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THE INTERACTION BETWEEN TRADITIONAL AND MODERN MUSIC: INFLUENCE
AND FUTURE OUTLOOK
Ulugbek Mi shaye - Senio lec u e , Depa men o Music Pe o mance and Cul u e, Bukha a
S a e Uni e si y.
Jasmina Ham oye a - S uden o hd Depa men o Music Pe o mance and Cul u e, Bukha a
S a e Uni e si y.
Anno a ion: In his a icle, he in e ac ion p ocesses be ween adi ional and mode n music, as well
as hei oles and e olu ion wi hin musical cul u e, a e analyzed. The connec ion o adi ional music
wi h na ional alues and olk c ea i i y is explo ed, while mode n music is p esen ed as a e lec ion
o echnological p og ess, globaliza ion, and a means o indi idual exp ession.
Key wo k: T adi ional music, mode n music, in eg a ion, inde i ica ion, globaliza ion.
In oduc ion. Music is an in eg al pa o human cul u e. I no only gi es aes he ic pleasu e, bu also
is a means o exp essing na ional iden i y, his o ical memo y and mode n hinking. Today, he
ela ionship be ween adi ional and mode n music is becoming inc easingly ele an .
T adi ional music is he p oduc o cen u ies-old his o ical and cul u al expe ience o he people,
passed down om gene a ion o gene a ion as an o al c ea i e he i age. I is a e lec ion o li es yle,
cus oms, eligious belie s, olk wisdom and emo ions. The a o maqom, songs, i ual and ly ical
songs o he Uzbek people a e i id examples o such a ich he i age.
Mode n music, on he o he hand, was o med as a esul o echnological p og ess, global in o ma ion
lows and he need o indi idual exp ession. I includes such di e se di ec ions as pop, ap,
elec onic, ock, and mainly exp esses pe sonal emo ions, social e en s, li e anxie ies o he desi e
o eedom.
In oday's music scene, hese wo ypes o a a e in eg a ing wi h each o he and a e appea ing in new
o ms. In some mode n songs, musical solu ions combined wi h adi ional ins umen s ( o example,
du o , ubab, doi a) o olk melodies a e a ac ing many lis ene s.
Thus, adi ional music is like a oo , and mode n music is like a b anch and a ui . The wo a e no
opposi es, bu a he complemen a y cul u al laye s. Th ough his ha mony, musical cul u e is
en iched, de eloped, and ises o new le els while p ese ing i s iden i y.
The musical he i age o he Uzbek people has a e y ich and ancien his o y. I s wonde ul adi ions
s ill e ain hei a is ic and aes he ic alue oday. These adi ions a e an in eg al pa o mode n
Uzbek musical cul u e. T adi ion is no he end o he pas , bu a li ing o ce ha inspi es he new
e a, in ac , i is di icul o ind any a ea o mode n music ha would no be inspi ed by he musical
he i age, olk melodies and songs.
Main pa . As is known, adi ional Uzbek music has de eloped o e he cen u ies in wo main
di ec ions: olklo e and p o essional. T adi ional olk music, unlike olklo e and he wo k o mode n
compose s, has been called an independen di ec ion by a ious names: olk music, adi ional olk
singing, classical music and o he s. Recen ly, mo e and mo e music has been called adi ional olk
singing.
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Al hough he his o y o adi ional olk singing is e y ancien and ich, i has ne e been as in e es ing
as i is now. We hea maqoms, compose s, and he melodies and songs hey c ea e on he adio wa es
and wa ch hem on he ele ision sc een, and we ge deep pleasu e.
In e na ional and epublican con e ences a e being held on a ious issues o adi ional olk singing.
In pa icula , in 1971 in Moscow, he Wo ld Cong ess on T adi ion and Mode ni y, in 1973 in Alma y,
he Asian Pulpi , in 1978 in Sama kand, he In e na ional Symposium on T adi ional Folk Singing o
he Peoples o he Middle and Nea Eas and Mode ni y, scien i ic discussions on he p ospec s o
adi ional music we e held. Recen ly, p ac ical and heo e ical mas e y o adi ional olk singing in
highe , seconda y and p ima y educa ional ins i u ions has been well es ablished.
T adi ional olk singing, as a ule, has an independen a is ic and aes he ic signi icance, wi hou being
di ec ly ela ed o i uals and li e e en s. Fo example, wo ks such as Ilgo , Bayo , Choli I aq a e no
ied o any li es yle o i ual, bu can be pe o med in a ious condi ions whe e hei con en is
app op ia e.
The de elopmen o adi ional olk singing is closely ela ed o he de elopmen o science. I s
scien i ic and heo e ical ounda ions ha e been ho oughly de eloped since ancien imes. The
heo e ical ounda ions o adi ional olk singing a e e lec ed in he ea ises o such g ea
musicologis s as Al-Fa abi, Ibn Sina, and U ma i. The ema kable achie emen s o Eas e n
musicology ha e se ed as an impo an suppo in he de elopmen o adi ional olk singing.
The e o e, he ideological ( a ionalis ic) side o o al adi ional olk singing has also been widely
de eloped.
Today, adi ional ins umen al pe o mance is ac i ely in eg a ing wi h pop, pop, ock and o he
gen es. In pa icula , he adap a ion o olk ins umen s such as du o , anbu , ubab and nay o new
musical ends is highly app ecia ed by he in e na ional music communi y. This p ocess, along wi h
a ac ing a new audience o adi ional pe o ming a s, also con ibu es o he popula iza ion o
Uzbek olk ins umen s.
Cul u al and aes he ic aspec s o in eg a ion in mode n music The in eg a ion o adi ional
ins umen s in o mode n music, on he one hand, allows o he p ese a ion and de elopmen o
na ional iden i y, and on he o he hand, s imula es in e cul u al dialogue. As a esul o his
in eg a ion, new musical s yles and inno a i e pe o mance echniques a e eme ging. This expands
he aes he ic possibili ies o adi ional ins umen s.
Mode n music, whe e he e is a cul u al exchange be ween he wo ends, d aws inspi a ion om
adi ional music, p ocesses i and p esen s i in a new o m. Fo example: The melodies o he maqom
a e inco po a ed in o mode n pop songs; Popula e ses o olk songs a e sung in pop o ap s yle.
In he p ocess o globaliza ion, he in eg a ion o adi ional music wi h mode n musical o ms is
becoming inc easingly s onge . The book “T adi ional Musics in he Mode n Wo ld” emphasizes
ha adi ional melodies and s yles a e changing based on mode n echnologies, new s age
equi emen s and he aes he ics o he younge gene a ion. This does no lead o he loss o musical
iden i y, bu o i s e i al in a new o m. Fo example, maqom and olk songs a e being ein e p e ed
in mode n hy hms and a angemen s, inding hei way in o he hea s o he younge gene a ion
In hei book “The Fu u e o Music,” Da id Kusek and Ge d Leonha d call he music o he u u e
“digi al wa e .” In hei opinion, music will become a o m ha is cons an ly lowing, quickly
deli e ed, and c ea ed no by humans, bu also by a i icial in elligence. In his p ocess, he ole o
adi ional music will also inc ease, because i is used as a sou ce o inspi a ion. C ea ing new
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composi ions based on maqams and olk melodies h ough AI will be one o he di ec ions o he
u u e music indus y.
Conclusion. Despi e he ac ha adi ional and mode n music a e di e en di ec ions, hey a e
en iching musical cul u e h ough mu ual in luence and ha mony. T adi ional music is a e lec ion o
he his o ical memo y, cul u al he i age, and spi i ual weal h o he people. Mode n music, on he
o he hand, is a p oduc o echnology, global in luence, and indi idual exp ession. Today, he
bounda ies be ween hese wo di ec ions a e inc easingly disappea ing, and hey can be seen
complemen ing each o he . In he u u e, he ans o ma ion in he ield o music will deepen e en
u he - he spi i ual ichness o adi ional music will li e on in a new o m h ough mode n
echnologies. In gene al, adi ional and mode n music a e no con adic o y, bu a he
complemen a y, de eloping o ces ha will make he u u e o music mo e di e se, ich and s able.
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