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DOI: h ps://doi.o g/10.5281/zenodo.17289567
THE ROLE AND SIGNIFICANCE OF FILM DISCOURSE IN MODERN
LINGUISTICS
Saydaliye a Ma luba Shukh a kizi
I s age basic doc o al s uden a Alishe Na oi Uni e si y
o Uzbek Language and Li e a u e
saydaliye a1993@mail. u
Abs ac : he a icle discusses he ole o discou se analysis in mode n
linguis ics and i s connec ion wi h cinema og aphic speech. I analyzes he social,
cul u al, and psychological ac o s e lec ed in language and communica ion,
emphasizing he ele ance o s udying ilm discou se based on a linguocogni i e
app oach. The au ho highligh s he in luence o cinema on human hinking,
wo ld iew, and in o ma ion pe cep ion. The mul imodal ( isual, audi o y, and
emo ional) na u e o ilm discou se and i s impo ance in unco e ing seman ic laye s
o meaning a e examined. The s udy subs an ia es he scien i ic signi icance o
analyzing discou se as a cogni i e phenomenon ha in eg a es language, meaning,
and human expe ience.
Keywo ds: discou se, ilm discou se, linguocogni i e analysis, mul imodal
communica ion, cinema og aphic speech, linguis ics, cul u al concep , cogni i e
app oach.
The o ma ion o new app oaches in linguis ics and he de elopmen o he
scien i ic pa adigm de e mined he need o a deep analysis o linguis ic phenomena,
including such concep s as " ex " and "discou se". I in he i s hal o he 20 h cen u y
he main a en ion o esea che s was p ima ily ocused on he s uc u al ea u es o
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language, hen om he second hal o he cen u y he e was a shi in a en ion o he
unc ioning o language in eal communica i e condi ions.
In he ield o mode n linguis ics, discou se analysis has become one o he mos
comp ehensi e me hodologies. In pa icula , he p o ound in luence o cinema on he
hinking o socie y, he seman ic laye ing o i s language ools, has made i an
independen objec o analysis. Unlike o dina y ex , ilm discou se has mul imodal,
in e ac i e and conno a i e p ope ies, in which, along wi h language, isual, audi o y
and emo ional componen s a e combined. The e o e, i s s udy based on a
linguocogni i e app oach is one o he cu en scien i ic issues.
The ilm o m o a occupies a cen al place in a de eloped socie y, di ec ly
in luencing people and hei unde s anding o he en i onmen . The simul aneous
use o wo means (acous ic and isual) in cinema dis inguishes his a o m om
li e a u e, music, adio, and o he s based on he use o a single me hod o
communica ion. I is no su p ising ha cinema, as a wo k o a , has become he
objec o s udy in a numbe o disciplines, including linguis ics.
In mode n linguis ic esea ch conduc ed in he wo ld oday, cinema ic
speech is s udied as a whole complex o linguis ic, psychological, and social
phenomena and as one o he ypes o speech. The a eas o in e es o such s udies
include he concep s o ilm discou se and cinema ic ex , ypes o cinema ic
speech and hei classi ica ion, i s unc ions, analysis o dialogues as a linguis ic
componen o he ilm, e c.
A he beginning o he 20 h cen u y, cinema began o be s udied om a
linguis ic poin o iew. M. Dynel no es ha cinema og aphic speech di e s om
cinema ic speech. Because cinema og aphic speech is aimed a s udying
cinema og aphic me hods such as edi ing, sound design, came a wo k, which a e
ou side he scope o linguis ic esea ch.
The phenomenon o discou se, in addi ion o linguis ics, can be he objec o
esea ch o many disciplines. Philosophy, sociology, and poli ical science a e
among hem. I should be no ed ha in ecen yea s, om he poin o iew o
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in e disciplina y conside a ion o language, he phenomenon o discou se has
become unclea . I is p ecisely he mul i ace ed na u e o he esea ch ha leads o
he inexpediency o highligh ing one concep ual de ini ion. Discou se, "as a
complex communica i e phenomenon, includes a social con ex ha gi es an idea
o bo h he pa icipan s in communica ion and he p ocess o p oducing and
pe cei ing a message, and is a complex uni y o language o m, meaning, and
ac ion". The cogni i e-p agma ic o ien a ion o applied esea ch allowed scien is s
o cha ac e ize discou se as a cogni i e phenomenon, since discou se in luences
he sys em o da a ansmission and in o ma ion p ocessing, as well as he ac ions
o decoding and in e p e a ion. We can see ha esea che s who ha e wo ked on
discou se o en ely on he de ini ion gi en by N. D. A u yuno a: "Discou se is a
ex associa ed wi h ex alinguis ic, p agma ic, social, cul u al, and psychological
ac o s, a ex ob ained om he poin o iew o an e en , and speech conside ed
as a a ge ed social ac ion, i s componen , speech embedded in li e, pa icipa ing
in he in e ac ion o people and hei mechanisms o consciousness".
4
This
de ini ion has become an ac i e one due o he mul iplici y o possible aspec s o
analysis and he conside a ion o he bounda ies o he e m discou se in o he
social sphe es.
A comple e cogni i e analysis o he ilm ells us: "Wha wo ld iew does he
ilm ins ill in he audience? Which cul u al knowledge will be ac i a ed?" Thus,
linguocogni i e analysis o cinema means iewing he ilm no jus as a s o y, bu
as a " o m ha shows consciousness h ough language. "Th ough his app oach,
we e eal he concep ual wo ld iew o he people o he au ho h ough he
dialogues, images, and isual signs o he ilm being s udied.
4
A u yuno a, N.D. 1990. Discou se. In he collec ion Linguis ic Encyclopedic Dic iona y. Moscow:
So ie Encyclopedia.
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Re e ences
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4.Fowle , R. (1991). Language in he News: Discou se and Ideology in he P ess.
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5.K ess, G. & an Leeuwen, T. (2001). Mul imodal Discou se: The Modes and
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6.Lako , G., & Johnson, M. (2003). Me apho s We Li e By. Chicago:
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