scieee Science in your language
[en] (orig)

Artistic autonomy in non-autonomous contexts: reframing collective agency and insurgence from Caribbean artist-managed spaces

Abstract

This article engages the debates on collective agency, autonomy, institutional practices and socially engaged art by comparatively analyzing the activity of two Caribbean artist-managed spaces which emerged in the first decade of the twenty-first century: BetaLocal in Puerto Rico and L’Artocarpe in Guadeloupe. Based on fieldwork research and interviews with artists and art audiences, the examination of both projects will be driven by three main objectives: the first has to do with assessing in which ways both initiatives are shaped by their emergence in territories still attached to political and economic bonds. Secondly, I attempt to measure how both collective artistic organizations can approach the material conditions of cultural (re)production and autonomy, confronting the restrictions of Puerto Rican and Guadeloupean cultural and economic policies. Finally, I intend to locate my case study within a global panorama of socially engaged and collaborative artistic practice. From this perspective, I assert that collaborative practices emerging in still dependent contexts constitute a privileged viewpoint in order to examine issues of collective agency, empowerment and alternative futures.

Read accessible full text

Artistic autonomy in non-autonomous contexts: reframing collective agency and insurgence from Caribbean artist-managed spaces

Author: Garrido Castellano, Carlos
Publisher: Taylor & Francis
Year: 2017
Source: https://repositorio.ulisboa.pt/bitstream/10451/34688/1/60.pdf
Full Te ms & Condi ions o access and use can be ound a
h p://www. and online.com/ac ion/jou nalIn o ma ion?jou nalCode=csid20
Download by: [Ca los Ga ido Cas ellano] Da e: 17 Ma ch 2017, A : 03:57
Social Iden i ies
Jou nal o he S udy o Race, Na ion and Cul u e
ISSN: 1350-4630 (P in ) 1363-0296 (Online) Jou nal homepage: h p://www. and online.com/loi/csid20
A is ic au onomy in non-au onomous con ex s:
e aming collec i e agency and insu gence om
Ca ibbean a is -managed spaces
Ca los Ga ido Cas ellano
To ci e his a icle: Ca los Ga ido Cas ellano (2017): A is ic au onomy in non-au onomous
con ex s: e aming collec i e agency and insu gence om Ca ibbean a is -managed spaces,
Social Iden i ies
To link o his a icle: h p://dx.doi.o g/10.1080/13504630.2017.1303370
Published online: 17 Ma 2017.
Submi you a icle o his jou nal
View ela ed a icles
View C ossma k da a
A is ic au onomy in non-au onomous con ex s: e aming
collec i e agency and insu gence om Ca ibbean
a is -managed spaces
Ca los Ga ido Cas ellano
Compa a i e S udies Cen e , Uni e si y o Lisbon, Faculdade de Le as, Alameda da Uni e sidade, Lisbon,
Po ugal
ABSTRACT
This a icle engages he deba es on collec i e agency, au onomy,
ins i u ional p ac ices and socially engaged a by compa a i ely
analyzing he ac i i y o wo Ca ibbean a is -managed spaces
which eme ged in he i s decade o he wen y- i s cen u y:
Be aLocal in Pue o Rico and L’A oca pe in Guadeloupe. Based on
ieldwo k esea ch and in e iews wi h a is s and a audiences,
he examina ion o bo h p ojec s will be d i en by h ee main
objec i es: he i s has o do wi h assessing in which ways bo h
ini ia i es a e shaped by hei eme gence in e i o ies s ill
a ached o poli ical and economic bonds. Secondly, I a emp o
measu e how bo h collec i e a is ic o ganiza ions can app oach
he ma e ial condi ions o cul u al ( e)p oduc ion and au onomy,
con on ing he es ic ions o Pue o Rican and Guadeloupean
cul u al and economic policies. Finally, I in end o loca e my case
s udy wi hin a global pano ama o socially engaged and
collabo a i e a is ic p ac ice. F om his pe spec i e, I asse ha
collabo a i e p ac ices eme ging in s ill dependen con ex s
cons i u e a p i ileged iewpoin in o de o examine issues o
collec i e agency, empowe men and al e na i e u u es.
ARTICLE HISTORY
Recei ed 18 Augus 2016
Accep ed 27 Feb ua y 2017
KEYWORDS
A is -managed spaces;
au onomy; Ca ibbean;
collec i e agency socially
engaged a
The ecen in e es in analyzing and his o icizing Ca ibbean a is ic p ac ices is no wi hou
i s blind spo s. Especially bla an in his ega d is he a en ion ha in as uc u al and
o ganiza ional ini ia i es ha e ecei ed. The e is a s iking lack o a en ion being paid
o a is ic p ojec s a emp ing o de ine non-comme cial, collec i e modes o c ea i i y.
Ins ead, much mo e a en ion has been paid a how he egion has been ende ed
exo ic, labeled and commodi ized.
1
Whoe e app oaches he his o ies o con empo a y
Ca ibbean isual c ea i i y will ind an indi idual egis e , made up o singula ized
names, issues and causes. The ac ha many o hese a is s equen ly a ise om and
de elop hei ca ee s h ough collabo a i e, a is -managed pla o ms is men ioned wi h
less equency. Some hing simila happens wi h he ole o Ca ibbean c ea o s in ede in-
ing cul u al and social agency in local con ex s. The p ac ical si ua ion o many o he
a is s li ing in he egion, and somehow o many ‘local’a scenes, is somehow neglec ed
© 2017 In o ma UK Limi ed, ading as Taylo & F ancis G oup
CONTACT Ca los Ga ido Cas ellano [email p o ec ed]
SOCIAL IDENTITIES, 2017
h p://dx.doi.o g/10.1080/13504630.2017.1303370
by he a o able analysis o he ans o ma i e quali ies o indi idual aes he ic discou ses
(Figu es 1–9).
I will no aim o o e u n his c i ical adi ion. Ins ead, his ex pu sues a a mo e
modes and ocused objec i e: o see how a is ic collabo a ion wo ks in, and esponds
o, Ca ibbean con ex s s ill subjec ed o poli ical and economic bonds wi h hei o me
me opolis.
2
In o de o do so, I will compa a i ely examine he ac i i y o Be aLocal, a
Pue o Rican a is -managed space, and L’A oca pe, he i s collabo a i e ini ia i e
a ising in he F ancophone a chipelago o Guadeloupe. Pue o Rico is an Associa ed
F ee S a e (Es ado Lib e Asociado) o he Uni ed S a es since 1952. Guadeloupe is a
F ench ‘Dépa emen d’Ou e Me ’since 1946. The cul u al milieu o bo h con ex s is p o-
oundly a ec ed by his condi ion o poli ical, adminis a i e and economic dependence.
The me opoli an e i o ies s ill de e mine wha a e he models o be ollowed, he enues
whe e a should be exhibi ed, which p ojec s a e unded and unde wha condi ions, he
colleges and a schools ha a is s a e supposed o join, e ce e a. Bo h Be aLocal and L’A -
oca pe eme ge ou o his p edicamen , bu hey also s and as c i ical esponses o i .
C ea ed in he 2000s, bo h p ojec s sha e many elemen s: hey ely on ho izon al and lex-
ible o ganiza ional s uc u es; hey go beyond ep esen a ional and indi idual concep u-
aliza ions o a is ic p ac ice; hey agglu ina e he e ogeneous, ‘unusual’audiences; hey
ca y ou ex a-a is ic unc ions; hey, inally, ope a e locally while also coun e ing a
dependency owa d me opoli an e i o ies. Those elemen s cons i u e, I will a gue, an
in e es ing cul u al model o wo pa icula easons: i s , hey challenge he image o
he Ca ibbean as p o ide o ‘c ea i e aw ma e ial’, o indi idual discou ses and a wo ks
ha need a o eign hand o be a icula ed unde mo e complex cu a o ial o ins i u ional
agendas; second, hey a emp o sub e he dependency o bo h Pue o Rico and Gua-
deloupe by gene a ing c i ical cul u al dynamics. To be su e, al e na i e spaces and
Figu e 1. Be aLocal. La P ác ica P og am. 2012. Image Cou esy o Bea iz San iago Muñoz.
2C. GARRIDO CASTELLANO
Figu e 3. Be aLocal. Wo kshop on Cul u al Managemen . 2011. Image Cou esy o Bea iz San iago
Muñoz.
Figu e 2. Be aLocal-Old San Juan (Pue o Rico). Image Cou esy o Bea iz San iago Muñoz.
SOCIAL IDENTITIES 3
Figu e 4. Be aLocal. Ou doo P ojec . 2011. Image Cou esy o Bea iz San iago Muñoz.
Figu e 5. Be aLocal. Po luck. Image Cou esy o Bea iz San iago Muñoz.
4C. GARRIDO CASTELLANO

collabo a i e p ac ices a e e y much p esen in any a is ic genealogy, being a usual
suspec in many con empo a y a is ic con ex s. Kes e (2011, p. 5) has linked he
success o a is ic collabo a ion wi h ‘ he ise o a powe ul neolibe al economic o de
dedica ed o elimina ing all o ms o collec i e o public esis ance (ins i u ional, ideologi-
cal and o ganiza ional) o he p imacy o capi al’. This landscape would appea amilia o
anyone wo king in he cul u al milieu no wi hs anding o he loca ion. Ha ing said ha , I
also belie e ha no he obs acles de i ing om ha si ua ion, no he esponses o i ,
cons i u e a homogeneous pano ama. By paying a en ion a how collabo a ion and
al e na i e ins i u ionalism a e pu in o p ac ice in wo con ex s s ongly in luenced by
i s colonial si ua ion, in his a icle I a emp o show how bo h Be aLocal and L’A oca pe
o e a an age poin om which he analysis o eme gen in as uc u al p ac ices can be
amed.
Two main objec i es will cen e my analysis. The i s one ocuses on assessing he
speci ic in collabo a i e, in as uc u al p ojec s aking place wi hin e i o ies s ill bound
by ela ionships o dependency. A e we o imagine hose as an excep ion in an o he wise
seemingly homogeneous global social imagina ion ma ked by neolibe al economic and
social cu en s? Is he e any hing unique o hese p ojec s, in a momen supposedly
ma ked by he o ces o inc easingly de- e i o ialized and ansna ional phenomena? In
o he wo ds, i collec i ism is associa ed wi h au onomy, o ganiza ional capaci y and col-
lec i e agency, wha ele ance can we concede o he ‘non-au onomous locali y’in which
ou case s udies ope a e? In which way will ha locali y de e mine and cons ain he
expec a ions and agendas o hese p ojec s? And inally, i we a e o ecognize some
Figu e 6. L’A oca pe-De ail o he B ead F ui T ee a e which he space is named. Image: The au ho
o his a icle.
SOCIAL IDENTITIES 5
inhe en singula i y in hese p ojec s, wha a e he con ibu ions o L’A oca pe and Be a-
local o he p esen global na a i es and he po en iali ies o (a is ic) collabo a ion? Sec-
ondly, I will seek o examine how bo h p ojec s engage ac i e, ans o ma i e ac ions,
he eby enabling al e na i e ins i u ional p ac ices. I we a e o ecognize an eme gen ,
ans o ma i e po en ial in (ce ain) collec i e a p ac ices, i will be necessa y o
Figu e 7. L’A oca pe-Le Moule (Guadeloupe). Image Cou esy o Joëlle Fe ly.
6C. GARRIDO CASTELLANO
measu e o wha ex en his po en ial can be cap u ed by he ins i u ional logic p esen in
Pue o Rico and Guadeloupe. Be o e ha , I will in oduce b ie ly he his o y o in as uc-
u al and collec i e a is ic c ea i i y in he Ca ibbean in which my wo p ojec s a e
inse ed.
In as uc u al and collec i e a is ic agency in he Ca ibbean
Al hough he eme gence o Be aLocal and L’A oca pe can be linked o he e e escence
o o ganiza ional, poli ically engaged and in as uc u al p ac ices ac oss he wo ld and
specially in he Ame icas (see C a en, 2006; Mosque a, 1996; Thompson, 2012), hey
also con inue a long adi ion o socially engaged a p esen in bo h coun ies. In he
case o Pue o Rico, we can ecall a long adi ion o al e na i e spaces s a ing al eady
in he 60s wi h An onio Ma o ell’s Talle Alac án,
3
and consolida ing in he 70s and 80s
h ough a is -d i en ini ia i es such as Casa Aboy, he Liga de Es udian es de A e, Casa
Candina, MSA o he ac ual Museo de A e Con empo áneo de Pue o Rico (MAC),
loca ed since 2002 in Casa Lab a. Pue o Rican al e na i e spaces and socially d i en p o-
jec s will gain momen um in he 2000s, in a con ex o poli ical and economic ins abili y.
The ac ions o Chemi Rosado Seijo in El Ce o, pe haps one o he mos in e na ionally
acclaimed ini ia i es, will p elude he bu s o al e na i e spaces and p ojec s ha will
ma k he decade, among hem Á ea, =Des o, 787, Ca Wa ch, Me o, Clandes ino787,
Conboca o The S a us (see Sega a, 2012). The impac o hose p ojec s in he de ini ion
o a public sphe e in Pue o Rico has been c ucial: many o hem ha e s i en o su i e in
Figu e 8. L’A oca pe. G oup Con e sa ion wi h esiden Fabienne Viala. 2014. Image Cou esy o Joëlle
Fe ly.
SOCIAL IDENTITIES 7
he yea s o he deb c isis, p o iding a is s a space o a i ma ion, deba e and c ea i i y. I
comes wi h no su p ise ha hey ha e engaged ac i ely mos o he poli ical and econ-
omic causes he coun y has gone h ough in he las decade, om he con lic o so e -
eign y in Vieques Island o he s ikes agains he p i a iza ion o uni e si y educa ion in
he la e 2000s.
In he case o he F ancophone Ca ibbean, we can also men ion a is ic collec i es
seeking o anscend he colonial he i age and he dependence owa d he F ench me o-
polis. The École Neg o-Ca aïbe, ounded in 1970 by he pain e Louis Lauchez and he
sculp o Se ge Hélénon, a emp ed o challenge he in luence o academic a is ic edu-
ca ion and he hegemony o an unp oblema ic and s e eo yped ision o he Ca ibbean
opical landscape. D i en by a Pan A icanis ideology, L’École sough o ein o ce he
link be ween he F ancophone Ca ibbean and A ica (see Fall & Pi in, 2002;L’É ang,
2007). La e on, in he 80s, he collec i e Fwomajé will ocus on de ining a mili an
ision o c eoli é, a emp ing o inse a is ic p ac ice wi hin he local insula eali y
(Tibu ce, 1994).
This adi ion, mo eo e , is no a p e oga i e o Pue o Rico o Guadelopue. Ini ia i es
like CCA7, Alice Ya d and Gal anize in T inidad
4
; F esh Milk in Ba bados
5
; LASA, Espacio
Aglu inado , he Cá ed a de A e y Conduc a o DUPP in Cuba
6
o he Ins i u o Buena
Bis a in Cu ação,
7
o name jus a ew, ha e been key in p omo ing al e na i e app oaches
o c ea i i y and in inca dina ing non-a is ic audiences in cul u al p ocesses. They ha e
also p omo ed a is ic mobili y wi hin he egion. Th ough long- e m ac ions, hey ha e
opened up a space o discussion and o ganiza ion, coun e ing he dynamic o ma ke
Figu e 9. Pa icipa ion o a G oup o Guadeloupean A is s a FESMAN, Daka , 2011. Image cou esy o
Joëlle Fe ly.
8C. GARRIDO CASTELLANO
in e na ional isi o s. The cha ging o an admission ee helps o o se he inancing o
Be aLocal’s ellowship p og ams. In u n, a e de eloping hei esidency, Be aLocal’s
in e ns o en o ganize ano he e en o gene a e unding o he nex ellowship, esi-
dency o lec u e .
I goes wi hou saying ha bo h ini ia i es ha e a widely known genealogy. To men ion
only he mos ecen and eadily iden i iable laye s o ha genealogy, we may conside
how he lib a y clea ly esembles Thomas Hi schho n’s‘Monumen s’. The image o
Ri k i Ti a anija’s cooking in museums and biennials comes o mind when conside ing
Be aLocal’s po luck dinne , as do, o example, Supe lex’s und- aising e en s. Despi e
hese p eceden s, i is in e es ing o ocus on how hese ac i i ies wo k he e. The du a-
ional cha ac e o bo h ac ions de aches bo h p ojec s om collabo a i e p ojec s such
as Thomas Hi schho n’s monumen s o Ti a anija’s cooking. Hi schho n’s‘pa icipa o y
p ojec s’also ely on he ga he ing o local knowledge and he gene a ion o spaces o
coexis ence in speci ic con ex s du ing he ime o he exhibi ion o biennial. The empo -
ali y o each p ojec is also con ingen upon he gene al e en hey a e pa o . Simila ly,
he ‘locali y’o he ‘pa icipan s’is de e mined by he a is , and he space o he exchange
is dependen on he majo s uc u e o a biennial (see Kes e , 2011). Conce ning he a ge
audiences, in he case o Be aLocal, he public is no ‘con ened’by he p omise o pa i-
cipa ing in a singula expe ience designed by high-p o ile a is s. Ins ead, bo h he lib a y
and he po lucks a e imagined as pe iodical pla o ms o social in e ac ion. Fa om being
uni e sal – hey sha e he same di icul ies in ga he ing ‘non-a is ic’audiences Be aLocal
is inding in o he occasions – hey o m pa o a pla o m o ac i i ies ha eaches (again,
wi h limi a ions) ac oss a is ic and non-a is ic sphe es. Finally, ano he di e ence comes
in he o m o unc ion. A Be aLocal, i is impossible o de ach he con igu a ion o he
lib a y and he po lucks as social, suppo i e ac i i ies wi hin he amewo k o ‘mo e alu-
able’a is ic p ac ices. They a e –and hey in end o be –pa o a o ali y. Fu he mo e,
hey in end o be pa o an o ganiza ional, unc ional s uc u e.
Now, can we ca ego ize his unc ionali y as ‘ins i u ional’? How ‘coun e -ins i u ional’
a e Be aLocal and L’A oca pe? Indeed, how ‘coun e -ins i u ional’can collec i ism ac ually
be? In he con e sa ions I had wi h (sympa he ic) audiences and wi h each p ojec ’s coo -
dina o s, hey concu ed ha he e was a conside able dis ance be ween he ac i i ies
being de eloped by Be aLocal and L’A oca pe and hose o museums, uni e si ies and
o he cul u al cen e s. In o de o sus ain his a gumen , ques ions o accessibili y, al e na-
i eness and ma ginali y equen ly appea ed. So did no ions o in o mali y, lexibili y and
pa icipa ion.
We mus be cau ious in de ining his di e en ia ion, howe e . To ci e one simple eason
o his, many o hese same quali ie s can be used o cha ac e ize he ac i i ies o he wo
majo con empo a y a museums in San Juan. The Pue o Rican case is no excep ional a
all in his sense. Nowadays, cul u al ins i u ions ha e swallowed and inco po a ed c i icism
and ‘pa icipa ion’wi hin hei own discou se (see Albe o & S imson, 2009; Raunig & Ray,
2009; Welchman, 2006). ‘In o mali y’and lexibili y a e no longe excluded om he lexicon
o e en he mos adi ional a ins i u ions. On he con a y, museums, a cen e s and
biennials ha e displayed a consumma e skill a inco po a ing bo h c i icism and collabo a-
i e and pa icipa o y p ac ices wi hin hei agendas. As a consequence o his con usion,
he claim ha cul u al ins i u ions ul ill p ac ical social needs is mo e ubiqui ous han e e .
As we ha e s a ed, ne e heless, his is no always he case. On he con a y, he Ca ibbean
SOCIAL IDENTITIES 15

a is ic medium is a good example o he limi a ions o a is ic audiences in e m o ace,
gende and class.
I would be emp ing o con igu e my wo p ojec s wi hin a amewo k ha is ‘ou side’
o ex e nal o ins i u ional powe , as pa o a coun e -hegemonic posi ion o esis ance.
Howe e , I doub ha his opposi ion be ween ins i u ional and coun e -ins i u ional p ac-
ices applies o my wo case s udies. Fo he examples I ha e p o ided seem o be mo e
han opposi ional o exodus measu es. They a e, on he con a y, p oduc i e ones.
18
They
p esen , I sugges , a mo e ambi alen ela ionship be ween ans o ma i e ac ion and
ins i u ional powe . In bo h ini ia i es, he e is a desi e o gene a ing he ‘imme si e in e -
ac ion and [a] e e en ial o ien a ion o speci ic si es o social p oduc ion’ ha Kes e (2011,
p. 37) ecognizes in collabo a i e p ac ices. Simila ly, we ha e seen how L’A oca pe
esponded o he lack o pla o ms o c i ical dialogue in Guadeloupe by adop ing a
union-like scheme. Bo h s uc u es eme ged ou side o any es ic ed o p eexis ing
no ion o collec i e iden i ies o g oups. Ra he , hese iden i ies ma e ialized h ough
p axis and ac ion. I is his abili y o imagine and pe o m he e ogeneous collec i e
agencies which uels hei ope a ional capaci y.
Conclusions
Wi h ega d o he cons uc ion o a museum in he (s ill dependen ) space o Réunion,
Ve gès (2007, p. 455, ou ansla ion) ecen ly asked in wha way can an ins i u ion ope -
a ing in such a con ex con ibu e ‘ o he emancipa ion o indi iduals, ha is, o hei
capaci y o imagining new ways o li ing, o being ci izens, o being cu ious, o c ea -
ing’. Shi ing om museums o a is -managed spaces, his pape aims o e ame ques-
ions such as hese. To wha ex en does an a is -managed space ame hose
ques ions in a di e en way? O , i we wish o conside his issue om a mo e nega i e
s ance: wha would be he ole –and wha would be he na u e –o any such ins i-
u ion ha ails o achie e hose insu gen goals? In his a icle, I ha e a emp ed o
ex apola e hose gene al ques ions o he con ex o non-au onomous e i o ies in
he Ca ibbean.
The wo case s udies I ha e analyzed in his a icle o e good examples o how in a-
s uc u al a is ic p ac ice can p oduce si ua ions in which new kinds o wo k a e made
possible. They o e a model o p ac ice no subsumable unde innocuous and deco a i e
iews o a is ic esis ance and insu gence opposed o abs ac , ex e nal (and e e nal)
powe s. Ra he , bo h spaces s and o a kind o cul u al expe ience ha di ec ly and p ac-
ically challenges he dependen , ma e ial con igu a ion o Pue o Rico and Guadeloupe,
hus p oposing al e na i e o ganiza ional esponses ha should no be unde s ood as
me ely symbolic, innocuous ges u es.
In his a icle, I ha e loca ed he ac i i y o L’A oca pe and Be aLocal wi hin a si ua ion
in which he es ic ions imposed by a non-au onomous and dependen condi ion gene -
a e new needs and new unc ions ha a e only a ainable h ough coope a ion and col-
labo a ion. Al hough many o hose unc ions a e p esen in any a is ic con ex , o he s
cons i u e esponses owa d he si ua ion o cul u al dependence owa d me opoli an
e i o ies bo h coun ies s ill expe ience. In he wo con ex s his a icle app oaches,
he side o ‘opaci y’and ‘an agonism’is al eady aken by indi idual p ac ices ha deem
hemsel es opposi ional owa d aguely de ined capi alis , (neo)colonial o ces. By
16 C. GARRIDO CASTELLANO
mo ing beyond ep esen a ional c i e ia, coope a i e p ac ices can challenge he limi -
a ions o such a model on wo on s: i s , hey a e able o add ess he ma e ial condi ions
o a is ic p oduc ion. Second, hey po ay an ins i u ional po en ial, ha is, a capaci y o
gene a ing an al e na i e amewo k o ac ion. This po en ial eac s agains wha B ian
Holmes (2007, p. 58) has e e ed o as he ‘go e nmen ali y o ailu e’, a si ua ion in
which ‘ he subjec can do no mo e han con empla e his o he own psychic p ison,
wi h a ew aes he ic luxu ies in compensa ion’.
Each sec ion o his a icle has a emp ed o b oach in de ail each o hese ques ions.
Conce ning he i s , my main in e es has been in ou lining how he Pue o Rican and
he Guadeloupean a is ic in as uc u es espond o wo di e en models, al hough
bo h a e in luenced by he colonial condi ion o hese e i o ies. I ha e ied o conside
whe he my wo examples a e al e na i es, and no e lec ions, o ha s a e o hings.
Being unable o coun e bo h coun ies’poli ical s a us, hese p ojec s ha e de eloped
he capaci y o ill some o he gaps le by o he ins i u ions and o he eby gene a e
social p ocesses o in e ac ion, discussion and coope a ion. As I ha e explained, hese p o-
cesses channel he e ogeneous agendas and ope a e wi h a iable audiences, o he ex en
ha hey c ea e, in some cases, discom o and disc epancy ( he he e ogenei y o he
associa es o L’A oca pe and he in e ac ion o he pa icipan s o Be aLocal’s di e en
ini ia i es a e good examples o his).
My second conce n was wi h he possibili y o he p ojec ’s capaci y o no only add ess
bu also ans o m he social condi ions o a is ic ac i i y. My in e es he e lay in explo ing
he po en ial o o ganiza ional models such as hese, e ealing how he unc ioning o
such ini ia i es can no only al e ques ions o app ecia ion, alo iza ion and ca ego iz-
a ion, bu also gene a e al e na i e ins i u ional dynamics and ope a ional pla o ms. As
an example, I ha e ocused on some o Be aLocal’s collabo a i e ini ia i es. Fa om
being unique, hese ini ia i es ha e had he signa u e o some ecognized a is s. I is sig-
ni ican how Be aLocal and L’A oca pe, as well as o he Ca ibbean spaces o his kind,
ha e come o be posi i ely alued bo h wi hin and beyond hei local con ex s. Some imes
his ecogni ion su passes ha o public and p i a e museums. In his sense, one can hink
o some o he p ojec s I men ioned ea lie on, such as CCA7, Gal anize and Alice Ya d in
T inidad, which ha e wo ked as pi o al egional cen e s. The T inidadian examples cons i-
u e ongoing expe imen s ha seek o ans o m he condi ions unde which a is p o-
duced and discussed. They a e e en mo e signi ican due o he anemic condi ion o
public o p i a e a is ic in as uc u es in ha coun y. I ha e ied o demons a e how
Ca ibbean a is -managed p ojec s ha e been pi o al in de eloping al e na i e engage-
men s wi h local eali y.
I ha e also sough o unde s and whe he he c ea i e po en ial I ha e desc ibed can be
ex apola ed o b oade la i udes and si ua ions. A e my wo examples excep ions o indi-
ca o s o a global s a e o hings? I ha e ied o show how a deepe analysis o collec i e
ini ia i es aking place in simila con ex s will no only inco po a e o go en o neglec ed
examples in o exis ing canons and a his o ies. Mo e clea ly, in app oaching hem, my
in e es has no been o ‘comple e’global mappings o collabo a i e p ac ices. On he con-
a y, I main ain ha he dependen condi ion o my e i o ies o analysis e eals i sel
especially eloquen ly in e ms o he po en ial, bu also some o he main deba es on
o ganiza ional and socially engaged a p ac ice on issues such as au onomy, unc ionali y,
labo , cohesion, p oduc i i y, isibili y, expe ise and ecogni ion.
SOCIAL IDENTITIES 17
The ac i i y o ou wo p ojec s is dependen upon such alues as du a ion, lexibili y,
ho izon ali y, inno a ion, exchange p ocess and connec i i y. Those elemen s can be seen
as unc ional alues, ye , as we ha e seen, hey a e also behind aes he ic decisions. I bo h
spaces sha e an o ien a ion owa d collec i e p axis, hey seem o be p one o pu sue
opposing pa hs in e ms o hei unde s anding o a is ic p ac ice. Whe eas Be aLocal
aims o a de egula ion and de-specializa ion o cul u al in e ac ion and c ea i i y, L’A o-
ca pe has become a ‘he ald o he con empo a y’. In any case, we ha e seen how some o
hei ac i i ies ul ima ely con e ge owa d he same sys em hey seek o challenge.
Examples o his can be ound in L’A oca pe’s u n owa d he ‘con empo a y’,ini s
linking a is ic ad ancemen and in e na ional pa icipa ion; o in Be aLocal’s inabili y o
wi hd aw om he ‘exclusi i y’o a audiences. To some ex en , he limi a ions o bo h
p ojec s a e pa icula ly eloquen o he mos limi ing ea u es o he non-au onomous cul-
u al milieu om which hey a ise. I we had o c i icize hem only o hese elemen s, hen,
we could say ha collabo a ion wo ks as an appealing ye innocuous and ole able singu-
la i y, unable o gene a e a signi ican shi om he inhe i ed non-au onomous cul u al
dynamics p esen in bo h e i o ies.
I ha e a emp ed o show ha such a alo iza ion is incomple e. The e is some hing else.
We ha e seen how bo h p ojec s c ea e and consolida e al e na i e social bonds and pla -
o ms o ac ion. These unde cu he spa ial imagina ion in play in bo h scena ios. I we con-
side he same examples om his an age poin , we can see how L’A oca pe’s s uc u e
consolida es an open public sphe e ha c iss-c osses he colonial bonds o Guadeloupe by
es ablishing connec ions wi h o he a scena ios. This sphe e is no he ‘local side-e ec ’
o he p ojec ’s in e na ional ac i i y. Ra he , bo h le els a e in e wined. Some hing simila
can be said o Be aLocal. I s in e es in ‘de-educa ing’ he o e -specialized, o e -exposed
and highly sophis ica ed Pue o Rican a is ic milieu si ua es i s sphe e o ac i i y be ween
ha o a is -managed spaces and non-p o i o ganiza ions. I is he po osi y ac oss audiences,
p og ams and spa ial le els ha uels Be aLocal’s mos inno a i e ou comes. In sum, bo h
L’A oca pe and Be aLocal ac as o ganiza ional-ye - lexible s uc u es, he eby aiming o
expose he a is ic and social s uc u es ope a ing bo h in Pue o Rico and in Guadeloupe,
and o b eak wi h he p eca iousness domina ing he a is ic scena ios in which hey
ope a e. A ising om wo e y di e en con ex s, which, ne e heless, sha e a non-au on-
omous condi ion, he wo p ojec s ha I ha e analyzed he e o e in e es ing examples o col-
labo a i e agency and i s abili y o igge an al e na i e social imagina ion. They a e ueling
angible ans o ma ions ha ouch upon o ganiza ional and s uc u al condi ions o a is ic
p ac ice, while also elying on collec i e, local agency as a d i ing o ce o change.
No es
1. Those issues ha e cen e ed he a c i icism om and abou he egion in he las decades. See
Poupeye (1998), S ephens (2013), Thompson (2006) and Wainw igh (2011). I ha e engaged
his deba e in Ga ido Cas ellano (2014,in p ess). Al hough hose insigh s ha e been c ucial
in o de o dismoun inhe i ed isual and cogni i e appa a uses o mis ep esen a ion and
commodi iza ion o he Ca ibbean egion, making emphasis in he mul iple ways in which Ca -
ibbean c ea o s ha e s i en o de ine and asse coun e - ep esen a ion, less a en ion has
been paid a o ganiza ional and in as uc u al p ac ices. Because o ha , wi hou o ge ing
he deba es on Ca ibbean a , I will y o del e in o hose p ac ices mo e in de ail h ough
long- e m, p ac ice-based, collec i e a is ic ini ia i es.
18 C. GARRIDO CASTELLANO
2. The Ca ibbean cu en ly has 14 e i o ies ha a e poli ically linked, ye wi h di e en s a us, o
F ance, G ea B i ain, Ne he lands and he Uni ed S a es. The li e a u e on he colonial and
pos colonial p edicamen o he Ca ibbean egion is ex emely as . Whe eas his condi ion
will be cen al o my a gumen in his a icle, I will no y o de ine wha colonialism is o
how does i impac Ca ibbean cul u al p ac ices. Ins ead, I will y o e e o si ua ions in
which ha condi ion has a speci ic impac on a is ic p ac ices and ac ions.
3. The Talle Alac án will be a pi o al pla o m o social and poli ical esis ance h ough g aphic
a s in he Pue o Rican con ex o he 1960s. I also inaugu a es he omance be ween inde-
penden a cen e s and he neighbo hood o San u ce in San Juan (see Díaz-Royo, 2008; He -
mandad de A is as G á icos de Pue o Rico (ed.), 1998).
4. CCA7 was a P ince Klaus Awa ded p ojec c ea ed in 1997 by Cha lo e Elias, which included
he collabo a ion o Ch is ophe Cozie , Pe e Doig and Ch is O ili. Alice Ya d, di ec ed by
Cozie , Sean Michaels and Nicholas Laughlin, was c ea ed in 2006 as a collabo a i e space
loca ed in down own Po o Spain. I con inues o be one o he mos highly es eemed
a is -managed p ojec s in he en i e Ca ibbean. Gal anize, o ganized by Ma io Lewis and
S e e Oudi , was mo e exhibi ion-o ien ed and had a sho e li e.
5. C ea ed in 2011, F esh Milk o e s a pla o m o c i ical and c ea i e dialogue, an a is ic
esidency and a con ac poin be ween con empo a y a and he local popula ion o
Ba bados.
6. LASA (Labo a o io A ís ico de San Agus ín) is an a space loca ed a he pe iphe y o Ha ana,
ocusing on nu u ing a e i o y adi ionally isola ed om he cul u al e e escence o he
Cuban capi al. Espacio Aglu inado was he i s p i a e a space in Ha ana, ounded in he
1990s by Sand a Ceballos and Ezequiel Suá ez. The Cá ed a de A e y Conduc a was Tania B u-
gue a’s pedagogic p ojec de eloped be ween 2002 and 2009. Finally, DUPP (Desde una P ag-
má ica Pedagógica) is a public in e en ion collec i e o ganized also in he 2000s by he
Cuban a is and eache René F ancisco Rod íguez (see Weiss, 2011).
7. C ea ed in 2006 by Ti zo Ma ha, in he space o a psychia ic ins i u ion, he IBB encou ages
collabo a ion wi h local communi ies in Cu ação, including he clinic pa ien s. I also o e s a
esidency and an educa ional p og am.
8. San iago Muñoz has de eloped a s ong body o ilmic wo k dealing wi h he legacy o colo-
niali y in he island and explo ing he genealogies o Pue o Rican and Ame ican ana chis and
adical imagina ies. Fo an exhaus i e iew o he wo k, see Ga ido Cas ellano (2016). On his
behal , ‘Tony’C uz has ocused on he ela ion be ween in o ma ional and spa ial de ices and
powe . The ocus o his a icle on he collec i e dynamics de eloped a ound Be aLocal does
no imply any dep ecia ion o i s ounde s’ca ee s as solo a is .
9. This, howe e , does no always occu , a leas no in he same e ms. In ou con e sa ions in
San Juan in 2012, bo h San iago Muñoz and Tony C uz no ed how La P ác ica ended up p o-
ducing a a oo indi idual, ‘ heo y-based’expe ience, while only aguely gene a ing he
coope a i e esul s i expec ed o achie e.
10. See h p:// hepublicschool.o g/.
11. Email con e sa ion wi h José ‘Tony’C uz, Bea iz San iago and Pablo Gua diola, Ma ch 2015.
All h ee ag ee ha engaging egula ly wi h non-a is ic audiences is pe haps he majo chal-
lenge hey ha e aced since he c ea ion o Be aLocal.
12. We should no o ge ha he unding o ha pa icipa ion comes om an o ganiza ion
dependen on he F ench Minis y o Cul u e.
13. Especially ac i e a e he Museo de A e de Pue o Rico (MAPR) and he Museo de A e Con-
empo áneo de Pue o Rico (MACPR), bo h loca ed in San u ce. The o me de eloped a
p og am in he 2000s aimed a helping Pue o Rican a is s wi h ques ions o c ea i i y and
exhibi ion (h p://map .o g/es/museo/p oa). The la e ca ies ou si e-speci ic and collabo a-
i e wo ks, p o ides expe imen al space o wo kshops and a is s udios, and o ganizes edu-
ca ional p og ams o di e en communi ies.
14. Pe sonal in e iew wi h Bea iz San iago and José ‘Tony’C uz. San Juan, June 2012.
15. In ac , he ca ego y o ‘A d´Ou e Me ’has se ed as o ganizing idea o a se ies o exhibi-
ions ga he ing he a is ic p oduc ion o o me (and p esen ) colonial e i o ies. The
SOCIAL IDENTITIES 19
La i udes se ies, cu a ed by Regine Cuzin be ween 2002 and 2007, o OMA. Ou e-Me A Con-
empo ain (2011) a e good examples o his endency.
16. As in he cases o San iago and C uz, he a is ic wo k o Joëlle Fe ly also esponds di ec ly o
hose issues. In 2009, Fe ly was asked o con ibu e o a collec i e exhibi ion held a he Foun-
da ion Clémen . The Fonda ion is he majo a space in he F ancophone Ca ibbean, a as
exhibi ional space loca ed in Ma inique, in he space o a o me plan a ion. In o de o con-
ibu e o he exhibi ion, Fe ly decla ed he sel on s ike and s a ed se ing he ca e ing o he
audience o he Fonda ion, widely segmen ed in e ms o class and ace. The ac ion ook place
in he con ex o he gene al s ike ha mobilized he F ancophone An illes in 2009 in demand
o be e sala ies o low-income wo ke s and a dec ease o he cos o basic commodi ies, and
summa izes well Fe ly’s in e es in engaging c i ically wi h issues o he local con ex .
17. h p://www.a oca pe.ne /A o-Mission-S a emen _ 14.h ml.
18. Raunig and Ray (2009, p. 20) e e o hese measu es as ‘Ins i uen P ac ice’. Fo hem, he
concep o ‘ins i uen p ac ices’ma ks he si e o a p oduc i e ension be ween a new a icu-
la ion o c i ique and he a emp o a i e a a no ion o ‘ins i u ing’a e adi ional unde -
s andings o ins i u ions ha e begun o b eak down and mu a e.
Acknowledgemen s
The esea ch de eloped he e was p oduced o e se e al long- e m esea ch s ays in Pue o Rico
(2010, 2012, 2015), Guadeloupe (2011) and he Uni ed S a es (Lilly Lib a y, Duke Uni e si y, 2013;
NYU Bobs Lib a y, New Yo k Uni e si y, 2015). I would like o acknowledge he collabo a ion o
Joëlle Fe ly in Guadeloupe, Lau a B a o López, Bea iz San iago Muñoz, Pablo Gua diola and José
‘Tony’C uz in Pue o Rico, and G ego y Shole e in he Uni ed S a es. The images included in his
a icle a e cou esy o Joëlle Fe ly and Bea iz San iago Muñoz.
Disclosu e s a emen
No po en ial con lic o in e es was epo ed by he au ho .
Funding
This wo k was suppo ed by he Fundação pa a a Ciência e a Tecnologia (FCT) [G an SFRH/BDP/
92492/2013].
Re e ences
Albe o, A., & S imson, B. (Eds.). (2009). Ins i u ional c i ique: An an hology o a is s’w i ings.
Camb idge: MIT P ess.
Bailey, D., Cummins, A., Lapp, A., & Thompson, A. (Eds.). (2012). Cu a ing in he Ca ibbean. Be lin: The
G een Box.
Bou iaud, N. (2002). Rela ional aes he ics. Pa is: Les p esses du eel.
Cozie , C. (2011). No es on w es ling wi h he image. In C. Cozie & T. Flo es (Eds.), W es ling wi h he
image: Ca ibbean in e en ions (pp. 6–15). Washing on, DC: The Wo ld Bank.
C a en, D. (2006). A and e olu ion in La in Ame ica 1910-1990. New Ha en, CT: Yale Uni e si y P ess.
Cullen, D., & Fuen es, E. (Eds.). (2012). Ca ibbean: C oss oads o he wo ld. New Yo k, NY: Yale
Uni e si y P ess, El Museo del Ba io.
Díaz-Royo, A. (2008). Ma o ell: La a en u a de la c eación. San Juan: Uni e sidad de Pue o Rico.
Fall, N., & Pi in, J. L. (Eds.). (2002). An an hology o A ican a : The wen ie h cen u y. New Yo k, NY:
D.A.P., Re ue Noi e Edi ions.
20 C. GARRIDO CASTELLANO

Fe ly, J. (n.d.). L’A oca pe, con empo a y a : Ge ing away om he F ench Encla e. Unpublished
manusc ip .
Flo es, J. (2010). The diaspo a s ikes back. Ca ibeño ales o lea ning and u ning. New Yo k, NY:
Rou ledge.
Ga ido Cas ellano, C. (2014). Concep ual ma e ialism. Ins alla ion a and he disman ling o
Ca ibbean his o icism. Thi d Tex ,28(2), 149–162.
Ga ido Cas ellano, C. (2016). Impe ial spa io- empo al disa angemen s. Bea iz San iago Muñoz’s
Pe o ma i e Documen a y and he Emancipa i e Unseen. Cen o. Jou nal o he Cen e o
Pue o Rican S udies,28(1), 60–92.
Ga ido Cas ellano, C. (in p ess). Re hinking he “ ansna ional”Ca ibbean cu a o ial: Ca ibe insula :
Exclusión, F agmen ación y Pa aíso’spoli ics o space. Small Axe: A Ca ibbean Jou nal o C i icism.
Holmes, B. (2007). Ex adisciplina y in es iga ions: Towa ds a new c i ique o ins i u ions. Re ie ed
om h p://eipcp.ne / ans e sal/0106/holmes/en
Jackson, S. (2011). Social wo ks. Pe o ming a s, suppo ing publics. London: Rou ledge.
Kes e , G. (2011). The one and he many: Con empo a y collabo a i e a in a global con ex . Du ham,
NC: Duke Uni e si y P ess.
L’É ang, G. (Coo d.) (2007). La pein u e en Ma inique. Fo -de-F ance: Conseil Régional de Ma inique,
He é Chopin Édi ions.
Mosque a, G. (Ed.). (1996). Beyond he an as ic. Con empo a y a c i icism om La in Ame ica.
London: InIVA.
Poupeye, V. (1998). Ca ibbean a . London: Thames & Hudson.
Raunig, G., & Ray, G. (Eds.). (2009). A and con empo a y c i ical p ac ice: Rein en ing ins i u ional c i-
ique. London: MayFly Books.
Sega a, A. (2012). Un pano ama de al e na i as en diálogo desde Pue o Rico. Papeles de Cul u a
Con empo ánea,16,46–66.
S ephens, M. (2013). Wha is an Island? Ca ibbean s udies and he con empo a y isual a is . Small
Axe: A Ca ibbean Jou nal o C i icism,17,8–26.
S imson, B., & Shole e, G. (Eds.). (2007). Collec i ism a e mode nism: The a o social imagina ion
a e 1945. Minneapolis: Uni e si y o Minneso a P ess.
Thompson, K. (2006). An eye o he opics. Tou ism, pho og aphy, and aming he pic u esque.
Du ham, NC: Duke Uni e si y P ess.
Thompson, N. (Ed.). (2012). Li ing as o m. Socially-Engaged a om 1991–2011. Camb idge: MIT P ess
and C ea i e Time.
Tibu ce, F. (1994). La oie du Fwomajé. L’a du dedans. Fo -de-F ance: Associa ion Fwomajé.
Ve gès, F. (2007). Le musée pos colonial: un musée sans obje s. In N. Blancel, F. Be naul , P. Blancha d,
& V. Ami aux (Eds.), Rup u es pos coloniales. Les nou eaux isages de la socié é ançaise (pp. 455–
480). Pa is: La Décou e e.
Wainw igh , L. (2011). Timed ou . A and he ansna ional Ca ibbean. Manches e : Manches e
Uni e si y P ess.
Weiss, R. (2011). To and om U opia in he new Cuban a . Minneapolis: Uni e si y o Minneso a P ess.
Welchman, J. C. (Ed.). (2006). Ins i u ional c i ique and a e . Zu ich: JRP/Ringie .
SOCIAL IDENTITIES 21