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What are the structural differences in character networks within Portuguese-language literary works across various genres?

Abstract

This study investigates the structural differences in character networks within Portugueselanguage literary works across various genres, including Fantasy, Mystery, and Romance. By exploring how character interactions and relationships differ across genres, we aimed to understand the underlying narrative structures that define each genre. Through Social Network Analysis, specific metrics were extracted for each genre, analyzed, and a Principal Component Analysis (PCA) was conducted, with real-life networks added for comparison and reference. Our analysis revealed that, although no extremely prominent metric differences were observed among the genres, there were notable structural tendencies within each genre. Fantasy narratives tend to focus on a single main character that interacts with many other characters, exhibiting lower density and clustering than other genres, and have less focus on relationship building. Mystery narratives feature moderately sized, denser networks with key bridging characters and the highest centrality on a relationship, translating into a balance of relationship and character building. In contrast, Romance narratives present the most variable network size, emphasizing multiple central characters and cohesive subgroups, focusing especially on relationship building. This makes Romance and Fantasy the most different genres, while Mystery acts as a mix of these structure strategies and is simultaneously closer to what is observed in real-life networks. The study acknowledges limitations related to sample size and data processing, highlighting the need for future research with larger and more diverse datasets to validate these findings.

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What are the structural differences in character networks within Portuguese-language literary works across various genres?

Author: Duarte, Catarina Ribeiro
Year: 2024
Source: https://run.unl.pt/bitstream/10362/175053/1/TCDMAA3409.pdf
Mas e Deg ee P og am in
Da a Science and Ad anced Analy ics
Wha a e he s uc u al di e ences in cha ac e ne wo ks
wi hin Po uguese-language li e a y wo ks ac oss a ious
gen es?
Ca a ina Ribei o Dua e
Mas e Thesis
p esen ed as pa ial equi emen o ob aining a Mas e ’s Deg ee in Da a Science and Ad anced Analy ics
NOVA In o ma ion Managemen School
Ins i u o Supe io de Es a ís ica e Ges ão de In o mação
Uni e sidade No a de Lisboa
MDSAA
i
NOVA In o ma ion Managemen School
Ins i u o Supe io de Es a ís ica e Ges ão de In o mação
Uni e sidade No a de Lisboa
Wha a e he s uc u al di e ences in cha ac e ne wo ks wi hin Po uguese-language
li e a y wo ks ac oss a ious gen es?
by
Ca a ina Ribei o Dua e
Mas e Thesis p esen ed as pa ial equi emen o ob aining he Mas e ’s deg ee in Da a
Science and Ad anced Analy ics, wi h a specializa ion in Da a Science
Supe ised by
Flá io Pinhei o, PhD, NOVA In o ma ion Managemen School
João L. M. Pe ei a, PhD, Uni e sidade de É o a
July, 2024
i
STATEMENT OF INTEGRITY
I he eby decla e ha ing conduc ed his academic wo k wi h in eg i y. I con i m ha I ha e no
used plagia ism o any o m o undue use o in o ma ion o alsi ica ion o esul s along he
p ocess leading o i s elabo a ion. I u he decla e ha I ha e ully acknowledged he Rules
o Conduc and Code o Hono om he NOVA In o ma ion Managemen School.
Lisboa, 15 h July 2024
ii
DEDICATION
Pa a os meus Pais, Ana Isabel e João Paulo, que le o semp e comigo mesmo sem se Joana.

iii
ACKNOWLEDGEMENTS
I am deeply g a e ul o my p ima y supe iso , P o esso Flá io Pinhei o, o his con inuous
suppo , in aluable guidance, and e e -p esen good mood. My hanks also ex end o
P o esso João Pe ei a o joining as a co-ad iso and en iching his wo k wi h his insigh s and
knowledgeable poin o iew. Addi ionally, I would like o exp ess my hea el app ecia ion
o NOVA IMS o p o iding an excellen educa ional en i onmen h oughou my s udies.
A dis inc i e hanks o Tiago Caná io, an indispu able su p ise and a an as ic eamma e. No
only o he ha d wo k, mo i a ion, and companionship in ha d challenges bu also o he
music ecommenda ions ha became he sound ack o mos o my w i ing sessions.
I his expe ience we e a book, i would be a mix o gen es, bu mainly i was an ad en u e, a
ale o pe se e ance, and an ode o he academic jou ney ha b ough me he e. I’m so
g a e ul o he cha ac e s in his na a i e, whose ne wo k would be as and dense, and I
would like o hank he dea and impo an cha ac e s in his s o y.
Fi s ly, my whole amily, whose us and suppo I ha e always had and who passed on o me
a lo e o books. Mãe, Pai, Mano, and Magali, you ha e been my home whe e I could always
es and ind com o in he middle o he jou ney in so many ways. You suppo was i al o
his na a i e and kep he s o y mo ing o wa d.
Ma a, who has been p esen and essen ial since he P ologue, e en hough om a di e en
backg ound, celeb a ed so deeply e e y conques and s uggle wi h me, he only one able o
make 300 km seem so close. And Ca olina, so in insically p esen in e e y chap e , always
o e ing wo ds o encou agemen and eaching me in so many o ms he meaning o
'uncondi ional'.
I also ex end my g a i ude o all my closes iends who added a ouch o comedy o his ale;
i would be a mys e y how i could ha e been wi hou all and each o you.
Las ly, hanks o A ó Celes e, whose belie in me endu es.
i
ABSTRACT
This s udy in es iga es he s uc u al di e ences in cha ac e ne wo ks wi hin Po uguese-
language li e a y wo ks ac oss a ious gen es, including Fan asy, Mys e y, and Romance. By
explo ing how cha ac e in e ac ions and ela ionships di e ac oss gen es, we aimed o
unde s and he unde lying na a i e s uc u es ha de ine each gen e. Th ough Social
Ne wo k Analysis, speci ic me ics we e ex ac ed o each gen e, analyzed, and a P incipal
Componen Analysis (PCA) was conduc ed, wi h eal-li e ne wo ks added o compa ison and
e e ence. Ou analysis e ealed ha , al hough no ex emely p ominen me ic di e ences
we e obse ed among he gen es, he e we e no able s uc u al endencies wi hin each
gen e. Fan asy na a i es end o ocus on a single main cha ac e ha in e ac s wi h many
o he cha ac e s, exhibi ing lowe densi y and clus e ing han o he gen es, and ha e less
ocus on ela ionship building. Mys e y na a i es ea u e mode a ely sized, dense ne wo ks
wi h key b idging cha ac e s and he highes cen ali y on a ela ionship, ansla ing in o a
balance o ela ionship and cha ac e building. In con as , Romance na a i es p esen he
mos a iable ne wo k size, emphasizing mul iple cen al cha ac e s and cohesi e subg oups,
ocusing especially on ela ionship building. This makes Romance and Fan asy he mos
di e en gen es, while Mys e y ac s as a mix o hese s uc u e s a egies and is
simul aneously close o wha is obse ed in eal-li e ne wo ks. The s udy acknowledges
limi a ions ela ed o sample size and da a p ocessing, highligh ing he need o u u e
esea ch wi h la ge and mo e di e se da ase s o alida e hese indings.
KEYWORDS
Social Ne wo ks Analysis (SNA); NLP; Gen e Theo y; Po uguese Li e a u e
TABLE OF CONTENTS
1. In oduc ion .................................................................................................................. 1
2. Rela ed wo k ................................................................................................................. 3
3. Me hodology ................................................................................................................ 6
4. Resul s and discussion ................................................................................................ 16
5. Conclusions and u u e wo ks .................................................................................... 24
Bibliog aphical Re e ences .............................................................................................. 26
Appendix A ...................................................................................................................... 31
i
LIST OF FIGURES
Figu e 1 - O e iew o he gene ic cha ac e ne wo k ex ac ion me hodology ...................... 7
Figu e 2 - Cha ac e Ne wo k o "O Filho de Mil Homens" .................................................... 10
Figu e 3 - Va iance explained by each p incipal componen and cumula i e a iance .......... 19
Figu e 4 - No els PC sco es ep esen ed in 2D o 2 PC ........................................................... 21
Figu e 5 - Cha ac e Ne wo k o "A Cos a dos Mu mú ios" ................................................... 31
Figu e 6 - Cha ac e Ne wo k o "A Cidade do Medo" .......................................................... 36
Figu e 7 - Cha ac e Ne wo k o "Limbo" ............................................................................... 41
6
3. METHODOLOGY
This sec ion ou lines he me hodology adop ed o analyze he s uc u al di e ences in
cha ac e ne wo ks wi hin Po uguese-language li e a y wo ks ac oss a ious gen es. This
wo k necessi a es a me iculous selec ion o gen es and li e a y wo ks, which o m he
ounda ional amewo k o ansla ing ex ual elemen s in o cha ac e ne wo ks. These
ne wo ks will hen be measu ed using ele an me ics chosen o se e as compa ison poin s
among gen es. The p ocesses de ailed below aim o cap u e he unique na a i e dynamics
ha cha ac e ize each gen e and highligh hei di e ences.
We s a by ou line he gen es ha we e chosen o compa ison. The ocus was on subgen es
o Fic ional Na a i es o c ea e iche ne wo ks and se mo e cohe en expec a ions o hese
subgen es. Sou ces di e in ca ego izing he same no els; some no els a e labeled wi h
mul iple gen es, while o he s a e no ca ego ized a all. To add ess his challenge and enable
a mo e obus and dis inc compa ison, we selec ed gen es whe e he eade 's expec a ions
a e clea ly de ined. Fo example, eade s an icipa e a lo e s o y in a omance no el o a c ime
o be sol ed in a mys e y no el. This con as s wi h gen es like ad en u e and an asy, which
may ha e mo e o e lapping hemes and less dis inc eade expec a ions (Fos e , J. n.d.).
Rega ding book selec ion, he sou ces o gen e agging included “P oje o Adamas o ”
3
and
he Good eads
4
websi e.
“P oje o Adamas o ” is a digi al lib a y o public domain Po uguese-language wo ks and i
has been u ilized in Sil a e al. (2023) esea ch. Each book is agged wi h i s gen e, allowing
o ex ac ion and gen e classi ica ion o use in his s udy. This pla o m is con inuously
upda ed, and i is no ewo hy no only o con e ing ex s in o digi al o ma bu also o i s
me iculous e iew o each a ailable wo k o minimize e o s and adhe e o he cu en
Po uguese Spelling Re o m. This is c ucial o his s udy as i p o ides a base ex ha is he
leas e o -p one and hus will p oduce he mos accu a e cha ac e ne wo ks. Acco ding o
he “Collabo a o Guide o P oje o Adamas o ” by Lou enço, R.F. (2014), each collabo a o
iden i ies a gen e du ing he selec ion and book ea men p ocess, which is hen alida ed by
a pee e iew in ol ing a leas one collabo a o no in ol ed in he ini ial e iew. They
conduc a comp ehensi e eading o he ile o ensu e he quali y o he book and he accu acy
o gen e agging.
“Good eads” is a book-based social websi e whe e membe s sha e, e iew, and a e li e a y
wo ks and connec wi h o he eade s (Thelwall & Kousha, 2017). On his pla o m, gen es a e
a ibu ed in a manne ha conside s se e al ac o s bu emains la gely undisclosed o use s.
I is known, howe e , ha use in luence plays a ole due o gen e ags e lec ing he sel -
c ea ed names by i s communi y. Shel es a e a me hod o use s o o ganize and g oup hei
3
h ps://p ojec oadamas o .o g
4
h ps://www.good eads.com

7
books, o en named a e gen es, such as omance o c ime. These names in luence gen e
assignmen s o he books, as he gen e lis s on Good eads book home pages include up o
en o he mos popula assigned book gen es (Thelwall, 2019).
Fo he book selec ion wi hin each gen e, i was ensu ed ha he book, whe he on “P oje o
Adamas o ” o among he i s i e gen e ags on Good eads, was iden i ied wi h ha gen e.
Al hough no gen e assignmen s a egy can pe ec ly ca ego ize gen es and ensu e a book i s
only one ca ego y, hese p ecau ions and me hodological app oaches we e adop ed o his
s udy.
The chosen gen es, all wi hin he ealm o ic ion, in he Po uguese language, including
B azilian Po uguese, a e p esen ed in able 1 wi h hei espec i e de ini ions om
Good eads. This alignmen p o ides a p e iew o eade expec a ions and he sample
collec ed ocused on p esen ing mo e con empo a y books.
Rega ding he p e-p ocessing equi ed o he book ex be o e passing i in o he pipeline o
ex ac he ne wo ks, only a simple cleanup is needed o emo e non-na a i e ex om he
digi al e sions o he books. The e o e, o co ec his issue, he ini ial o ending unnecessa y
chunks we e manually emo ed om he TXT iles o he books.
The pipeline used o his wo k, TAGGUS (Caná io & Dua e,2024) was speci ically designed o
ex ac cha ac e ne wo ks om Po uguese no els, add essing and o e coming all he
impedimen s and cons ain s associa ed wi h he language ha ha e been p e iously
men ioned. De ailed in o ma ion abou he en i e pipeline p ocess and he decisions made
can be ound in i ’s Gi hub eposi o y
5
.
Ne e heless, Laba u & Bos (2020), in hei widely ci ed wo k, ou lined he ex ac ion
p ocess, which also se ed as he ounda ion o he pipeline's c ea ion and i ’s ep esen ed
in igu e 1.
Figu e 1 - O e iew o he gene ic cha ac e ne wo k ex ac ion me hodology
5
h ps://gi hub.com/ icadu/ aggus.
8
Table 1 - Chosen Gen es and selec ed books o each
Book
Gen e
Good eads de ini ion
Au ho , Book i le and yea
Romance6
"Two basic elemen s comp ise e e y omance
no el: a cen al lo e s o y and an emo ionally
sa is ying and op imis ic ending." Bo h he
con lic and he climax o he no el should be
di ec ly ela ed o ha co e heme o de eloping
a oman ic ela ionship, al hough he no el can
also con ain subplo s ha do no speci ically
ela e o he main cha ac e s' oman ic lo e”
Val e Hugo Mãe,
“O Filho de Mil Homens” (2011)7
Lídia Jo ge, “A Cos a dos
Mu mú ios” (1988)8
Miguel Sousa Ta a es,
“Equado ” (2003)9
João Rica do Ped o, “O eu
Ros o se á o úl imo” (2012) 10
Fan asy11
Fan asy is a gen e ha uses magic and o he
supe na u al o ms as a p ima y elemen o plo ,
heme, and/o se ing. Fan asy is gene ally
dis inguished om science ic ion and ho o by
he expec a ion ha i s ee s clea o
echnological and macab e hemes, espec i ely
[…].
Thiago d'E ecque,
“Limbo” (2015) 12
Edua do Spoh , “A ba alha do
Apocalipse” (2007) 13
Sand a Ca alho,
“A Úl ima Fei icei a” (2005) 14
Filipe Fa ia, “Oblí io” (2011)15
Mys e y16
The mys e y gen e is a gen e o ic ion ha
ollows a c ime […] om he momen i is
commi ed o he momen i is sol ed. Mys e y
no els o en […] u n he eade in o a de ec i e
ying o igu e ou he who, wha , when, and
how o a pa icula c ime.
Ped o Ga cia Rosado,
“A Cidade do Medo” (2015) 17
Nuno Nepomuceno,
“A Célula Ado mecida” (2007) 18
Raphael Mon es,
“Dias pe ei os” (2005)19
F ancisco Moi a Flo es, “O
Bai o da Es ela Pola ” (2012)20
6
h ps://www.good eads.com/gen es/ omance
7
h ps://www.good eads.com/book/show/12395665-o- ilho-de-mil-homens
8
h ps://www.good eads.com/book/show/3371637-a-cos a-dos-mu m- ios
9
h ps://www.good eads.com/book/show/1140942.Equado
10
h ps://www.good eads.com/book/show/13597497-o- eu- os o-se -o-l imo
11
h ps://www.good eads.com/gen es/ an asy
12
h ps://www.good eads.com/book/show/25844730-limbo
13
h ps://good eads.com/book/show/18299638-a-ba alha-do-apocalipse
14
h ps://www.good eads.com/book/show/6333188-a-l ima- ei icei a
15
h ps://www.good eads.com/book/show/10474666-obl- io
16
h ps://www.good eads.com/gen es/mys e y
17
h ps://www.good eads.com/book/show/12742439-a-cidade-do-medo
18
h ps://www.good eads.com/book/show/32574062-a-c-lula-ado mecida
19
h ps://www.good eads.com/book/show/21405408-dias-pe ei os
20
h ps://www.good eads.com/book/show/16155430-o-bai o-da-es ela-pola
9
The p ocess begins wi h he p elimina y da ase , a single li e a u e wo k, which is ed in o he
model's pipeline. The i s s ep is cha ac e iden i ica ion, di ided in o wo sequen ial s ages.
Ini ially, all he di e en cha ac e names a e iden i ied and s o ed. Howe e , no e e y name
ep esen s a unique cha ac e , as na a i es, like eal li e, o en use a ious names o e e o
he same cha ac e . Fo example, in he wo k P ojec Hail Ma y
21
, Ryland G ace may also be
e e ed o in he same s o y as M . G ace, ep esen ing he same cha ac e bu by ano he
exp ession. The e o e, a co- e e ence esolu ion s ep is employed o uni y cha ac e
occu ences. The pipeline used in his wo k akes p ecau ions o ensu es accu a e uni ica ion
by ma ching gende , nicknames, likelihood o he mos popula cha ac e , and anapho ic
esolu ion.
Following cha ac e iden i ica ion, he nex s ep is o de ec in e ac ions be ween cha ac e s.
In his wo k, co-occu ence is used o coun in e ac ions. This me hod decomposes he
na a i e in o smalle uni s. These uni s may a y om p ojec o p ojec , conside ing wo
cha ac e s o in e ac when hey appea oge he in he same uni (Laba u & Bos , 2020).
Al hough his echnique is widely used due o i s simplici y and ease o implemen a ion, i has
he disad an age o po en ially labeling simply wo cha ac e s men ioned in he same uni as
in e ac ions, leading o alse posi i e in e ac ion coun s. Howe e , his emains as he mos
widesp ead app oach in he li e a u e o his issue (Laba u & Bos , 2020). In his pipeline he
na a i e uni chosen o de ec in e ac ion was wo cha ac e s men ion in he same sen ence.
Finally, a e uni ying he cha ac e s and de ec ing hei in e ac ions, a g aph is cons uc ed.
The g aph ha ep esen s a cha ac e ne wo k is buil wi h nodes and edges, each ha ing i s
own de ini ion. The nodes ep esen he cha ac e s, and he edges ep esen he ela ionships
among hem. Mo eo e , hese g aphs can also inco po a e empo al in eg a ion, esul ing in
ei he a s a ic ne wo k o a dynamic ne wo k (Laba u & Bos , 2020).
The s a ic ne wo k, which is he app oach mos commonly p esen ed in he li e a u e,
cap u es in e ac ions be ween cha ac e s o e he en i e na a i e pe iod. In con as , he
dynamic ne wo k in eg a es he p og ession o in e ac ions o e ime o ac oss di e en
sec ions o he s o y. While he s a ic ne wo k allows o a be e isualiza ion o he no el, i
does no cap u e he e olu ion o cha ac e s h oughou he na a i e (Laba u & Bos , 2020).
Fo his s udy, gi en he goal o unde s anding and analyzing he global s o y and he lack o
necessi y o empo al dimension analysis, s a ic ne wo ks we e used.
The simple elemen , nodes, can ep esen indi idual cha ac e s o g oups o cha ac e s and
also p esen cha ac e cha ac e is ics, such as cha ac e ype (e.g., human, dog, e c.), gende ,
ace, abili ies, e c. Mo eo e , weigh ed nodes can gi e us an idea o he ele ance o he
cha ac e s h oughou he s o y. On he o he hand, he edges ep esen he in e ac ions and
connec ions among cha ac e s and can con ain mo e in o ma ion. In e ac ion in ensi y can be
shown h ough weigh ed nodes. Addi ionally, he edges can ha e di ec ions, c ea ing a
21
h ps://www.good eads.com/book/show/54493401-p ojec -hail-ma y
10
di ec ed g aph ha ansmi s he speake /add essee in he in e ac ion. Fu he mo e,
assigned g aph p ope ies can p esen he in e ac ion pola i y ha con eys he sen imen o
he in e ac ion/ ela ionship (Laba u & Bos , 2020).
In his wo k, he s a ic ne wo ks will ea u e weigh ed nodes, whe e each node ep esen s a
dis inc cha ac e . While he nodes a e weigh ed o indica e he ele ance o each cha ac e ,
he edges in ou ne wo k will be weigh ed as well, undi ec ed, unsigned, and una ibu ed. An
example can be seen in igu e 2 and a ep esen a i e ne wo k o each gen e can be ound in
Appendix A as well as i s espec i e adjacency ma ix.
Figu e 2 - Cha ac e Ne wo k o "O Filho de Mil Homens"
When compa ing cha ac e ne wo ks, we ocused on measu able aspec s ha could be
ansla ed o na a i e signi icance and analyzed o gen e-speci ic di e ences. Fo each
ex ac ed cha ac e ne wo k, we compu ed he ne wo k size (N) ha in o ms on he numbe
o nodes o he ne wo k, i s size. In ou con ex i gi es us he numbe o cha ac e s o each
book (Sil a e al., 2023; Suen e al., 2013). Sil a e al. (2023) analysis showed ha he ne wo k
size a ies li le be ween Po uguese li e a y wo ks, wi h an a e age o nine cha ac e s in he
sample. In he case o igu e 2 i would be 12 nodes so, 12 cha ac e s.
Fu he mo e, he numbe o componen s coun s he subse o he e ices o a ne wo k ha
a e connec , his is, ha he e exis s a leas one pa h om each membe o ha subse o
each o he membe (Newman, 2010). In he con ex o cha ac e ne wo ks, analyzing he
numbe o componen s can e eal how agmen ed o cohesi e he na a i e s uc u e is. Fo
11
example, a high numbe o componen s migh indica e mul iple isola ed subplo s o cha ac e
g oups ha do no in e ac , while a low numbe o componen s, and especially a single one,
sugges s a mo e in eg a ed and in e connec ed s o y.
Nex , maximum deg ee shows he highes numbe o connec ions a single cha ac e has, his
is he highes deg ee o any node in he ne wo k (Sil a e al., 2023; Laba u & Bos , 2020). This
me ic helps iden i y he mos cen al o in luen ial cha ac e wi hin he na a i e and how
connec ed i is, p o iding insigh s in o he s uc u e and dynamics o he cha ac e
in e ac ions. Sudhaha & C is ianini (2013) ound in hei wo k ha he he o o a na a i e
always had he highes deg ee in a ne wo k, showing hei cen al posi ion in he na a i e. In
igu e 2 i ’s clea ha hese would be he numbe o connec ions Ma ilde has, due o being
he mos connec ed cha ac e .
In ou wo k, we p opose a new me ic, “Numbe o Main Cha ac e s” (NºMC) which aims o
coun , besides he cha ac e wi h he highes deg ee, how many o he cen al cha ac e s exis .
This is done by coun ing any o he node wi h a numbe o in e ac ions ( 𝑘𝑖) close o he highes
deg ee (𝑘𝑚𝑎𝑥), wi h a h eshold o a leas 80% and abo e a s a ic lowe bound o 10
in e ac ions. This me ic iden i ies bo h cen al and “seconda y” main cha ac e s, e lec ing
na a i es ha ea u e mul iple signi ican cha ac e s a he han ocusing solely on one. The
lowe bound o 10 in e ac ions ensu es ha cha ac e s conside ed as main ha e a meaning ul
le el o engagemen in he s o y. While me ics like maximum deg ee and single cha ac e
cen ali y (SCC) highligh he mos cen al cha ac e , hey may o e look o he impo an
cha ac e s. The “Numbe o Main Cha ac e s” me ic conside s cha ac e s wi h subs an ial
in e ac ions, p o iding a mo e comp ehensi e iew o he na a i e’s s uc u e and
ecognizing he impo ance o key seconda y cha ac e s alongside he p ima y one.
𝑁º𝑀𝐶 = ∑[𝑘𝑖≥0.8 𝑘𝒎𝒂𝒙 ∧𝑘𝑖≥10
𝒊](𝟏)
S ill in he opic o connec i i y, densi y measu es how closely he cha ac e s a e connec ed
in he ne wo k. This is possible by calcula ing he p opo ion be ween exis ing edges (E) in he
ne wo k and all possible ne wo k connec ions (Sil a e al., 2023; Laba u & Bos , 2020; Dekke
e al., 2019). The possible connec ions alue is he coun o pai o nodes ha can o m an
edge. The densi y alue anges om 0 o 1, whe e a alue close o 1 indica es a highly
in e connec ed ne wo k, and a alue close o 0 sugges s a spa sely connec ed ne wo k. Fo
example, A danuy & Spo lede (2015) no e ha in he case o he Ha y Po e
22
books, he
ea lie books a e conside ably dense han he la e ones, as he communi y ep esen ed in
hem becomes b oade and less igh ly kni wi h e e y new book. This shows how he densi y
22
h ps://www.good eads.com/se ies/45175-ha y-po e

12
me ic can e lec di e ence in he s uc u e and ocus o a na a i e, in his case in a se ies.
The equa ion (2) used o calcula e i was e ie ed om Bha acha ya e al. (2023).
𝑑 = 2𝐸
𝑁(𝑁−1)(𝟐)
The a e age pa h leng h measu es he a e age numbe o s eps o achie e he sho es pa hs
o all possible pai s o nodes in he ne wo k (Sil a e al., 2023; Laba u & Bos , 2020; Dekke
e al., 2019; Newman, 2010). This me ic p o ides insigh in o how connec ed he nodes,
cha ac e s, a e wi hin he ne wo k, e lec ing he o e all e iciency o in o ma ion o
in e ac ion low wi hin he na a i e. A lowe a e age pa h leng h sugges s a close communi y
whe e any cha ac e can be eached om any o he cha ac e h ough a ew in e ac ions.
Con e sely, a highe a e age pa h leng h indica es a mo e sp ead ou o agmen ed ne wo k.
In ou s udy, in he case o when we ha e a agmen ed ne wo k, we ha e in conside a ion
he a e age pa h leng h o he la ges componen since i ’s he bes and ai es me ic o ha
na a i e. The eal wo lds concep o six deg ees o sepa a ion, which sugges s ha any wo
people a e, on a e age, six o ewe social connec ions apa (Milg am, 1967), can illus a e
a e age pa h leng h usage in social ne wo ks. The de ined equa ion (3) was e ie ed om
Newman (2010) and 𝑑𝑖𝑗 is he sho es dis ance be ween cha ac e s 𝑖 and 𝑗.
𝐴𝑃𝐿 = 1
𝑁(𝑁−1) ∑𝑑𝑖𝑗
𝑖≠𝑗 (𝟑)
Now segueing in o he cen ali y measu es, which help iden i y he mos impo an o
in luen ial nodes wi hin he ne wo k, he single cha ac e cen ali y (SCC) measu e o
indi idual cha ac e s was p oposed by Suen e al. (2013) o see how much a s o y is ocused
on a single cha ac e . This is achie ed by measu ing he dispa i y be ween he cha ac e wi h
he highes weigh ed deg ee (𝑠𝑖) and he second highes , no malized, and unde s anding he
di e ence. While maximum deg ee p o ides a di ec measu e o a cha ac e ’s in e ac ions,
SCC quan i ies he dominance o dispa i y in cen ali y wi hin he ne wo k, indica ing how
much he s o y ocuses on one cha ac e abo e all o he s. The SCC alue anges be ween 0
and 1, whe e a alue close o 1 indica es high dominance o a single cha ac e , and a alue
close o 0 sugges s a mo e e enly dis ibu ed cha ac e ne wo k
13
𝑆𝐶𝐶 = 𝑚𝑎𝑥𝑖(𝑠𝑖)−𝑛𝑒𝑥𝑡_𝑚𝑎𝑥𝑖(𝑠𝑖)
∑𝑠𝑖𝑖 (𝟒)
Also p oposed by Suen e al. (2013), single ela ionship cen ali y (SRC) measu es he
p ominence o he mos cen al ela ionship ela i e o o he s in he ne wo k. This me ic
quan i ies how much a single ela ionship s ands ou in e ms o in e ac ions compa ed o he
second mos signi ican ela ionship. I helps iden i y he mos dominan pai o cha ac e s,
his is, he edge wi h mo e weigh 𝑤𝑖𝑗, and hei in luence on he na a i e. While single SCC
ocuses on he dominance o a single cha ac e , single ela ionship SRC highligh s he
impo ance o a speci ic in e ac ion be ween wo cha ac e s ollowing he same scale logic.
𝑆𝑅𝐶 =𝑚𝑎𝑥𝑖,𝑗(𝑤𝑖,𝑗)−𝑛𝑒𝑥𝑡_𝑚𝑎𝑥𝑖,𝑗(𝑤𝑖,𝑗)
∑𝑤𝑖,𝑗𝑖,𝑗 (𝟓)
The be weenness cen ali y (BC) measu es he ex en o which a ce ain node is on he
sho es pa hs be ween o he nodes (Hansen e al., 2020; Laba u & Bos , 2020; Suen e al.,
2013; He inge e al., 2015). In o he wo ds, i helps iden i y cha ac e s who play a “b idge”
ole in a ne wo k. Fi s , calcula e he be weenness cen ali y o each node by coun ing he
numbe o imes i lies on he sho es pa h be ween o he nodes (𝜎𝑠𝑡(𝑖)). Then, add up all
he be weenness cen ali y alues o he nodes in he ne wo k. Nex , no malize each alue
by di iding i by he maximum possible alue o any node in he ne wo k, ensu ing all alues
all be ween 0 and 1. Finally, compu e he a e age be weenness cen ali y by di iding he
o al sum o he no malized alues by he numbe o nodes in he ne wo k. By a e aging i o
he whole ne wo k, a e age be weenness cen ali y (ABC), we can cap u e he o e all
impo ance o in e media y nodes wi hin he en i e ne wo k. A alue o 0 o a e age
be weenness cen ali y means ha , on a e age, nodes do no ac as in e media ies; his could
be due o a comple ely disconnec ed ne wo k o one whe e all he sho es pa hs a e di ec .
In con as , a high posi i e alue means ha many cha ac e s play a c i ical ole in acili a ing
in e ac ions o he low o in o ma ion be ween nodes.
𝐴𝐵𝐶 = 1
𝑁 ∑2
(𝑁−1)∗(𝑁−2) ∑𝜎𝑠𝑡(𝑖)
𝜎𝑠𝑡
𝑠≠𝑖≠𝑗
𝑁
𝑖=1 (𝟔)
The deg ee asso a i i y measu es how co ela ed he deg ees o connec ed e ices a e, in
o he wo ds, i measu es he endency o nodes o connec o simila nodes wi h espec o
hei deg ee (Sil a e al., 2023; Laba u & Bos , 2020). This me ic helps cha ac e ize he
ela ionship be ween p ima y and mino cha ac e s. Being a coe icien , asso a i i y is
calcula ed as he a io o co a iance o a iance. To calcula e he co a iance, we look a he
14
connec ions, deg ee 𝑘, o e e y node and hen de e mine he join deg ee dis ibu ion, 𝑒𝑗𝑘.
This join deg ee dis ibu ion indica es how o en nodes wi h a ce ain deg ee 𝑘 a e connec ed
o nodes wi h deg ee 𝑗. In simple e ms, i measu es he equency o edges exis ing be ween
nodes o di e en deg ees. Then, his co a iance is di ided by he a iance o he deg ee
dis ibu ion, 𝜎2=∑𝑘2𝑞𝑘−[∑𝑘2𝑞𝑘]
𝑘2
𝒌
.
The esul akes a alue be ween 1, asso a i e,
whe e nodes wi h simila deg ees end o connec wi h each o he , and -1, disasso a i e,
whe e nodes wi h di e ing deg ees end o connec , o 0 (neu al) in he case o non-
co ela ion (Bha acha ya e al., 2023). In Sil a e al. (2023), he ne wo ks we e gene ally
disasso a i e, e lec ing he di e si y o social in e ac ions in he analysed wo ks much like in
eal-wo ld ne wo ks. The used o mula was collec ed om Massey (2016).
𝑟 =∑(𝑒𝑗𝑘 −𝑞𝑗𝑞𝑘)
𝑗𝑘 𝜎𝑞
2(𝟖)
Las ly, he a e age clus e ing coe icien (ACC) measu es he deg ee o which nodes in a
ne wo k end o clus e oge he , p o iding insigh in o he o e all endency o cha ac e s o
o m cohesi e and closed g oups (Newman, 2010; Suen e al., 2013; A danuy e al., 2015;
Dekke e al., 2019; Laba u & Bos , 2020). This me ic is calcula ed as he a e age o he local
clus e ing coe icien s o all nodes in he ne wo k. The local clus e ing coe icien is he
p obabili y, when andomly picking wo neighbo s o a node,
𝑘𝑖, ha he e is an edge be ween
hem 𝑚𝑖 (Laba u & Bos , 2020) hen a e aging i by he numbe o nodes N. The ACC is use ul
o unde s anding he gene al clus e ing endency ac oss all nodes in he ne wo k. A highe
ACC indica es a g ea e likelihood o s ong communi y s uc u es wi hin he na a i e. Dekke
e al. (2019) p o ide a compa a i e analysis o clus e ing coe icien s in social ne wo ks om
no els and a ious well-known ne wo ks such as you ube and Flick , demons a ing simila
a ia ion pa e ns ac oss di e en ne wo k ypes. The used o mula was collec ed om
Massey (2016).
𝐶 = 1
𝑁 ∑ 2𝑚𝑖
𝑘𝑖 (𝑘𝑖−1)
𝑁
𝑖=1 (𝟗)
The measu es we e calcula ed indi idually o each no el using Py hon wi h he Ne wo kX
package
23
and hen a e aged by gen e.
Mo eo e , a P incipal Componen Analysis (PCA) was conduc ed wi h he me ics. PCA is a
mul i a ia e echnique ha ex ac s he mos impo an in o ma ion om he da a by
23
h ps://ne wo kx.o g
15
educing i s dimensionali y hough he c ea ion o new a iables ha a e linea combina ions
o he o iginal a iables. This p ocess simpli ies he da ase and allows o an analysis o i s
s uc u e (Abdi & Williams, 2010). The goal is o unde s and he key me ics ha dis inguish
gen es while also ha e a isual ep esen a ions o hei g ouping.
22
Analyzing he esul s, i 's clea ha al hough each gen e gene ally g a i a es oge he , each
gen e has no clea and de ined g oup wi hin he PCA esul s, indica ing di e si y in na a i e
s uc u es wi hin e e y gen e unde s udy. This also means ha while he gen es na u ally
dis inguish hemsel es by g ouping oge he no els o he same ca ego y, hey do no clea ly
sepa a e om hose o di e en gen es, indica ing di e ences bu no comple e sepa a ion.
In ac , Mys e y p esen s i sel as a b idge ha ing i s cloud o no els loca ed be ween Fan asy
and Romance, as hese las wo a e mo e sepa a ed. This could imply ha he Mys e y gen e,
despi e he hema ic di e ences, employs simila na a i e s a egies in e ms o cha ac e
ne wo ks as he o he wo gen es.
Fan asy no els mos ly p esen nega i e alues o “Cha ac e In e connec edness and
Simila i y” and ha e mo e p ominen posi i e alues han mode a e nega i es o “Ne wo k
Size and Segmen a ion.” This ansla es in o di e se s uc u al ea u es bu a endency o
achie e ne wo ks ha a e mo e in e connec ed wi h ewe main cha ac e s in e ac ing wi h
a mo e di e se se o cha ac e s. Rega ding ne wo k size i s balanced, while some ocus on
la ge , mo e segmen ed ne wo ks wi h many main cha ac e s, o he s lean owa ds smalle ,
dense ne wo ks, e idenced by he ola ili y in sco es o “Ne wo k Size and Segmen a ion.”
This sugges s ha his gen e is mo e consensually ocused on he c ea ion o cha ac e wo k
a he han ela ionships.
Mys e y no els g a i a e owa ds he cen e o he axis, wi h mos no els showcasing
mode a e esul s on bo h PCs, b idging bo h Romance and Fan asy. This indica es a balance
in he a en ion owa ds cha ac e wo k as well as ela ionships. The cen al posi ioning on
he PCA plo sugges s ha Mys e y no els main ain a mode a e ne wo k size and densi y, wi h
a balanced numbe o main cha ac e s and in e media y connec ing cha ac e s. This balance
is c ucial o he gen e, as i o en in ol es in ica e plo s ha equi e a ne wo k s uc u e ha
suppo s bo h he de elopmen o indi idual cha ac e s and he ela ionships be ween hem.
The Romance no els p esen he highes alues o “Cha ac e In e connec edness and
Simila i y”. This means ha Romance no els ocus on c ea ing ne wo ks wi h mul iple cen al
cha ac e s, highe asso a i i y, and disconnec ed cha ac e s wi h a high a e age pa h leng h,
indica ing an emphasis on cha ac e ela ionships and in e ac ions. Each Romance no el
seems o ha e i s unique alue o “Ne wo k Size and Segmen a ion”, anging he whole scale
indica ing a wide a iabili y in ne wo k size and densi y. This a iabili y, along wi h he
p esence o bo h highly connec ed and isola ed cha ac e s, e lec s he complexi y and
di e si y o ela ionships ypically explo ed in Romance na a i es. This s uc u e suppo s he
gen e's explo a ion o a ious subplo s, p o iding a ich apes y o cha ac e in e ac ions.
In conclusion, he PCA analysis e eals ha while each gen e exhibi s dis inc s uc u al
cha ac e is ics, being Romance and Fan asy he mos di e en in e ms o hei cha ac e
ne wo k s uc u es. Romance no els ocus on c ea ing in ica e, in e connec ed ne wo ks
wi h mul iple cen al cha ac e s, while Fan asy no els a e mo e a iable, anging om highly
in e connec ed ne wo ks o la ge , mo e segmen ed ones. Mys e y no els, ac ing as a b idge

23
and a comp omise o he s uc u e o Romance and Fan asy, showing balanced ne wo k
s uc u es ha closely mimic eal-li e social ne wo ks.
24
5. CONCLUSIONS AND FUTURE WORKS
Gen e p o ides an impo an ame o e e ence ha helps eade s iden i y, selec , and
in e p e ex s (Chandle , 1997). This wo k explo ed he s uc u al di e ences among gen es
in Po uguese ex s h ough hei cha ac e ne wo ks. By combining a e aged ne wo k
me ics, P incipal Componen Analysis (PCA) and he inclusion o eal-li e ne wo ks, we can
d aw comp ehensi e conclusions abou how hese gen es di e and ela e o one ano he .
The a e aged ne wo k me ics highligh some s uc u al ea u es wi hin each gen e. Fan asy
no els a e cha ac e ized by a single, highly cen al he o wi h high maximum deg ee and
mode a e le els o densi y and clus e ing, indica ing a balanced in e connec edness. Mys e y
no els ea u e mode a ely sized, dense ne wo ks ha highligh signi ican ela ionships
be ween cha ac e s and he p esence o b idging cha ac e s, main aining connec i i y.
Romance no els display he mos a iable ne wo ks, wi h mode a e densi y and high
maximum deg ee, bu also show endencies o isola ed cha ac e s, leading o disconnec ed
ne wo ks. Las ly, eal-li e ne wo ks do no p esen any cen ali y on a pa icula cha ac e no
in a ela ionship.
The P incipal Componen Analysis esul s suppo hese indings by showing no clea
clus e ing o gen es, sugges ing ha s uc u al di e ences in cha ac e ne wo ks a e no
s ongly ied o gen e. The dispe se in he PCA esul s wi hin each gen e, indica es di e si y in
na a i e s uc u es. While he gen es na u ally dis inguish hemsel es by g ouping oge he
no els o he same ca ego y, hey do no clea ly sepa a e om hose o di e en gen es,
indica ing di e ences bu no comple e sepa a ion. Fan asy no els show di e se s uc u al
ea u es bu end o achie e ne wo ks ha a e mo e in e connec ed wi h ewe main
cha ac e s in e ac ing wi h a mo e di e se se o cha ac e s. Mos Mys e y no els showcase a
mode a e balance be ween cha ac e and ela ionship building, while Romance emphasizes
ela ionship building wi hin i s na a i e dynamics. Mys e y p esen s i sel as a b idge
be ween Fan asy and Romance, sugges ing ha despi e hema ic di e ences, simila na a i e
s a egies a e employed in e ms o cha ac e ne wo ks om bo h gen es. The eal-li e
ne wo ks s and nea each o he and nea he li e a y ne wo ks sha ing common s uc u al
cha ac e is ics while also exhibi ing unique ea u es ha e lec hei dis inc con ex s, being
his g oup mos simila o Mys e y.
Ou conclusion is ha he simila i ies wi hin gen es and di e ences be ween gen es a e no
p ominen in g aph-speci ic measu es, e en hough each gen e exhibi s unique s uc u al
cha ac e is ics. Fan asy no els a e cha ac e ized by a ocus on a cen al he o and less
in e connec ed g oups, aligning wi h hei na a i e emphasis on indi idual jou neys and less
ela ionship building o e all. Mys e y no els exhibi mode a ely sized, dense ne wo ks wi h
key b idging cha ac e s and a balance be ween ela ionships and cha ac e de elopmen ,
e lec ing hei in ica e plo s and a e he mos simila o eal-li e ne wo ks. Romance no els
25
display he la ges and mos a iable ne wo ks, ha ing mo e han one cen al cha ac e and
cohesi e subg oups, indica i e o hei ocus on di e se and in ica e ela ionships.
These indings p o ide aluable insigh s in o he na a i e s yles o Po uguese-language
li e a u e, showing how each gen e employs dis inc ne wo k s uc u es o suppo hei
unique s o y elling app oaches. The lack o p onounced di e ences could be expec ed since,
as Thelwall & Kousha (2017) poin ou , gen e is a concep ha eade s, w i e s, and publishe s
may in e p e uniquely. Bookselle s may in en new gen es o ma ke books, lib a ies may
ca ego ize books in ce ain ways o a ac eade s, and gen e ypes and ypical s uc u es can
a y immensely in opics and in e na ionally.
In in e p e ing he indings o his s udy, i is impo an o conside he limi a ions associa ed
wi h he da a and me hodology. Fi s ly, all he in e p e a ions ela e o he pipeline and i s
exis ing limi a ions, such as he inabili y o p ocess s o ies wi h mul iple poin s o iew and
some deg ee o imp ecision in he co-occu ence de ec ion, which is no ully obus o non-
Po uguese names. Fu he mo e, one signi ican conce n is he use o a e ages o desc ibe
ne wo k me ics o each gen e. While a e ages p o ide a use ul summa y, hey can
some imes obscu e impo an a ia ions and nuances wi hin indi idual wo ks, his is a oided
by comple ing he in o ma ion wi h he s anda d de ia ion. Ano he limi a ion, his ela ed o
he da a, is he unde de elopmen o Po uguese hemes in gen es such as an asy o o he
as SiFi ha could be s udied, wi h ebook e sions ha would allow o a la ge da ase . In ac ,
all he small sample sizes could lead o esul s ha a e less eliable and ha de o gene alize
o he en i e gen e. Fu u e esea ch should aim o include a la ge and mo e di e se sample
o no els o alida e hese indings.
26
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31
APPENDIX A
Figu e 5 - Cha ac e Ne wo k o "A Cos a dos Mu mú ios"
Gen e: Romance
38
João
Deus
Jaime
Paixão
Amélia
Alice
Domingos
Sequei a
João
Pessoa
Nicolau
Eunice
TVN
William
Alenque
0
0
0
0
0
1
1
2
Guilhe me
Vau
0
1
0
0
0
0
0
0
Albe o
0
0
0
0
0
0
0
0
Es ela
1
1
0
0
1
0
3
0
A onso Soa es
0
0
0
0
0
0
1
0
Joel F anco
0
19
20
13
0
0
0
2
Ba adas
0
1
0
0
0
0
1
0
Di ei o
0
1
0
1
0
0
0
0
João Deus
0
0
0
0
0
0
0
0
Jaime Paixão
0
0
5
0
0
0
0
0
Amélia
0
5
0
8
0
0
0
0
Alice
0
0
8
0
0
0
0
0
Domingos
Sequei a
0
0
0
0
0
0
0
0
João Pessoa
0
0
0
0
0
0
0
0
Nicolau
0
0
0
0
0
0
0
1
Eunice TVN
0
0
0
0
0
0
1
0
Ana Paula
0
0
0
0
3
0
0
0
Humbe o
0
0
0
0
0
0
0
0
Be na dino
Reis
0
3
0
0
0
0
0
3
Sebas ião
Ca alho
0
0
0
0
0
0
0
1
Inês
Albe ga ia
0
0
0
0
0
0
0
0
No h ope
0
0
0
0
0
0
0
0
Lond es
0
0
0
0
0
0
0
0
An ónio
Monsan o
0
0
0
0
0
0
0
3
Conceição
Boni ácio
0
0
0
1
0
0
0
0
Ma lene
0
0
0
0
0
0
0
0
Jo ge
0
0
0
0
0
0
0
0
Golden
In es men s
0
0
0
0
0
0
0
0
Aníbal
0
0
0
0
0
0
0
0
An on G isak
0
0
0
0
0
0
0
0

39
Ana Paula
Humbe o
Be na din
o Reis
Sebas ião
Ca alho
Inês
Albe ga ia
No h ope
Lond es
William
Alenque
0
3
9
0
0
4
3
Guilhe me
Vau
1
0
33
0
0
13
4
Albe o
0
0
0
0
0
0
0
Es ela
0
0
0
0
0
0
0
A onso
Soa es
0
0
15
0
0
0
0
Joel F anco
0
0
20
0
10
1
0
Ba adas
0
0
1
0
0
0
0
Di ei o
0
0
1
0
0
0
0
João Deus
0
0
0
0
0
0
0
Jaime Paixão
0
0
3
0
0
0
0
Amélia
0
0
0
0
0
0
0
Alice
0
0
0
0
0
0
0
Domingos
Sequei a
3
0
0
0
0
0
0
João Pessoa
0
0
0
0
0
0
0
Nicolau
0
0
0
0
0
0
0
Eunice TVN
0
0
3
1
0
0
0
Ana Paula
0
0
0
0
0
0
0
Humbe o
0
0
0
0
0
0
0
Be na dino
Reis
0
0
0
0
1
3
0
Sebas ião
Ca alho
0
0
0
0
0
0
0
Inês
Albe ga ia
0
0
1
0
0
0
0
No h ope
0
0
3
0
0
0
6
Lond es
0
0
0
0
0
6
0
An ónio
Monsan o
0
0
12
0
1
3
1
Conceição
Boni ácio
0
0
0
0
0
0
0
Ma lene
0
0
0
0
0
0
0
Jo ge
0
0
0
0
0
0
0
Golden
In es men s
0
0
1
0
0
5
3
Aníbal
0
0
1
0
0
0
0
An on G isak
0
0
0
0
0
1
0
40
An ónio
Monsan o
Conceição
Boni ácio
Ma lene
Jo ge
Golden
In es men s
Aníbal
An on
G isak
William
Alenque
10
4
3
0
0
0
0
Guilhe me
Vau
17
2
0
0
3
0
1
Albe o
0
0
0
0
0
0
0
Es ela
1
0
0
0
0
0
0
A onso Soa es
4
0
0
0
0
0
0
Joel F anco
9
4
0
0
0
1
0
Ba adas
1
0
0
1
0
0
0
Di ei o
1
0
1
0
0
0
0
João Deus
0
0
0
0
0
0
0
Jaime Paixão
0
0
0
0
0
0
0
Amélia
0
0
0
0
0
0
0
Alice
0
1
0
0
0
0
0
Domingos
Sequei a
0
0
0
0
0
0
0
João Pessoa
0
0
0
0
0
0
0
Nicolau
0
0
0
0
0
0
0
Eunice TVN
3
0
0
0
0
0
0
Ana Paula
0
0
0
0
0
0
0
Humbe o
0
0
0
0
0
0
0
Be na dino
Reis
12
0
0
0
1
1
0
Sebas ião
Ca alho
0
0
0
0
0
0
0
Inês
Albe ga ia
1
0
0
0
0
0
0
No h ope
3
0
0
0
5
0
1
Lond es
1
0
0
0
3
0
0
An ónio
Monsan o
0
2
0
0
0
0
1
Conceição
Boni ácio
2
0
0
0
0
0
0
Ma lene
0
0
0
0
0
0
0
Jo ge
0
0
0
0
0
0
0
Golden
In es men s
0
0
0
0
0
0
0
Aníbal
0
0
0
0
0
0
0
An on G isak
1
0
0
0
0
0
0
41
Figu e 7 - Cha ac e Ne wo k o "Limbo"
Gen e: Fan asy
42
Table 7 - Adjacency Ma ix o "Limbo"
Gen e: Fan asy
Ve dade
Lili h
Azazel
Ra ae
Ca los
Tomoe
Ma sílio
Oli ie
Ca los
Magno
Du andal
Ve dade
0
1
0
0
0
0
0
0
0
0
Lili h
1
0
12
0
23
1
0
1
1
0
Azazel
0
12
0
2
1
0
0
0
0
0
Ra ael
0
0
2
0
0
0
0
0
0
0
Ca los
0
23
1
0
0
1
0
0
0
1
Tomoe
0
1
0
0
1
0
0
0
0
0
Ma sílio
0
0
0
0
0
0
0
1
0
0
Oli ie
0
1
0
0
0
0
1
0
1
0
Ca los
Magno
0
1
0
0
0
0
0
1
0
0
Du andal
0
0
0
0
1
0
0
0
0
0
Musa
Musas
0
1
0
0
0
0
0
0
0
0
Finn
Cumhail
0
0
0
0
3
0
0
0
0
0
Ex-
Gene al
1
1
0
0
0
0
0
0
0
0
P o esso
0
1
0
0
1
0
0
0
0
0
Hen ique
Xiangu
0
1
0
0
2
0
0
0
0
0
Tio
0
1
0
0
0
0
0
0
0
0
Adolesce
n e
1
0
0
0
0
0
0
0
0
0
Ancião
0
0
0
0
0
0
0
0
0
0
Odin
0
1
0
0
0
0
0
0
0
0
Tho
0
0
0
0
0
0
0
0
0
0
Miguel
0
0
1
1
0
0
0
0
0
0
Eleos
0
5
0
0
2
0
0
0
0
0
A u
0
3
0
0
1
0
0
0
0
0
Samael
0
1
0
0
1
0
0
0
0
0
Gab iel
0
4
0
1
0
0
0
0
0
0
43
Musa
Musas
Finn
Cumhail
Ex-
Gene al
P o esso
Hen iqu
e Xiangu
Tio
Adolesce
n e
Ancião
Ve dade
0
0
1
0
0
0
1
0
Lili h
1
0
1
1
1
1
0
0
Azazel
0
0
0
0
0
0
0
0
Ra ael
0
0
0
0
0
0
0
0
Ca los
0
3
0
1
2
0
0
0
Tomoe
0
0
0
0
0
0
0
0
Ma sílio
0
0
0
0
0
0
0
0
Oli ie
0
0
0
0
0
0
0
0
Ca los
Magno
0
0
0
0
0
0
0
0
Du andal
0
0
0
0
0
0
0
0
Musa
Musas
0
0
0
0
0
0
0
0
Finn
Cumhail
0
0
0
0
0
0
0
0
Ex-Gene al
0
0
0
4
1
0
0
1
P o esso
0
0
4
0
1
2
1
1
Hen ique
Xiangu
0
0
1
1
0
0
0
0
Tio
0
0
0
2
0
0
1
1
Adolescen
e
0
0
0
1
0
1
0
1
Ancião
0
0
1
1
0
1
1
0
Odin
0
0
0
0
0
0
0
0
Tho
0
0
0
0
0
0
0
0
Miguel
0
0
0
0
0
0
0
0
Eleos
0
0
0
0
0
0
0
0
A u
0
1
0
0
0
0
0
0
Samael
0
0
0
0
0
0
0
0
Gab iel
0
0
0
0
0
0
0
0

44
Odin
Tho
Miguel
Eleos
A u
Samael
Gab iel
Ve dade
0
0
0
0
0
0
0
Lili h
1
0
0
5
3
1
4
Azazel
0
0
1
0
0
0
0
Ra ael
0
0
1
0
0
0
1
Ca los
0
0
0
2
1
1
0
Tomoe
0
0
0
0
0
0
0
Ma sílio
0
0
0
0
0
0
0
Oli ie
0
0
0
0
0
0
0
Ca los
Magno
0
0
0
0
0
0
0
Du andal
0
0
0
0
0
0
0
Musa Musas
0
0
0
0
0
0
0
Finn
Cumhail
0
0
0
0
1
0
0
Ex-Gene al
0
0
0
0
0
0
0
P o esso
0
0
0
0
0
0
0
Hen ique
Xiangu
0
0
0
0
0
0
0
Tio
0
0
0
0
0
0
0
Adolescen e
0
0
0
0
0
0
0
Ancião
0
0
0
0
0
0
0
Odin
0
1
0
0
0
0
0
Tho
1
0
0
0
0
0
0
Miguel
0
0
0
0
0
0
1
Eleos
0
0
0
0
0
0
0
A u
0
0
0
0
0
0
0
Samael
0
0
0
0
0
0
0
Gab iel
0
0
1
0
0
0
0
45