.1. In e pe sonal and Social Values, A gumen s o Communi y Change
1.1.1. Values
The alue is a commodi y ha esponds o human needs and is used as a c i e ion o e alua e he goodness o ou
ac ions. F om a p ac ical poin o iew, he alues should ge a decen de elopmen and quali y li e o bo h he
pe son himsel and o o he s (González Lucini, quo ed by Núñez, 2009a). P omo e e lec ion abou alues
include encou aging, s eng hening and / o p o ec ion ac ions, si ua ions and en i onmen s ha lead o pe sonal
and communal li e wi h quali y. On he o he hand, we conside ha o in e ene app op ia ely in he communi y
(and especially in he educa ional communi y) ca alogs alues epo ed in he li e a u e should be made speci ic
p oposals o ac ion. F om he look we wan ed o p opose a decalogue o alues di ided in o h ee block: pe sonal
alues ; in e pe sonal alues and social alues.
Pe sonal alues :
• Lea n o lis en ac i ely and empa he ically.
• Lea n o wai .
• Lea n o lose. Take ailu e as a basic p ocess o lea ning h oughou li e.
• De elop a sense o esponsibili y, s eng hen he cul u e o e o : o ganiza ion, e o s o make hings igh ,
ollow expe ins uc ions.
• Enhance sel -es eem, accep and lo e.
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In e pe sonal alues:
• Respec o he elde ly. P es ige p o essionals and accep hei au ho i y. And we alk abou espec , no blind
obedience.
• Show solida i y wi h people di e en om us; be ole an accep ing o he eali ies, o he ways o being and
doing.
• lend o help o he s wi h special needs.
• Use humo and good manne s o ela e and coope a e.
social alues
• Respec public goods and se ices ha a e he common he i age.
The e o e, he Decalogue o alues ha should be p omo ed, especially in educa ion whe e people who a e in i
a e in a p ocess o basic aining a e: accep ance, pe sonal ca e, au onomy, esponsibili y, solida i y, espec o
di e si y, iendship, coope a ion, ole ance and espec o he objec s.
1.1.2. The Value o Di e si y and Gende Di e si y
The e is no denying ha he plu ali y o op ions in di e en a eas o li e, p o ides a weal h ha is claiming
s eadily. Fo his eason, he new social con ex whe e li e ac i e denuncia ion o adi ionally disc imina ed
g oups, new mig a o y mo emen s, he in e na ionaliza ion o he economy, echnological and in o ma ional
changes powe ul, is demanding a quick adap a ion o socie y and, o cou se, adap ing one o i s mos impo an
mani es a ions: labo o ganiza ions, educa ional....
As well as loop mode, i makes he legisla u e balance i by gi ing legal p o ec ion o such changes. Thus we can
say ha he new Spanish laws go e ning he wo ld o o mal ela ions, explici ly p o ec agains disc imina ion o
people because o hei gende , acial o e hnic o igin, disabili y, sexual o ien a ion o eligious belie s.
On he opposi e o he de ense o cul u al di e si y concep ual pole is seg ega ion. The "di e en " people a e
elega ed o a seconda y ole, wi h ewe igh s and less likely. Al hough keep in a Wes e n cul u e whe e
di e ences a e espec ed legally, close obse a ion o e e yday ela ional p ocesses lead o biased poin
seg ega ionis p ac ices.
Wha p ejudice means a se o igid opinions (nega i e and un a o able) o one g oup o e ano he . O en he bias
is explici , open o clea . Howe e , in many o he is sub le, is bu ied, i is easily ecognized and hus is a mo e
dange ous. To "unde s and" please e e o he con ex o in e - g oup ela ions. Usually ake place in he majo i y
- mino i y in he la ge o ha de g oup o ano he g oup nega i ely s e eo ype and social bene i s ob ained
denying oppo uni ies o people o ha o he g oup ela ionship. A he same ime, ind a scapegoa o
downloading hei own us a ions and a i m hei sel -es eem g oup. As men ioned elsewhe e (Núñez, 2009b),
speci ically gende s e eo ypes a e biased expec a ions abou men and women ha bias pe cep ion, in e p e a ion
and ecall o in o ma ion. So, i we accep ha a cha ac e is ic ea u e o a woman is o be "emo ional" be o e
man is " a ional ", will end o emembe momen s when a woman pu i his way. The end esul is he
s eng hening o his judgmen al s e eo ype, i s oo s in he collec i e mind, and s ill emains ac i e e en s onge
han a ce ain philosophical o e en a speci ic o mula ions ha legal ideas.
1.2. Gende and Spo . S e eo ype P ejudice
Al hough no explici ly conside ed so wished, he spo has been an ac i i y in ima ely ied o he male gende ;
ha is s e eo ypically been conside ed "s ong." This has p ejudged whe eas women wi h his " weakness " a e no
as quali ied o exe cise i , seg ega ing. One idea ha may low om such conside a ion (sha ed) is ha spo
somehow is linked o he isk and he isk is "men " (Es eba anz and Nunez, 2010). Mo eo e , i could be said ha
he compe i i e dimension o spo is qui e aken by men while o women spo s, in many cases, i is an
oppo uni y o sha e (Se e 2006). I we s opped a his iew you can clea ly see ha he e a e p ejudicial
s e eo ype backg ound and en ails ob ious side e ec s: men a e a ional and women emo ional; men like hem
and mo es isk ambi ion while women mo e h ough in e pe sonal ela ionships and communica ion.
Thus i is ins alled in he collec i e unconscious ha has no been di icul o conside a woman p ac icing spo
wi h some e ec i eness as " male " and he man who has skills o p ac ice as " e emina e ". In ha sense we
unde s and he wo ds o Se e (2006, p.4), who s a es ha " In many socie ies ends o disp o e he spo o
women." P esumably because i makes women less because hey lose he " eminine sensibili y ".
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Wo ds a e blun Gonzales and Fe nandez (2009, p.128), s a ing ha he spo is implici beha io s and
cha ac e is ics o hegemonic masculini y model ea u es... We alk abou physical s eng h, agg ession, powe ,
iolen ac ions in he unde lying alida ion o he ideal male.
No longe s iking, while expec ed, some o he conclusions we each he so Blández (2007). In e es ing is
lis ening o elemen a y s uden s alking abou spo and physical ac i i y, because hey ecognize ha each gende
has di e en as es and in e es s. They belie e ha he kids like mos e e y hing ela ed o spo s ha in ol e
o ce o iolence and gi ls spo s a . In u n, hese s uden s epo ha eache s in seconda y ea ed unequally
boys and gi ls: a leas hey a e equi ed.
Following hese lines o analy ical e lec ion, seem ele an da a p o ided by he Fede a ion o P og essi e
Women (2008). Fo example eminds us ha he c ea o o he mode n Olympic Games did no allow he
pa icipa ion o women. The e is mo e o make an assessmen o pa icipa ion a es o women in he Olympics o
conclude ha women and spo do no always go hand in hand. F om 1896 o 1996, he a e age emale
pa icipa ion in hem has been o 17.55%; his da a can gi e us a clue abou he social ega d in which women in
spo .
Fo all hese easons, we belie e ha he ho izon al gende seg ega ion in g ass oo s spo (which could
di e en ia e he eli e), is unheal hy and impo e ished in e pe sonal ela ionships and coope a i e lea ning. We
unde s and ha he inco po a ion o women in o he spo has been accompanied by o he modes o p ac ice and
unde s and his ac i i y and sha e wi h P a Sole Puig Ba a a and ha " di e ence i Desigual a dues a e Les
pe spec i es d' anàlisi ha enssembla necessa i u ili za simul àniamen " o s udy he si ua ion o women and
spo (2004. p.77).
1.3. The Film and i s Educa ional Impo ance
Fo some ime i was conside ed he cinema as he ul ima e o m o escape om eali y. Howe e , many people
now conside him as a wi ness in he wo ld and, in his sense, becomes a mi o o look a he social eali y. Tha
is why we s ess i as powe ul socializing agen because i shows beha io al models, p oduces eac ions;
ansmi ed belie s, alues ... (Núñez, 2009b). P ecisely ha socializing ision is he basis o some au ho s alk
abou mo ies as public pedagogies (Mo duchowicz e al, 2004). Speci ically Loza and p ayed (2010) de end he
educa ional in e es o he cinema o wo k alues using spo s- ela ed mo ies ( iewed on cinemas, h ough ideo,
ele ision, compu e o o he sc een...).
Used as a eaching ool, he e o e, has been helping o decen alize he class oom as a unique space in he
cons uc ion o eali y; ie, pa icipa ing in he cons uc ion o knowledge (Go dillo, 2010). Because mo ies do
mo e han en e ain: o e wo ld iews; mobilize desi es, eelings; posi ions and in luence ou pe cep ions o
eali y and helps us build socie y.
Me hod he Case S udy as a Wo king Me hodology
1. The case s udy
The case s udy (case me hod) has a double meaning: as a esea ch ool and as an in e en ion s a egy in he
class oom.
I can be unde s ood as a esea ch ool ha will hen allow conc e e esul s as i a emp s o answe ques ions like
how o why deepe han s a is ical s udies. In his sense, he case s udy me hod is a aluable ool in he
in es iga ion and i s g ea es s eng h is ha h ough i is measu ed, he beha io o he people in ol ed is
eco ded in he s udied phenomenon (Ma inez, 2006: 167). Was a me hod widely used in he social sciences;
pa icula ly in a eas ela ed o educa ion, you h policy o social p oblems esea ch. Al hough he s eng h is he
dep h in ob aining esul s, i is also ecognized ha one o he main weaknesses associa ed is ha hei
conclusions a e no s a is ically gene alizable. Sosa (2006) acknowledged ha he case does no ep esen a
sample om a popula ion which can no be s a is ically gene alizable. We unde s and wi h a ious scien i ic
au ho i ies o be conside ed as heo e ical - e lexi e p oposi ions as he aim o in es iga ing he pe son mus be o
expand and gene alize heo ies (wha has been e med in he li e a u e as analy ical gene aliza ion).
Howe e , he case me hod can also be unde s ood as an in e en ion s a egy in he class oom. The cases become
ins umen s which cause analysis and e lec ion because h ough hem is ake a " piece o eali y " o b ing o he
class oom e e yday si ua ions.
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Asopa and Be e (2001) de ine i as a lea ning me hod based on pa icipa ion, coope a ion and democ a ic
dialogue o he s uden s. In his de ini ion he impo ance ha s uden s ake an ac i e and coope a i e ole in
eaching consensus and join decision-making is emphasized. And so we unde s and i in his wo k.
2. S udying Gende Values h ough Film
P opose is s udy o h ee cases co espond o h ee ilms: Bend I Like Beckham; She's he Man, and O side
(O side).
Wha condi ions mus exis in a i s app oxima ion o a mo ie so you can help in he de ec ion and lea ning o
alues? Well ha e o bea in mind a leas h ee dimensions o con en :
- Messages (wha is said and how)
- People (who and why)
- Con ex s (whe e hose messages a e p oduced, whe e he appo is es ablished)
I we limi ou sel es o he s o ies na a ed in he h ee chosen ilms, we mus cla i y: Messages. In e es ingly
(almos essen ial) analyze wha he cha ac e s say: wha kind o wo ds and exp essions a e used by hem; How do
you alk abou eelings ?; Wha ideas and belie s s and ? I is also in e es ing o no e non e bal aspec s. People. I
is e y e ealing o analyze he physical cha ac e is ics ha p esen he cha ac e s; age, cause wha imp ession:
a e "models" o emula e? Con ex s. I is also impo an o include in his e lec ion whe e he in e ac ion occu s:
he spaces; physical and en i onmen al condi ions su ounding in e ac ions.
Resul s: Analyzing he Th ee Films
The h ee cases chosen o analysis a e mo ies o di e en na ionali ies and la ge di e ences in quali y and na u e
in he ace o exhibi ion and dis ibu ion: Bend I Like Beckham, She's he Man, and O side. Bu despi e he
con as s be ween hem, he h ee ilms ep esen a s uggle o young women o ge he same igh s and
oppo uni ies as boys his age. Righ s and eedoms in amily, spo s o social, om he spo o socce in all h ee
cases. Each ilm o ganizes he plo elemen s om cha ac e s in his ca ee , se ed bo h alues (pe sonal,
in e pe sonal o social) and dis alues o an i. Le 's look a each o hem sepa a ely.
Bend I Like Beckham (Bend I Like Beckham, UK, 2002) is a ilm by Gu inde Chadha a B i ish ilm di ec o o
Indian o igin. The plo e ol es a ound he cha ac e o Jess, a gi l li ing in he subu bs o London, whose pa en s
a e i s gene a ion Punjabi immig an s. The amily p o esses he Sikh eligion and espec s Indian adi ions bu
allows s udy Jess always o ma y an Indian guy and is a pe ec housewi e. Nei he his pa en s no his sis e Jess
unde s and he ondness o oo ball p ac ice e e y day and, much less aking i se iously. So Jess mus sec e ly
ain his pa en s. I 's a sma , s udious, espec ul and obedien olde gi l, bu he likes o play oo ball. And i 's
e y good playe . Jules One day, a gi l playing in he ama eu women's oo ball eam he Hounslow Ha ie s,
p oposes o you o do a es o play on he eam. The coach accep s i , he gi ls, especially Jules a e deligh ed wi h
his signing. Bu he amily does no ag ee. Among Indian adi ions is no in good as e o a gi l o ma iageable
age (Jess has u ned 18) will make spo wi h li le clo hing. So I will ha e o s a hiding ha is on he compu e
and la e when hey lea n, lea n o lie.
This ilm will highligh se e al cha ac e s: Jess and he iend Jules, he pa en s o bo h and he olde sis e Jess,
Pimky. Jess and Jules a e wo heal hy young a hle es, chee ul and e y di e en amily ci cums ances. Despi e
ha good iends a e made and pe ec ly complemen he ield. Despi e he cul u al di e ences o o igin hey a e
no ela ed as o eign hanks o he in e es o bo h he spo . The passion o oo ball uni es hem, hough a one
poin sepa a es he ilm 's lo e in e es by he same man: he coach, who e en ually op s choosing Jess. The
amily has wo e y dis inc cha ac e is ics. Howe e he wo mo he s a e p esen ed in simila con ex s. Jess 's
mo he , whose usual home is he amily oom, i s appea s in he ki chen peeling ca o s and gi ing o de s o his
daugh e s. Jules 's mo he in he ilm al e na ing domes ic and social spaces - is p esen ed by selec ing li y and
eminine linge ie o he daugh e , e en hough i op s o mo e spo swea . These adi ional and pa ia chal
con ex s a e common in he wo mo he s, despi e hei di e en o igins and cul u al di e ences. Jess 's mo he
ejec s oo ball and is de e mined o each he o cook, exp essing messages as
"I wan you o un hal naked be o e men "
" A you age I was al eady ma ied and you do no e en wan o lea n o cook "
" Wha decen amily wan o ha e a daugh e who spends he day kicking he ball bu does no know p epa ing
chapa is [ o illa ] ? "
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He e en opposing socce p ac ice wi h elemen s o Indian cul u al adi ion. When Jesus speaks o hono
supposed o play in a eam like he Hounslow Ha ie s, he mo he eplied saying: " Is he e no g ea e hono han
o espec you elde s ? " In ac he opposi ion is aced by gi ls. widesp ead, no only pa s o he mo he o Jesus.
In he d essing oom when she con esses ha in he Indian adi ion he gi ls should no play oo ball, a ellow
eam quali ies ou da ed ha adi ion. Bu Jules ep oaches, saying, " I is no only some hing Indian. How many
people suppo us o us? "
Jules belonging o an English amily should accep he young spo . Howe e , he mo he is ex emely oo ball as
a male spo , and s i es o edi ec you child o know guys, is ixed, choose mo e eminine clo hes... and ebukes
he a he , who some imes plays socce wi h his daugh e , asking " When a e you going o ealize you ha e a
daugh e wi h boobs, no a son ? " o wo ying abou success wi h he child en o he daugh e , de e mined o go
ou wi h one, and blaming he spo ha she does no ha e boy iend: " No guy wan o da e a gi l who has mo e
muscle han him."
So, as we see, he p ejudices o he mo he o Jules a e no less han hose o he mo he o Jesus. Al hough his
guide will no he weigh o any adi ion o eligion, has a s e eo yped iew o Indian cul u e and a he i s sign,
misin e p e s he iendship be ween he wo gi ls, g ea ly disliking a lesbian ela ionship be ween hem.
Howe e , in he ilm, he pa en s can come o unde s and hei daugh e s e en help you. Jules 's a he p ac iced
oo ball and i is much mo e dialogue and unde s anding han he mo he . O en discussed ma iage by showing
suppo o di e en spo s hobbies o his only daugh e . And Jess 's a he , who ea ly in he ilm emains ou side
hobby o opposes his daugh e , when one day decides o play i unde s ands ha i is e y good, and ha is se ious
abou he spo . Since hen ha e a g ea e deg ee o ole ance and suppo , lea ing e en go back o play Mo he 's
Day Wedding Pimky. No ag ee ha ela es emo ionally wi h coach - a leas when whole - al hough his
unde s anding and ole an cha ac e and hei abili y o lis en o hei daugh e s, le s you play c icke wi h he
guy, jus he end o he ilm.
The Indian women's wo ld does no unde s and he lo e o Jesus o oo ball. Nei he his own sis e may like
unde s ood as bo h a spo and no a he go ou wi h boys. Pimky is shallow and li a ious, easily compe es wi h
he iends o any li le hing ela ed o clo hing, makeup o accesso ies. Thei goal is ma iage, bu always wi h a
gi l o he same cul u e. Al hough disobeys his pa en s and lying o ha e sex wi h he boy iend, no doub
be aying Jess jeopa dized when c ea ing you wedding. Thei p ejudices spo a e simila o o he conside ing
ha he iends o Jesus a e a " dyke." Howe e , a o he imes helps you sis e so ha you can a end majo
compe i ions.
In his ilm we see Jess and Jules, along wi h he eamma es, who ha e a suppo ing ole in he ilm, belong o a
mino i y g oup o women uni ed by hei lo e o oo ball p ac ice. Pe sonal and social ejec ion a e ea ed in
amily and neighbo hood con ex s. Jess 's iends, playing wi h he in he pa k, go o a oo ball ield o play i , do
no s op making sexis , ulga and ude commen s in ela ion o women's spo .
Thus, we can de ec he ollowing alues om he a gumen discussed in he ilm. Fi s i is impo an o lea n he
pe sonal alue o lose and assume ailu e. The Hounslow Ha ie s lose an impo an game in Ge many because o
Jess, who misses a c ucial penal y. Meanwhile, Jules ge s no lo e om he coach, who op s o Jess. Once Jules
accep s his loss and assumes i s ailu e can es o e iendship and us Jesus.
Second, and ollowing pe sonal alues, Bend I Like Beckham is enhancing sel -es eem, accep ing own
sho comings. Jess has a bu n ha ugly leg. A i s he shame and emba assmen ha make you eel away om
he g oup. Bu hanks o oo ball, hei desi e o play and he a i ude o hei pa ne s, hei complex ips and
lea n o each na u ally ailing, despi e he aun s o he neighbo hood kids.
The ilm also p omo es an in e pe sonal alue, h ough solida i y wi h di e en people and ole ance wi h o he
cul u al mani es a ions. He e Indian cul u e wi h English cul u e coexis s na u ally, i only some membe s o he
second gene a ion o mig an s. The in ole ance o he Indians in hei iendly and lo ing ela ionships seen in
Jess 's amily, especially om he pa en s o he own sis e . O he in e pe sonal alue p esen in he ilm is espec
o he elde ly: Jess espec s his pa en s, especially when he a he decides o lis en and unde s and. I is an
educa ed gi l and does no like o lie (al hough i is bound o do i you wan o con inue playing he spo ).
Respec you elde s, who salu es ollowing he Indian adi ion.

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A he bo om o mos o he alues o his ilm - bo h pe sonal and social - behind e o cou age and
pe se e ance in he igh o d eams and he alue o iendship despi e cul u al di e ences. The alue o he
equipmen is essen ial in he p ac ice o a spo such as oo ball, ye he e i is in he dis an backg ound.
As he ilm de elops, i is e y in e es ing spo in ela ion o he s a us o gende and e hnici y. In he a icle i led
" Espo , gène e i e nici a . The cas o hem immig an s gi s, " Ge ud P is e discusses he ole o spo in he
li es o immig an s o Islamic o igin in wes e n coun ies (especially in Ge many). Conside , o example, ha "
he con adic ions be ween being dona ed socce playe i be c eix he ime ha i is going jugado s les g ans en
mon h " (P is e , 2004, p.122), as shown in Bend I Like Beckham.
She's he Man (She's he man, USA, 2006) is an Ame ican p oduc ion showing a ee con empo a y adap a ion o
Shakespea e 's comedy Twel h Nigh , di ec ed by Andy Fickman and s a ing een s a Amanda Bynes. I 's a
Viola gi l has alen ed a hle e playing oo ball. When he women's eam is elimina ed by no ha ing enough
playe s and is ejec ed in men wi h sexis a gumen s, decides o assume he ole o his b o he by disguising as a
boy in a new school. The e ains ha d in o de o become a good socce playe , bu complica ions om his
cos ume and he usu pa ion o his b o he 's pe sonali y mul iply.
While his is a een mo ie wi h popula een s a and s ong comme cial componen , he a gumen , as in he
p e ious ilm, e ol es a ound he claim o he igh o women o play oo ball. Bu his ime he e is a amily o
cul u al ba ie , as in he English mo ie, bu a gende bias. The p o agonis igh ing o his igh o ha e he gi ls
can play oo ball (in a mixed eam i necessa y) i hey demons a e hei abili y. Howe e , i should be no ed ha
his is no a g oup o social demand, bu a pu ely pe sonal ma e by he cha ac e o Viola. In ac , he e is no he
sligh es a emp o ge his eamma es also ge o play. And he economic s uggles a e dilu ed in a o o een
oman ic comedy, wi h equi ocal own hea e o he Golden Age and happy ending, as one would expec .
Among he ilm's highligh some pos s ha said he inequali ies be ween men and women because o he supposed
weakness, agili y and poo a hle ic abili y o hese la e . Thus, he i s boy iend Viola a gues ( o con ince he
ha he can no play in a eam o men) who do no wan o hu you sel . The coach, meanwhile, no es ha " he
gi ls a e no as as as he guys, no as s ong o as a hle ic." I men ein o ce pa ia chal a i udes and come a y,
women in he ilm do well. The mo he o he p o agonis , o example, only conce ned ha he daugh e looks a
cheesy and pompous d ess in he “dance o he debu an es ", so he asks, " how I could ha e a daugh e who jus
wan s o spend he day kicking he ball h ough a muddy ield ? ", o a o he imes says " inally will be a
ma iageable gi l ".
Among he cha ac e s in his ilm, we highligh mainly h ee: i s , he cha ac e o Viola, one, al hough
some imes omboy beau i ul young gi l, as i he igh o p ac ice oo ball became a masculine woman. Al hough
he e a e se e al men who oppose hei goal o playing oo ball (he boy iend, he coach and he es o he eam
a his school), his mo he is also con a y o he p ac ice o his spo . I mo es in adi ionally emale con ex s:
home, cos umes, cha i able o ganiza ion ai s and dance o he debu an es. I e lec s he s e eo ype o he dumb
and ich woman who only ca es abou supe icial ma e s and who does no know any hing. The ilm also e lec s
he mo e adi ional and conse a i e elemen s o he U.S., and swee ened Pu i an model o he eenage audience
o whom i is di ec ed his mo ie.
As o he alues ound, he e is one o a pe sonal na u e: de elop a cul u e o e o , o ganiza ion, e o s o make
hings igh , ollow expe ins uc ions. This alue is di ec ly ela ed o he heme o spo in he ilm. The
cha ac e o Viola wan abo e all o be a good oo balle and p o e he can play a he same le el as hose guys.
The coach and his iend Duke a e he expe s ha gi e guidelines o lea ning. And his de e mina ion, willpowe ,
and s olen he d eam o ain i elessly allow you o achie e you goal hou s. And his de e mina ion, willpowe ,
and s olen he d eam o ain i elessly allow you o achie e you goal hou s.
Among dis alues showing he main mo ie is he use o lies o he pu pose (pa en s, eache s, pee s and
classma es...). Lying is much he way as he key o achie e ha end, i is he sp ingboa d ha leads o ic o y. We
migh e en alk abou o he an i- alues : i spo s momen s o he ilm a e associa ed wi h he alues o e o ,
commi men , collabo a ion and solida i y among eamma es, i al y, con lic and compe i ion be ween eams
(pe soni ied in Viola 's i s boy iend and Duke, his oomma e) leads o iolence and e en physical agg ession.
O side (O side, I an, 2006) is a ilm by Ja a Panahi denouncing he law since he Islamic e olu ion o 1979
p e en ed women om en e ing a s adium as spec a o s. Like he es o his ilms, he s uggle o eedom and
denouncing he ep ession o i s people in gene al and women in pa icula is he basis o he a gumen .
In e na ional Jou nal o Humani ies and Social Science Vol. 4, No. 7; May 2014
76
In O side las ma ch o he championship which was held in Ge many in 2006 is celeb a ed. 's Film, despi e
censo ship and he p oblems su e ed in I an bo h du ing ilming and a he ime o i s elease, won he Sil e
Bea a he Be lin Film Fes i al. The ilm ells how some young I anians ejec disc imina o y laws and d ess up
as men o en e he s adium o wa ch he na ional eam du ing quali ying o he decide in a Wo ld Cup. A ew
a e de ained un il he inal whis le. Young soldie s in mili a y se ice o he cus odian no escape, and among he
soldie s (especially he head) and he gi ls a dialogue ha is he basis o he a gumen akes place.
The one o his ilm is iendly, small d ama ic momen s mixed wi h aces o comedy (Panahi wan ed he ilm o
be ma ke ed ou side he coun y), al hough i is a lack o igh s, machismo and pa e nalism idiculous o he
wes e n look.
As no ed elsewhe e (Go dillo, 2010), Panahi makes a snapsho o I anian socie y ha goes beyond oo ball and
c i icism, by an absu d si ua ion, sexis adicalism o his coun y. And i does s and a he bo de be ween eali y
and ic ion. "The ilm is cons uc ed like a documen a y in which I inse ed cha ac e s. The places, he e en s, he
cha ac e s a e eal and igu a i e. So I decided no o use p o essional ac o s, o a oid eeling ic ion, " he
di ec o said in in e iews in connec ion wi h he awa d o Be lin.
In his case he ilm - co al - cha ac e is led by a g oup o gi ls and se e al soldie s o ganized a ound a cha ge.
Gi ls, al hough hey wo k oge he ha e e y di e en cha ac e is ics including. Almos all a e oo ball ans bu
one ha goes o he s adium as a ibu e o a iend who died in a ma ch held in 2005 on he occasion o he
mee ing be ween Japan and I an in he quali ie s o he Wo ld Cup 2006. Some a e shy and demu e, o he b a e
and sassy, bu all ha e in common hei ebellion and disobedience o an absu d law ha no one can a gue
logically.
Among he messages o he ilm highligh s he dialogue be ween mili a y o ice and one o he gi ls:
- Why women can no come in and si wi h men?
- Women can no si wi h men in he s adium
- So why Japanese can see he Japan - I an ma ch he e ?
- They a e Japanese
- So my p oblem is I'm I anian ? I I we e Japanese I can wa ch he game?
- They do no unde s and ou language. I people shou ing and insul s do no unde s and hem.
- Then he insul s a e he p oblem ?
- No, no all. A man and a woman can no si oge he
- Why hey can in he cinema o hea e ?
- I 's di e en
- Why is i di e en ? I is also da k
- In Tab iz women can no si wi h men in ilm
- Yes hey can. I ' e done i mysel (...)
- They we e o go wi h hei amilies.
- So i we come wi h ou siblings o pa en s would le us in?
- No, I'm no he boss.
Al hough he spo ligh alls on he gi ls, he e a e o he cha ac e s ha ep esen a ious social sec o s. On one
side a e he young guys who come o he pa y ( he same age as he mili a y). They ha e used help - i - gi ls. The
o he an old man who sea ches despe a ely o he daugh e , inciden ally ecognizes a e ained gi ls who wan o
ake home o de end he hono o his a he . This cha ac e ep esen s he iew o adi ion and machismo o he
I anian social sys em.
I he way o li e a decisi e oo ball ma ch is he same in e e y cul u e, wi h shou s, chan s and g oup eelings
and winning almos " he d ", exace ba ed eelings and iden i ica ion wi h symbols -which Panahi shows us wi h
his ilm is un ai disc imina ion agains women, o conside alien and in usi e in such spo ing e en s.
So in his mo ie he con ex is ma ked by a si ua ion o social injus ice and inequali y, whe e oo ball becomes he
me onymic elemen ha se es as an excuse o he complain . Spo is jus he backg ound ha allows
de eloping s ongly and clea inequali y in ce ain coun ies. Thus, oo ball becomes a key alue o he con ol o
social igh s ha enable lea ning and he de elopmen o pe sonal and in e pe sonal alues.
© Cen e o P omo ing Ideas, USA www.ijhssne .com
77
Conclusions
S e eo ypes and p ejudice ha e led o yea s o associa e spo s like boys socce ac ion uni e ses. This sexis and
un ai a i ude is so widesp ead ha e en in socially ilm se e al cases whe e women claim hei space and should
"pay" o i appea . In selec ing he co pus o analysis ha e been chosen h ee ilms claiming he igh s o women
in h ee e y di e en a eas:
- Pe sonal scope (She's he Man)
- Cul u al Scope (Bend I Like Beckham)
- Social Domain (O side)
All o hem highligh s he inequali ies be ween men and women because o ba ie s (pe sonal, cul u al o social)
in g ass oo s spo (bo h in p ac ice and in ollow-up). Howe e , all h ee ilms show he lack o logical and alid
a gumen s ha se e o main ain p ejudice and disc imina ion agains women. Thus, iewing and e lec ion o
hese h ee ilms allow he s eng hening o he igh s o equali y be ween men and women in ela ion o p ac ice
and lo e o he spo . In e lec ing on he ilms a ec s he awa eness o gende s e eo ypes and p ejudices as a
s a egy o b idge he inequali y o oppo uni y be ween men and women, e- nego ia ing he concep o
masculini y and eminini y linked o spo and he alue o compe i ion / coope a ion and ambi ion o disassocia e
he gen e. Compe e, coope a e, ambi ion... a e ac ions o in e es ha should anscend gende .
The analysis and he wo k o hese ilms in he class oom can p omo e he exchange o ideas and sha ed
en ichmen . All wi h he pu pose o helping undoub edly he quali ica ion o a pe sonal iden i y bu also in he
cons uc ion o accep able o e e yone g oup and social iden i y. We know ha his is a (psychological) unc ion
we should expec om he ilm medium: o acili a e communica i e in e ac ion, which is he p elude o main ain
(and sus ain) a c i ical and c ea i e a i ude and can help in he wo k o e lec ion and analysis o in e pe sonal
alues desi able, bu hese a e linked o associa ed wi h any social gende . The ilm, con enien ly used, can help
b eak down p ejudices and ha i is managed p ope ly and wo king wi h cul u al di e si y.
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