Citations refer to the original publication, not to a Scieee localized version.
Izquierdo Berasaluce, U., & Valladolid, U. D. (2024). The Blurred Line between Good and Evil in Moby-Dick and Post-WWII Cinema: How John Huston Read Melville for his Movie Adaptation. Universidad de Valladolid. https://doi.org/10.24197/ersjes.45.2024.192-216
Izquierdo Berasaluce, Unai, and Universidad de Valladolid. The Blurred Line between Good and Evil in Moby-Dick and Post-WWII Cinema: How John Huston Read Melville for his Movie Adaptation. Universidad de Valladolid, 2024. https://doi.org/10.24197/ersjes.45.2024.192-216.
Izquierdo Berasaluce, Unai, and Universidad de Valladolid. The Blurred Line between Good and Evil in Moby-Dick and Post-WWII Cinema: How John Huston Read Melville for his Movie Adaptation. Universidad de Valladolid, 2024. https://doi.org/10.24197/ersjes.45.2024.192-216.
Izquierdo Berasaluce, U. and Valladolid, U. D. (2024) The Blurred Line between Good and Evil in Moby-Dick and Post-WWII Cinema: How John Huston Read Melville for his Movie Adaptation. Universidad de Valladolid. Available at: https://doi.org/10.24197/ersjes.45.2024.192-216.
U. Izquierdo Berasaluce and U. D. Valladolid, “The Blurred Line between Good and Evil in Moby-Dick and Post-WWII Cinema: How John Huston Read Melville for his Movie Adaptation,” Universidad de Valladolid, 2024, doi: 10.24197/ersjes.45.2024.192-216.
@misc{izquierdoberasaluce2024blurred,
author = {Izquierdo Berasaluce, Unai and Valladolid, Universidad de},
title = {The Blurred Line between Good and Evil in Moby-Dick and Post-WWII Cinema: How John Huston Read Melville for his Movie Adaptation},
year = {2024},
publisher = {Universidad de Valladolid},
doi = {10.24197/ersjes.45.2024.192-216},
url = {https://doi.org/10.24197/ersjes.45.2024.192-216}
}
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