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Historic Gardens Heritage in Portugal: From the Originality of an Art to the Inventory Process

Abstract

Although they are one of the richest expressions of cultural and landscape heritage, gardens are at the same time one of the most delicate. The preservation and protection of these landscapes are based on what we know of them from the inventories which, in the particular case of historic gardens, have increased since the 1980s, as recommended by the Florence Charter. Portugal has a vast and varied range of historic gardens defined as original and unique. The concern to protect them resulted in lists and inventories being drawn up over time, prompted by academic and institutional initiatives. This article proposes to analyze the inventories of Portuguese historic gardens, specifically in terms of their main characteristics, content, achievements and drawbacks, and to discuss their effectiveness. Twelve inventories were considered. The information was collected from several sources and organized in databases, which were then sampled for a content analysis. The findings show that each study unequivocally added to knowledge about Portuguese landscape art, but also revealed important structural weaknesses. These were found in the different approaches and data standards used and in the information itself, which was often incomplete and was not updated. In addition, information tended to be scattered and there was a lack of interaction between preservation tools. This led to the conclusion that this task is far from being completed and fully effective. The present analysis could provide useful insights and be a starting point to trigger discussion among garden heritage professionals and organizations about centralizing the information on gardens, and to combine efforts to plug the gaps in it, so that the inventory can play an effective part in the sustainable maintenance, management and safeguarding of these assets.

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Historic Gardens Heritage in Portugal: From the Originality of an Art to the Inventory Process

Author: Silva, Susana,Carvalho, Paulo
Year: 2022
DOI: 10.3390/su14105978
Source: https://estudogeral.uc.pt/bitstream/10316/100499/1/Historic-Gardens-Heritage-in-Portugal-From-the-Originality-of-an-Art-to-the-Inventory-ProcessSustainability-Switzerland.pdf
Ci a ion: Sil a, S.; Ca alho, P.
His o ic Ga dens He i age in
Po ugal: F om he O iginali y o an
A o he In en o y P ocess.
Sus ainabili y 2022,14, 5978. h ps://
doi.o g/10.3390/su14105978
Academic Edi o : Pe e J. La kham
Recei ed: 6 Ap il 2022
Accep ed: 11 May 2022
Published: 14 May 2022
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Copy igh : © 2022 by he au ho s.
Licensee MDPI, Basel, Swi ze land.
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A ibu ion (CC BY) license (h ps://
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4.0/).
sus ainabili y
A icle
His o ic Ga dens He i age in Po ugal: F om he O iginali y o
an A o he In en o y P ocess
Susana Sil a * and Paulo Ca alho
CEGOT—Cen e o S udies in Geog aphy and Spa ial Planning, Facul y o A s and Humani ies,
Uni e si y o Coimb a, 3004-531 Coimb a, Po ugal; [email p o ec ed]
*Co espondence: [email p o ec ed]
Abs ac :
Al hough hey a e one o he iches exp essions o cul u al and landscape he i age, ga dens
a e a he same ime one o he mos delica e. The p ese a ion and p o ec ion o hese landscapes
a e based on wha we know o hem om he in en o ies which, in he pa icula case o his o ic
ga dens, ha e inc eased since he 1980s, as ecommended by he Flo ence Cha e . Po ugal has a
as and a ied ange o his o ic ga dens de ined as o iginal and unique. The conce n o p o ec hem
esul ed in lis s and in en o ies being d awn up o e ime, p omp ed by academic and ins i u ional
ini ia i es. This a icle p oposes o analyze he in en o ies o Po uguese his o ic ga dens, speci ically
in e ms o hei main cha ac e is ics, con en , achie emen s and d awbacks, and o discuss hei
e ec i eness. Twel e in en o ies we e conside ed. The in o ma ion was collec ed om se e al
sou ces and o ganized in da abases, which we e hen sampled o a con en analysis. The indings
show ha each s udy unequi ocally added o knowledge abou Po uguese landscape a , bu also
e ealed impo an s uc u al weaknesses. These we e ound in he di e en app oaches and da a
s anda ds used and in he in o ma ion i sel , which was o en incomple e and was no upda ed. In
addi ion, in o ma ion ended o be sca e ed and he e was a lack o in e ac ion be ween p ese a ion
ools. This led o he conclusion ha his ask is a om being comple ed and ully e ec i e. The
p esen analysis could p o ide use ul insigh s and be a s a ing poin o igge discussion among
ga den he i age p o essionals and o ganiza ions abou cen alizing he in o ma ion on ga dens, and
o combine e o s o plug he gaps in i , so ha he in en o y can play an e ec i e pa in he
sus ainable main enance, managemen and sa egua ding o hese asse s.
Keywo ds:
his o ic ga dens he i age; in en o ies; knowledge; sus ainable managemen and
sa egua ding; Po ugal
1. In oduc ion
Ga dens a e pa o he cul u al landscape o any ci iliza ion and socie y and e lec
he cul u e, iden i y and his o y o a people [
1
,
2
]. Since i is composed o li ing plan
ma e ial, a ga den is a dynamic and cons an ly changing en i onmen whe e di e en
ypes o ime (ecological, social and subjec i e) a e b ough oge he and in e ac [
3
], hus
ans o ming his space h oughou he in ini e daily, mon hly o annual li e cycles [
4
]. A
ga den he e o e becomes an un inished wo k [
5
] and one ha is necessa ily epheme al [
6
].
This dynamic ans o ma ion leads Sales [
7
] o say ha a ga den is no an objec , bu a he a
p ocess unde going cons an de elopmen and decomposi ion. As change in he landscape
is una oidable, he unc ion o managemen is o be able o inco po a e his change in o he
policies o p ese ing he alues o he place. The i s s ep in he p ocess leading o he
p ese a ion and p o ec ion o cul u al landscapes is knowing abou hei exis ence and
hei cha ac e is ics.
Ga dens a e hus one o he iches , bu also he mos delica e, exp essions o cul u al
and landscape he i age [
8
,
9
]. This is especially ue o his o ic ga dens, because o wha
hey ep esen , which should be unde s ood and p ese ed. The in en o y is he i s
Sus ainabili y 2022,14, 5978. h ps://doi.o g/10.3390/su14105978 h ps://www.mdpi.com/jou nal/sus ainabili y
Sus ainabili y 2022,14, 5978 2 o 19
ins umen in he p ocess ha leads o he sa egua ding o he cul u al he i age, as i allows
he ecogni ion o i s exis ence. Acco ding o Meye s [
10
] (p. 102), “This p inciple makes
in en o ies an essen ial ool o cul u al he i age managemen in all o i s a ious aspec s”.
The au ho [
10
] poin s ou ha in en o ies a e essen ial o p o ec he i age om a ious
cons ain s, bo h human and na u al, o con ibu e o de e mine in e en ion p io i ies and
o enable and p o ide a b oade unde s anding and app ecia ion o , and public engagemen
wi h such places and hei p ese a ion. As such, i has been a cons an p emise o se e al
documen s on he i age conse a ion. Unde he P inciples o he Reco ding o Monumen s,
G oups o Buildings and Si es a i ied by he In e na ional Council on Monumen s and
Si es (ICOMOS), i is assumed ha eco ding is one o he p incipal ways o gi e meaning
o, and o unde s and, de ine and ecognize he alues o cul u al he i age [
11
], and so
p omo ing i s e ec i eness is a i al ool o sus ainable he i age managemen [10].
The e o e, ollowing his line o e lec ion, ca aloguing his o ic ga dens is a key elemen
in p o ec ing and sa egua ding hem; i is he i s s ep in iden i ying, quan i ying, and
publicizing hem and hei alue and impo ance, and i is also an essen ial ool o suppo
decision making abou hei o e sigh and eco e y [
9
]. Howe e , he ask o p o ec ing
and sa egua ding such a delica e cul u al he i age is hampe ed when he ull legacy is no
p ope ly known. This handicap de i es om he leng h o ime du ing which ga dens o
his o ical in e es we e no aken se iously and only gi en scan a en ion in discussions
abou he i age [
12
]. The ecogni ion p ocess o his o ic ga dens as pa o he cul u al
he i age ook a long ime. I is in a b oade amewo k o he need o p o ec he i age ha
his o ic ga dens eme ge, albei la gely implici ly un il he Flo ence Cha e speci ically
ocused on his o ic ga dens.
The Po uguese Ga den pe ec ly exp esses he idea o a ga den p esen ed a he s a ,
ha is “a e lec ion o he cul u e, iden i y and his o y o a people”, because i has cul u al
ea u es ha a e ypically he esul o pa icula ci cums ances in e i o ial, his o ical,
cul u al, poli ical, eligious, economic and social e ms [
8
,
13
]. These si es ep esen an
in aluable he i age and cul u al alue, one ha is c ucial o unde s anding Po uguese
cul u e and o p ese ing na ional memo y and iden i y. The e o e, he knowledge p o-
ided by an in en o y is ex emely impo an . Howe e , in Po ugal, his o ical ga dens
ha e ne e been a majo in e es , much less ha e hey had any pa icula a en ion paid o
hem by he compe en legisla i e and adminis a i e au ho i ies, a leas in compa ison
wi h o he o ms o cul u al he i age [
14
]. P oo o his a e he many ga dens ha ha e been
disappea ing due o new u ban needs, as well as hose ha ha e been unde mined and
los hei o iginal his o ical and a is ic cha ac e because o un egula ed changes [
8
,
14
–
16
].
Addi ionally, since he as majo i y o hem a e p i a e p ope y, closed o he public and
o en abandoned, ca aloguing is no an easy ask [
9
]. Igno ance o hei exis ence and/o
hei eal alue ha e ueled his saga, and impo e ished he coun y in e ms o i s he i age
o his o ic ga dens.
In Po ugal, i was mainly in he academic wo ld ha an in e es in his o ical ga dens,
in lea ning abou hem and p o ec ing hem, mani es ed i sel mos clea ly and ui ully,
esul ing in some lis ings and in en o ies. Howe e , s a e ins i u ions linked bo h o
he managemen and p ese a ion o he i age and o he ou ism sec o ha e also been
emb acing his heme in ecen decades. They ha e achie ed his h ough pa ne ships and
p o ocols wi h academia, which ha e led o mo e s udies and in en o ies being ca ied
ou on landscape a . Thei pu pose is no only o emedy he p e ious lack o knowledge
abou his he i age, bu also o make i accessible o e e yone, a home and ab oad.
Cons an e e ences o he in en o ies o his o ic ga dens and hei au ho s we e
made in he a ious s udies on ga dens. Howe e , he e is a lack o gene al knowledge
abou hose in en o ies and he in o ma ion con ained in hem, since hey ha e ne e been
subjec ed o a mo e speci ic analysis in e olu iona y and compa a i e e ms, no was hei
e ec i eness discussed. Tha aised h ee key esea ch ques ions ha guided his wo k:
(i) wha in en o ies o his o ic ga dens exis in Po ugal; (ii) wha a e hei cha ac e is ics,
wha kind o in o ma ion do hey include, whe e/how a e hey a ailable; and (iii) wha
Sus ainabili y 2022,14, 5978 3 o 19
cons ain s do hey p esen wi h nega i e implica ions o he e ec i e and sus ainable
managemen o his he i age. This pape p oposes o analyze he in en o ies o his o ic
ga dens in Po ugal o e ime, and answe he abo e ques ions. I will also look a he
pu poses and me hodological p ocess whene e he le el o a ailable in o ma ion pe mi s.
2. Li e a u e Re iew
2.1. His o ic Ga dens as Cul u al Landscapes
Cul u al landscapes a e eali ies ancho ed in a long his o y o complex in e ac ion
be ween humans and na u e [
17
]. Th ough hei ac ions, humans ha e shaped he land-
scape, and he geog aphic and na u al esou ces ha e in u n shaped he his o y and li e o
human socie ies. This means ha na u e and humans a e he wo mos impo an ac o s
in de e mining he cha ac e o landscapes. They can hen p o ide in o ma ion abou he
ela ionships es ablished o e ime be ween socie ies and he na u al en i onmen , and
can he e o e con ibu e o he unde s anding o his o y, science, an h opology, echnique,
li e a u e, among he o he ounda ions o socie y. I is om his pe spec i e ha i makes
sense o es ablish landscapes as cul u al he i age, inso a as hey a e goods in cons an
e olu ion ha a e inhe i ed, used and bequea hed o u u e gene a ions [18].
As a esul o his in e ac ion, landscape consis s o bo h na u al and cul u al com-
ponen s, which canno be sepa a ed, and so i emb aces a a ie y o mani es a ions ha
ha e been ecognized in he amewo k o he UNESCO Con en ion o he P o ec ion
o he Wo ld He i age, Na u al and Cul u al. Cul u al landscapes hus all in o h ee
main ca ego ies, namely, landscape designed and c ea ed in en ionally by man, o ganically
e ol ed landscape and associa i e cul u al landscape [17].
Landscapes a e alued o hei unique cha ac e and cul u al he i age, and o p o-
iding eelings o a achmen , belonging and inspi a ion [
19
]. The e o e, hey a e pa o
he cul u al he i age and a e key componen s o local, egional and na ional iden i ies [
20
].
They a e pa o people’s collec i e iden i y, as ecognized by UNESCO [
17
], and a co e
elemen o indi idual and social well-being, as admi ed by he Council o Eu ope [
21
].
When he landscape is alued by i sel , aking a memo ial dimension and ounding he
iden i y o a g oup, his assumes a new assignmen , o “exp ess d eams” [
22
]. The bes
exp ession o his landscape ca ego y is, in he opinion o And ade [
23
], he his o ic ga den.
Some o he mos alued elemen s o wo ldwide cul u al he i age a e his o ic ga -
dens [
8
,
9
]. Ga den and pa kland landscapes cons uc ed o aes he ic easons, and which
a e o en (bu no always) associa ed wi h eligious o o he monumen al buildings and
ensembles, belong o he ca ego y o landscape designed and c ea ed in en ionally by
man [17]. The his o ic ga den is a c ea ion o socie ies and a e lec ion o hei his o y and
di e en cul u es; i bea s wi ness o imes pas and he ela ionship o humans wi h na u e
and wi h he landscape. I is a complex a chi ec u al sys em, whose join composi ion o
li e and he ine makes i a “Li ing Monumen ” [5].
The de ini ion o he his o ic ga den was o malized a he i s in e na ional sympo-
sium on he conse a ion and es o a ion o ga dens o his o ical in e es , which was held
in Fon ainebleau (1971) on he ini ia i e o ICOMOS and he In e na ional Fede a ion o
Landscape A chi ec s (IFLA). I was la e adop ed and ins i u ionalized by he Flo ence
Cha e . A his o ic ga den is desc ibed as an a chi ec u al and ho icul u al composi ion,
applicable o a small ga den o a la ge pa k, whe he o mal o landscape, o in e es
o he public om a his o ical o a is ic poin o iew, and hus a monumen , a li ing
monumen [
24
]. The e m “his o ic” acqui es a ce ain ela i i y, because ga dens ha ha e
been p oduced in he pas , whe he ecen o no , can be conside ed his o ic [
25
] so ha
“his o ic” anscends he alue o an iqui y [
12
]. This de ini ion also has huge elas ici y, in
ha i includes se e al ypes o ga dens ( egula o i egula , classic, ba oque, oman ic o
landscape), which, since hey ep esen an o iginal wo k, a e ecognized as pa o cul u al
he i age, and ha e a ce ain cul u al alue [
25
]. A his o ic ga den is no a ma e o age,
s ylis ic ea u es o dimensions; i is de ined by i s cha ac e and his o ical in e es , o wha
i ep esen s in e ms o memo ial, iden i y and cul u e, o he alue i adds o he si es
Sus ainabili y 2022,14, 5978 4 o 19
and monumen s i may be associa ed wi h and o wha i awakens in he p esen [
12
]. I is
his wide concep ual dimension o a his o ic ga den ha is conside ed in he cou se o his
wo k abou in en o ies.
The ways in which cul u al landscapes a e unde s ood and managed a e i al o
sus ainabili y [
17
,
26
]. In he cu en con ex o inc easing conce ns abou sus ainabili y, and
he g ea p essu e cul u al landscapes a e unde due o clima e, demog aphic, social and
ideological changes [
26
], i is i ing o ecall how his o ic ga dens ha e been unde s ood,
managed and alued, and wha ole in en o ies ha e played in his p ocess.
2.2. Sa egua ding and Enhancing His o ic Ga dens o e Time and he In en o y Figu e
Un il he 1980s, he guidelines in documen s such as he Con en ions, Recommenda-
ions and Resolu ions p oduced and dissemina ed by UNESCO, ICOMOS and ICOMOS-
IFLA, and e en he Council o Eu ope, did no make any speci ic e e ence o his o ic
ga dens, al hough some o hem could be adap ed and applied o his he i age asse . One
example is he 1931 A hens Cha e , he i s ins umen o he conse a ion and p ese -
a ion o monumen s. I conside ed he need o s udy and p ese e hei su oundings,
speci ically he o namen al ege a ion, and whe e he in en o y was al eady men ioned as
he esponsibili y o each S a e o o ins i u ions wi h due powe [
27
]. The Recommenda ion
conce ning he Sa egua ding o Beau y and Cha ac e o Landscapes and Si es, p esen ed
by UNESCO in 1962, laid down guidelines o he p o ec ion o landscapes and na u al
si es, u al and u ban, whe he o no esul ing om he “wo k o man”, which we e o
aes he ic, and cul u al in e es o ha cons i u ed cha ac e is ic na u al su oundings [28].
In 1964, he Venice Cha e on he conse a ion and es o a ion o monumen s and si es
o mally exp essed he ex ension o he concep o monumen o o he elemen s such as
he landscape and, al hough he e is no conc e e e e ence o his o ic ga dens, he e is an
appeal o he need o p ese e he adi ional amewo k [27].
Al hough in e es in ga dens and hei p o ec ion had a isen a he ime o he Uni-
e sal and In e na ional Exhibi ions, which occu ed be o e he Second Wo ld Wa [
29
], i
should be no ed ha i was only in he la e 1960s ha he speci ic Sec ion o ga dens was se
up by he IFLA. The pu pose was o discuss an app oach o dealing wi h ga dens o his o -
ical in e es and i se ou o iden i y and ca alogue he majo his o ical ga dens in a ious
coun ies a ound he wo ld, a o al o 1550 in all [
6
,
12
]. The In e na ional Commi ee o His-
o ic Ga dens and Si es was es ablished in he ea ly 1970s a he Fon ainebleau mee ing, as a
subdi ision o ICOMOS and IFLA. I was in ended o in es iga e and in en o y he ga dens
o g ea es in e es , which made he p omo ion o conse a ion, es o a ion and esea ch o
his o ic ga dens and cul u al landscapes mo e e ec i e [
1
]. This mee ing also o malized
he de ini ion o his o ic ga den and made ecommenda ions o sa egua ding ga dens.
S ill in he 1970s, he Con en ion conce ning he P o ec ion o he Wo ld Cul u al
and Na u al He i age held ha cul u al and na u al he i age can be p oposed as wo ld
he i age, wi h cul u al he i age including places o in e es , which includes he wo ks o
man, o he combined wo ks o man and na u e. The impo ance o in en o ies was again
men ioned [
27
]. The Bu a Cha e , i s adop ed in his decade, es ablished guidelines
o conse ing places o cul u al signi icance, de ining e minologies and p inciples o
in e en ion in a chi ec u al and landscape he i age [30].
A new a i ude de eloped owa ds ga dens, p incipally since he 1980s wi h he
d a ing o he Flo ence Cha e by ICOMOS-IFLA In e na ional Commi ee o His o ic
Ga dens, as an addendum o he Venice Cha e , co e ing he speci ic ield o sa egua ding
his o ic ga dens ha was missing. This documen de ined he his o ic ga den, assigned
i he s a us o a monumen , a “li ing monumen ” pe ishable o e ime and wi h use,
and es ablished a se o p inciples o in e en ions in he main enance, conse a ion,
es o a ion and econs uc ion, use and he legal and adminis a i e p o ec ion o his
he i age. Fu he mo e, i s A icle 9 explici ly d ew a en ion o he impo ance o iden i ying
and c ea ing lis ings, along wi h hei ela ionship wi h e ec i eness in he p o ec ion and
p ese a ion o his o ic ga dens [
24
]. The p oduc ion o ga den lis ings, in en o ies and
Sus ainabili y 2022,14, 5978 5 o 19
egis e s has since h i ed, in ol ing cen al and local au ho i ies and e en ci il socie y.
Take he case o he Uni ed Kingdom, o example, whe e each coun y has i s own he i age
agency o d aw up in en o ies o pa ks and ga dens and, in addi ion o he Na ional
Regis e , a numbe o o he agencies, au ho i ies and local associa ions keep egis e s o
his o ic pa ks and ga dens [31].
Wi hin he b oad spec um o cul u al he i age, guidelines con inue o eme ge in
he a ious documen s p oduced a e he Flo ence Cha e ha can be adap ed o he
p ese a ion o his o ic ga dens. Among he mos ele an a e he G anada Con en ion o
he P o ec ion o he A chi ec u al He i age o Eu ope app o ed by he Council o Eu ope
in 1985, he Washing on Cha e o he Conse a ion o His o ic Towns and U ban A eas
adop ed by ICOMOS in 1987, he p e ious e sions o and he cu en Bu a Cha e issued
by Aus alia ICOMOS, he Cha e o K akow 2000 abou he P inciples o Conse a ion
and Res o a ion o Buil He i age and he Eu opean Landscape Con en ion o he Council
o Eu ope (2000).
Pu suing he goal o knowing and sa egua ding his he i age, a Eu opean da abase
o ga dens has been se up mo e ecen ly by he Eu opean Ins i u e o Ga dens and
Landscapes (IEJP), which so a includes da a om Po ugal, F ance, Belgium and England
in a o al o abou 18,000 his o ic ga dens. Se e al o he in en o ies om di e en Eu opean
coun ies a e cu en ly being compiled o be added o his da abase [32].
In addi ion, some ini ia i es ha ha e been de eloped o enhance and publicize his-
o ic ga dens wi hin Eu ope should be men ioned. Examples include he Eu opean Cul u al
He i age In o ma ion Ne wo k (HEREIN), he Eu opean Ga den He i age Ne wo k, he
Ne wo k o Eu opean Royal Residences and he Eu opean His o ic Houses Associa ion.
I is also impo an o men ion he Eu opean Rou e o His o ic Ga dens, a Council o he
Eu ope Cul u al Rou e, seen as he bes way o ecognize i s his o ical, a is ic and social
alue [33].
In he Po uguese con ex , his o ic ga dens ha e ne e been a majo conce n. None he-
less, he Law on Po uguese Cul u al He i age includes a speci ic e e ence o his o ic
ga dens. I ecognizes hem as a cul u al asse and he e o e one o he componen s o
he gene al alua ion egime (A icle 70
º
), and an elemen ha enhances he cohe ence
o monumen s, ensembles and si es (A icle 44
º
) [
34
]. Al hough i p o ides wo le els o
he i age egis a ion—classi ica ion and in en o y—wi h a iew o ensu ing hei legal p o-
ec ion and alua ion and o p e en hei disappea ance o deg ada ion, i does no de ine
a his o ic ga den o a speci ic legal egime, which jeopa dizes a mo e e ec i e p o ec ion.
2.3. The Cul u al Speci ici y and he Di e en ia ing Na u e o he Po uguese His o ic Ga den
Po uguese ga dens a e no compa able o hose in coun ies such as England, F ance
o I aly. The ul ima e pu pose o displaying o being a symbol o os en a ion and powe is
no pa o he essence o he Po uguese ga den. On he con a y, a ga den was buil as
an ex ension o he house and he e o e o be habi able, as a ha en, in ima e and quie , a
place o cha m and well-being wi h nooks and c annies, a c yp o-magical spo , mo e o be
enjoyed om wi hin i han admi ed om he ou side [8,35].
The Po uguese ga den, o igina ing as an o cha d ga den, has gone h ough imes
and ends and o e he cen u ies has ound ways o adap o ci cums ances and abso b
he a ious in luences ha came i s way. Caldei a Cab al [
8
] sees a concep o Po uguese
ga den being c ea ed unde a se ies o a ied ci cums ances and a mix o in luences ha
made i di e en and unique.
Thei loca ion be ween he Medi e anean and he A lan ic, he clima e, he socio-
poli ical and economic his o y, o ganiza ion and social e olu ion, oge he wi h he ugged
opog aphy ha e le Po uguese ga dens imbued wi h a se o cha ac e is ic and dis inc i e
ea u es ha gi e hem a cha ac e and o iginali y ha dis inguishes hem om he la ge
Eu opean ga dens o which he gene al public will be accus omed [8,13].
In he opinion o Cas el-B anco [
13
], he a ie y o lowe ing ees and sh ubs; he
deep iews and p ospec s; he di e en le els ha o m e ace-ga dens; he iles wi h

Sus ainabili y 2022,14, 5978 6 o 19
a ious mo i s and colo s; la ge wa e su aces in he o m o pools, lakes, oun ains o
monumen al oun ains, o en unc ioning as he pola izing elemen s o he a ea, a e he key
elemen s o a Po uguese ga den. O he impo an iden i ie s de ine he e y essence o he
Po uguese ga den. They include ellises and a bo s, lowe beds (aleg e es), deco a i e
shell-and-pebble mason y (emb echados), benches and o he embellishmen s (na u al and
a i icial), pa hs and high walls/hedges, which can be ound alone o combined, especially
in he la ge quin as de ec eio ( ec ea ional a ms) (a clus e o med by woods, a o mal
ga den nex o he house and a ege able ga den/o cha d) o he six een h o eigh een h
cen u ies [8,13,35–37].
The concep o a ga den as a closed space and somewhe e o be became dilu ed in
Roman icism, wi h he in luence o Eu opean aes he ics, and, abo e all, wi h he ashion
o he eigh een h and nine een h cen u y English ga den pa k. The Renaissance pe iod
also os e ed he de elopmen o he monumen al eligious landscape o he no h and, in
he second hal o he eigh een h cen u y, bo anical ga dens made hei appea ance. The
wen ie h cen u y saw he mode nis s yle making i s ma k on some na ional pa ks [8,35].
Acco ding o Caldei a Cab al [
8
], om no h o sou h and including he islands,
Po ugal has a wide and di e se spec um o ga dens om he mos a ied pe iods, and
hey display cha ac e is ic cul u al ea u es. The examples, albei in di e en s a es o
p ese a ion, ange om he Roman pe is yles and mediae al clois e s o wen ie h-cen u y
public pa ks, by way o quin as de ec eio, con en and monas e y landscapes, sanc ua ies,
bo anical ga dens, p i a e and public ga dens, pa ks, a enues and squa es o his o ical,
cul u al and a is ic alue and in e es . The asso men o ypes o ga dens and he mix u e
o s yles cha ac e ize he o iginali y o he a o landscaping in Po ugal [8,35].
3. Ma e ials and Me hods
The conce n wi h his o ic ga dens has o decades been con ined mainly o he aca-
demic en i onmen and o some pe sonali ies, esul ing in a se o lis ings and in en o ies,
oo ed in he ea ly wen ie h cen u y, mos ly limi ed in e ms o co e age o he na ional
e i o y as a whole (mainland and islands). I was only in he 1980s ha his in e es
was ex ended o he ins i u ional decision-making bodies, and p o ocols began o eme ge
be ween a ious ins i u ions o in en o ying ga dens.
To accomplish he de ined objec i es, h ee majo s eps we e aken. Fi s , bibliog aphic
esea ch was ca ied ou on he in en o ies o Po uguese his o ic ga dens o ind ou wha
in en o ies exis ed, hei au ho s and whe e and how he in o ma ion was a ailable. The
nex s ep was o ga he all a ailable in o ma ion on hose in en o ies in hei di e en
o ma s, analogue and digi al, which we e sca e ed h oughou he a ious Po uguese
lib a ies and digi al pla o ms. A he same ime, a da abase was o ganized wi h he mos
ele an in o ma ion o each in en o y, ha is o say au ho ship, ype and numbe o
in en o ied spaces, hei loca ion, and he ype o in o ma ion a ailable on each ga den. A
quali a i e analysis was hen ca ied ou on he con en , and he ou come is summa ized in
he nex sec ion, wi h he pu poses and he me hodological p ocess o ca ying ou each
in en o y being added whene e he a ailable in o ma ion allowed.
Table 1lis s he in en o ies and simila wo ks ha cons i u e he scope o his s udy.
They a e p esen ed ch onologically along wi h in o ma ion on he geog aphic a ea co e ed.
I should be no ed ha he bibliog aphy disc ee ly men ions wo o he wo ks ha
we e s a ed, one in he 1940s and he o he in he 1960s, bu which we e no comple ed
o published.
Sus ainabili y 2022,14, 5978 7 o 19
Table 1. In en o ies o (his o ic) ga dens in Po ugal.
In en o y/Au ho s Yea Te i o y
(1)
Sousa Vi e bo 1906/1909 Mainland
(2)
I. A aújo 1962 No h
(3)
A. Ca apinha 1986 Mainland
(4)
H. Ca i a & A. H. Ca doso 1987 Mainland
(5)
L. Ribei o 1992 Lisbon
(6)
DGEMN & Uni e si y o É o a 90s No in o ma ion
(7)
CEABN 1998 Mainland
(8)
UTAD 2008 No heas Mainland
(9)
CEABN & Uni e si y o Alga e 2014 Lisbon
(10)
DGPC/SIPA-G een Space 2016/2018 Mainland and Islands
(11)
CEABN & IEJP 2018 Mainland and Islands
(12)
AJH 2020 Mainland and Islands
No e: DGEMN—Gene al Di ec o a e o Buildings and Na ional Monumen s; CEABN—Bae a Ne es Cen e
o Applied Ecology; UTAD—Uni e si y o T ás-os-Mon es and Al o Dou o; DGPC—Gene al Di ec o a e o
Cul u al He i age; SIPA—A chi ec u al He i age In o ma ion Sys em; IEJP—Eu opean Ins i u e o Ga dens and
Landscapes; AJH—Po uguese Associa ion o His o ic Ga dens.
4. Resul s
This esea ch has iden i ied a wide ange o in en o ies, including public and p i a e
and in pa ne ship. The main cha ac e is ics o he 12 in en o ies ca ied ou in Po u-
gal and subjec ed o analysis a e summa ized in Table 2. I con ains hei undamen al
cha ac e is ics and he ype o in o ma ion co e ed. Di e ences and achie emen s o each
in en o y, as well as he pu poses and me hodological p ocess in ol ed, a e de eloped in
he ex .
The his o ian Sousa Vi e bo [
36
,
38
] p oduced a i s wo k, A Ja dinagem em Po ugal
(Ga dening in Po ugal) (1, Table 2), in which he exp esses conce n abou he se ious h ea
ha ga dens migh disappea because hey a e no s udied, egis e ed o p o ec ed by
speci ic legisla ion. The wo edi ions o he wo k do no ha e he igid and sys ema ic
cha ac e o an in en o y; hey mainly ocus on ga dening echniques and he ga dene s.
Howe e , he au ho does lis a se ies o ema kable ga dens, mos ly quin as de ec eio,
desc ibing abou 50 uni s in some de ail, especially a he his o ical le el. He e e s o many
o he s, mainly loca ed in he la ge u ban cen e s o Lisbon, Po o and su ounding a eas
(Figu e 1a).
In he ea ly 1960s, Ilídio de A aújo [
39
] published A A e Paisagis a e a A e dos Ja dins
em Po ugal (Landscape A and he A o Ga dens in Po ugal) (2, Table 2). This wo k was
ega ded as pionee ing in he s udy o ga dens and has se ed as a e e ence o subsequen
s udies un il oday. Howe e , only a i s olume was published, which co e ed only he
no h o he coun y and did no claim o be comple e. Based on an ex ensi e collec ion
o ele an li e a u e and isi s o he places, he au ho p oduced a lis o landscape
a . In addi ion o his lis , he au ho adds o he ga dens, some o which a e co e ed in
de ail while o he s a e simply men ioned, in o al abou 200 si es, also showing a la ge
concen a ion in he Po o and Lisbon a eas (Figu e 1b). This in en o y con i ms he
impo ance and p o usion o places o a eligious na u e in he no he n egion.
The ga dens a e desc ibed in a ying amoun s o de ail and include in o ma ion
abou geog aphical loca ion, his o ical and a chi ec u al aspec s. They a e illus a ed wi h
pho og aphs and some imes wi h he a chi ec u al plans, indica ing he li e a u e e e ences
o each space.
Sus ainabili y 2022,14, 5978 8 o 19
Table 2. Summa y o in en o y in o ma ion.
In en o y/
Au ho s
Resul s
No Type o Space In o ma ion Final P oduc
(1)
Sousa Vi e bo
+/−90
Quin as de ec eio, ga dens o mano houses and palaces, bo anical ga dens, public
pa ks and ga dens
His o ical desc ip ion Publica ion o book
(2)
I. A aújo +/−190 Quin as de ec eio, ga dens o mano houses and palaces, places o pilg image,
con en and monas e y landscapes, pa ks, public ga dens
Geog aphic amewo k, ch onological desc ip ion wi h
his o ical and a chi ec u al aspec s
Publica ion o illus a ed book
(3)
A. Ca apinha 1117
Quin as de ec eio (49%), public ga dens and pa ks (u ban and subu ban) (16%),
p i a e ga dens and pa ks (15%), p i a e ga dens and pa ks open o he public,
bo anical ga dens, non-u ban pa ks and woodland, places o pilg image, open
u ban spaces, hun ing ese es, con en and monas e y landscapes
-
Unpublished wo k
Cho og aphic ile, a ile o
in en o ied places on wo king
maps a scales 1/250,000,
1/50,000, 1/25,000 and
1/10,000
(4)
H. Ca i a & A.
H. Ca doso +/−150 Quin as de ec eio, ga dens o mano houses and palaces, con en and monas e y
landscapes, places o pilg image, pa ks, public ga dens, bo anical ga dens
His o ical, a chi ec u al aspec s and ea u es o ga dens
Publica ion o illus a ed book
(5)
L. Ribei o +500 Quin as de ec eio Lis , map, desc ip ions Unpublished wo k
(6)
DGEMN &
Uni . É o a 260 Ga dens, con en and monas e y landscapes, hun ing ese es and pa ks Reco d, desc ip ion and his o ical backg ound, pic u es and
d awings, ch onological da a, p ac ical o ele an elemen s Compu e ized da abase
(7)
CEABN 121
Quin as de ec eio, ga dens o p i a e houses, ga dens o palaces and cas les,
bo anical ga dens, pa ks, con en and monas e y landscapes, woodland, hun ing
ese es, o he landscape si es
Iden i ica ion shee : loca ion map, geog aphic amewo k,
desc ip ion wi h his o ical and a chi ec u al in o ma ion, s a e
o conse a ion, desc ip ion o he main elemen s, owne ship,
owne ’s name, add ess, how o access, ou is in o ma ion
and ecep ion condi ions), associa ed ac i i y, images
Unpublished wo k
Publica ion o illus a ed book
(8)
UTAD 274
P i a e ga dens and quin as de ec eio (70.1%), public ga dens and pa ks (13.5%),
a enue and squa e, sanc ua y, clois e , woodland pa k, spa/wa m sp ings pa k,
con en and monas e y landscapes, uni e si y campus, ceme e ies
In en o y eco d: iden i ying in o ma ion ( he in e nal
e e ence, designa ion, ypology, owne ship and loca ion a
h ee adminis a i e le els), cu en use, geo e e enced map,
desc ip ion ( ypology, s uc u e and spa ial o ganiza ion,
a ie ies o lo a and signi ican deco a i e elemen s, in eg i y
and s a e o conse a ion, his o ical in o ma ion),
bibliog aphy, public edi ion ield, images
Websi e (www.a epaisagis a.
u ad.p /)
Online da abase (cu en ly
disabled, mig a ion o
in o ma ion o he Eu opean
pla o m)
(9)
CEABN &
Uni .
Alga e 60 Ga dens, a ms and his o ical pa ks, public and p i a e -
Online da abase—LX Ga dens
Da abase (no a ailable)
Sus ainabili y 2022,14, 5978 9 o 19
Table 2. Con .
In en o y/
Au ho s
Resul s
No Type o Space In o ma ion Final P oduc
(10)
DGPC/SIPA-
G een Space
(2014) 574
Ga dens, quin as de ec eio, con en and
monas e y landscapes, hun ing ese es,
woods, pa ks, playing ields, landscaped
ga dens, ceme e ies
In en o y eco d: iden i ica ion o IPA ca ego y, IPA numbe , designa ion, loca ion,
ypology and s ylis ic cha ac e iza ion, desc ip ion, accesses, p o ec ion, le el,
amewo k, supplemen a y desc ip ion, ini ial use, ac ual use, p ope y, alloca ion,
cons uc ion ime, a chi ec /builde /au ho , ch onology, echnical da a,
ma e ials/cons uc ion echniques/ne wo ks and equipmen , bibliog aphy, g aphic,
pho og aphic and adminis a i e documen a ion, pe o med in e en ion,
obse a ions, au ho and da e, upda ing
Online da abase—SIPA
(www.monumen os.go .p /)
(10)
DGPC/SIPA-
G een Space
(2022) 405
Ga dens (76%), pa ks (16%), clus e s o g een
spaces, spaces o g owing plan s, spaces o
playing spo , spaces o walking a ound
(11)
CEABN & IEJP 743 All o he ypes al eady men ioned
In en o y eco d: designa ion, loca ion a ou le els, owne and ype o owne ,
c ea ion da e, add ess, con ac s, websi es, geog aphic coo dina es, loca ion map, EN
abs ac , his o y, su oundings, desc ip ion, adminis a i e in o ma ion (s a u e,
classi ica ion and p o ec ion, legal ins umen s, su ace in ha), bo any, physiog aphy
and opog aphy, pedology, clima e, o he cha ac e is ics, scenic in usions in he
su ounding a ea, ac i i ies and e en s, bibliog aphy, digi al documen s (pic u es,
maps, ae ial images), cha ac e is ics o he ga den/pa k including ypology,
deco a i e elemen s, mode o opening o he public
Online Eu opean da abase
(h p://eu opeanga dens.eu/
in en o ies/p )
(12)
AJH 821
Quin as de ec eio, bo anical ga dens, public
pa ks and ga dens, con en landscapes and
sanc ua ies
In en o y eco d: p ope y, public access, u iliza ion, i pa o a ou e, in o ma ion
abou isi ing imes and con ac s, desc ip ion (loca ion, su oundings and ele an
elemen s, ch onology, desc ip i e, buil and deco a i e elemen s, ege a ion,
ele an insc ip ions), classi ica ion, au ho ship and da e, bibliog aphy, loca ion map
and pic u es
Online da abase (h ps:
//www.ja dinshis o icos.p /
home/sea ch)
Sus ainabili y 2022,14, 5978 16 o 19
ex ensi ely some imes, while he landscape he i age is dis ega ded. In he CEABN & IEJP
in en o y, he in o ma ion is gi en in a be e o ganized, mo e comple e, disagg ega ed
o m, wi h some i ems being speci ied. Howe e , no all eco ds in he ongoing in en o ies
ha e all he ields ully illed ou wi h up- o-da e in o ma ion. Fo ins ance, in SIPA only
abou 5% o he eco ds a e comple e (le el 1), and in he In en o y o Ga dens and Land-
scapes in Po ugal only 23% o he eco ds ha e been ully, o almos ully, illed ou (2022
da a), mainly o he well-known ga dens, and he ga dens ha appea in p e ious wo ks.
In addi ion, he in o ma ion is no ye a ailable in o he languages as i is supposed o be,
jus a small abs ac in English. These in en o ies a e pe manen and s ill unning, and so
ha e ime and space o imp o e, unlike he o he s, which a e closed documen s.
The e was also a de elopmen in he inal p oduc ha had implica ions o he
accessibili y o in o ma ion. The ans e o published and unpublished wo ks o digi al
pla o ms allows no only he con inuous inpu o in o ma ion bu also access o a la ge
audience, a ac ha helps o p opaga e and p omo e he i age and os e public engagemen
wi h such places and hei p ese a ion. SIPA allows new in en o y eco ds o be inpu by
use s egis e ed on he pla o m.
Common o all wo ks is a clea conce n o lea n abou and documen his agile
he i age wi h a iew o p ese ing i . The heo e ical amewo k sees landscape in en o ies
as impo an wo king ools able o con ibu e o deciding on p io i y ac ions o he eco e y,
conse a ion and p o ec ion o hese spaces [
5
,
9
,
10
]. The analyzed in en o ies a e, abo e all,
an in o ma ion eposi o y o which i is di icul o es ablish a conc e e di ec ela ionship
wi h e ec i e ac ions o p o ec , p ese e and enhance he Po uguese landscape he i age.
This is because o a se o limi a ions and cons ain s which could comp omise he eal
e ec i eness o in en o ies in he managemen and p o ec ion o his he i age. These
cons ain s a e ela ed o:
1.
Po uguese legisla ion, which sees he in en o y as one o he ins umen s o he p o-
ec ion o cul u al he i age bu does no se ou he in en o y p ocedu e o he con en
ha mus be included. Da a s anda ds o landscape he i age we e de eloped based
on he needs and ambi ions o each in en o y and he esul is a lack o uni o mi y
and di e en le els o in o ma ion;
2.
The a ailable in o ma ion in he ongoing in en o ies is nei he sys ema ic no up o
da e, le alone exhaus i e, as equi ed by A icle 6 o Law no. 107/2001. A SIPA, he
in o ma ion abou he p o ec ion s a us is upda ed bu o he p io i ies and he lack
o inancial in es men and pe sonnel o con inue his wo k a e among he easons
gi en o his si ua ion;
3.
The esul s o some p ojec s ha e been con ined o hei own managemen s uc u e.
This is despi e hei dissemina ion a mee ings o con e ences, which a e mainly
aimed a a speci ic audience. Thus, some da abases ha e ne e been a ailable online
un il oday, o he s a e no longe a ailable bu can be consul ed in e e ence lib a ies,
academic lib a ies o o he eco ds o ices, along wi h he oldes s udies;
4.
The mul iplica ion o online pla o ms wi h in en o ies means an unnecessa y epli-
ca ion and dispe sion o simila in o ma ion, eams, e o s and expenses;
5.
The lack o in e play be ween he legal ins umen s o p o ec ion conside ed in he
legisla ion—in en o y and classi ica ion. This means ha he classi ica ion does no
ollow he in en o y, which has been ca ied ou mo e o less sys ema ically. In
ac , a ela i ely small pe cen age o ga dens ha e been classi ied compa ed o he
numbe o ga dens in en o ied. One cause o his is he succession and uncoo dina ed
coexis ence o ins i u ions esponsible o cul u al he i age ha led o he duplica ion
o compe ences and was age o esou ces.
I should be no ed ha some o hese issues a e no exclusi e o Po ugal. In he
Eu opean con ex i is common no o ha e a speci ic cen al au ho i y o speci ic legisla ion
ocusing on ga dens; he e o e, hei p o ec ion ends o be in eg a ed in Ins i u ions and in
he legal egula ions de ined o he i age in gene al. Se bia is one example whe e pa ks and
ga dens a e included in na ional legisla ion [
52
]. Fo example, he sp ead o in o ma ion

Sus ainabili y 2022,14, 5978 17 o 19
ac oss a ious documen a y sou ces and he mul iplica ion o s a e and non-s a e digi al
pla o ms also happens in Uni ed Kingdom, F ance [
31
] and e en Aus alia [
53
]. These
ha e in en o ies a di e en e i o ial scales, which is no he case in Po ugal. Howe e ,
in he case o Aus alia, he e is some ag eemen be ween da abases and he e has been
an e o o cen alize in o ma ion [
53
]. In England, he Regis e o Pa ks and Ga dens
o Special His o ic In e es , a s a u o y documen , imposes high selec ion c i e ia o a
ga den o be included in he Regis e , ocusing on age, a i y, comple eness o condi ion
and examples o he wo k o known na ional and local designe s. In addi ion, si es less
han 30 yea s old a e no mally egis e ed only i hey a e o ou s anding quali y and unde
h ea [31], some hing ha does no happen in he ongoing in en o ies in Po ugal.
6. Conclusions
This pape has ocused on he analysis o a se o in en o ies o his o ical ga dens
ca ied ou o e he yea s in he academic wo ld and also on he ini ia i e o he ins i-
u ional en i onmen . The con en analysis allows o ecognize ha each s udy, lis ing
and in en o y ca ied ou a di e en imes by di e en igu es, g oups and en i ies wi h
di e en me hodologies and pu poses has helped o en ich knowledge o he Po uguese
landscape he i age. This e lec s he g owing in e es in i s p o ec ion and p ese a ion,
which, on some occasions, esul ed in p o ocols be ween ins i u ions o he eco e y o
ga dens being ul illed. I also leads o he conclusion ha his is no an easy he i age o
in en o y, and i is only possible o p o ec wha is p ope ly known.
Some weaknesses we e iden i ied ha can be educed o wo majo dimensions: in o -
ma ion and i s o ganiza ion, sys ema iza ion, s anda diza ion, upda ing, comple eness and
a ailabili y; and legisla ion and i s cla i ica ion, speci ica ion, in eg a ion and coope a ion.
I hus seems clea ha in he case o Po ugal, o in en o ies o ul ill hei co e
objec i e and be e ec i e, i is pa icula ly necessa y ha he i age and ga den he i age
p o essionals, oge he wi h he ele an en i ies, coope a e, discuss and unde s and he
possibili y and he ad an ages o cen alizing in o ma ion abou his o ic ga dens in a single
lis . Fo his o happen, i is c ucial o analyze he exis ing in en o ies, o disco e mo e
de ails abou he s eng hs and weaknesses in e ms o in o ma ion, which will allow a
sounde unde s anding o wha u he wo k needs o be comple ed. Solid da a s anda ds
should be de ined consis en ly and alidly o e ime, wi h a speci ic legal amewo k
ha es ablishes a ypology o spaces and speci ies wha in o ma ion should be added,
while ensu ing he e is a balance, such ha he in en o y can be compiled in acco dance
wi h A icle 6 o Law no. 107/2001. In o ma ion mus be he a ge o a pe manen and
sys ema ic in es men , bo h inancial and in human esou ces, which can be achie ed
by c ea ing and main aining a eam o dedica ed p o essionals o ca y ou his ask on
a pe manen basis. The e ec i eness o he in en o y also equi es es ablishing a b oad
comp omise be ween he he i age legal amewo k, he en i ies and he in en o y p ocess,
so ha he in o ma ion p oduced leads o classi ica ion and also o he c ea ion o speci ic
legisla ion o his o ic ga dens.
I his is no aken in o accoun soon, no only will sus ainable he i age managemen
be comp omised, bu e en ually he p ese a ion and sa egua ding o hese he i age asse s
will be jeopa dized, oo, oge he wi h hei access, new uses and in e p e a ions by socie y.
In his ega d, ou ism has been seen as a s a egic ehicle o sa egua d, alue and ensu e
hei cul u al and economic sus ainabili y. In en o ies and he in o ma ion hey con ain
a e c ucial no only o suppo he implemen a ion and de elopmen o ou ism s a egies
based on inno a i e and e ec i e in e p e a ion echniques, bu o p e en any damage
ha migh a ise om ou is use.
The lack o access o in o ma ion in some da abases and he slowness o he en i ies
in p o iding da a o cla i ica ion on hem did no pe mi a deepe analysis o ce ain
in en o ies. Despi e such limi a ions, his pape en iches ou unde s anding abou he
his o ic ga dens’ in en o y p ocess by ga he ing in o ma ion, and h ough he e olu iona y
Sus ainabili y 2022,14, 5978 18 o 19
and compa a i e analysis ca ied ou . I also p o ides some insigh s o a u u e endea o
wi h ega d o he in en o y o his o ic ga dens.
Au ho Con ibu ions:
Concep ualiza ion, me hodology, in es iga ion, esou ces, da a cu a ion,
w i ing—o iginal d a , w i ing— e iew & edi ing, isualiza ion, supe ision, S.S.; w i ing— e iew
and edi ing, isualiza ion, supe ision, P.C. All au ho s ha e ead and ag eed o he published e sion
o he manusc ip .
Funding:
This esea ch was unded by FCT—Founda ion o Science and Technology, g an num-
be FCT_SFRH/BD/85081/2012 and also ecei ed suppo om he Cen e o S udies in Geog a-
phy and Spa ial Planning (CEGOT), unded by na ional unds h ough he FCT unde e e ence
UIDB/04084/2020.
In o med Consen S a emen : No applicable.
Da a A ailabili y S a emen : No applicable.
Acknowledgmen s:
We would like o exp ess ou since e hanks o FCT and CEGOT o suppo ing
his esea ch and o Jean Ann Bu ows, a na i e English speake , o he aluable con ibu ion in
ansla ing his pape .
Con lic s o In e es : The au ho s decla e no con lic o in e es .
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