CHORD PAINTING

和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage CHORD PAINTING 和弦绘画 (English Chinese Bilingual Version） （中、英双语版） Li Xiaohong 李晓虹 DOI: 10.13140/RG.2.2.14021.17127/1 ASIN: B07L7Y87F1 ISBN: 9780463058800 《和弦语言》，《和弦空间与绘画》书中的图、文由李晓虹创作，拥有全部著作权。 The pictures and texts in "Chord Language" and "Chord Painting" were created by Li Xiaohong and owns all copyrights. 作品注册、登记信息，版权保留 《量子人看宇宙》NAME OF AUTHOR：XIAOHONG LI；For a Literary Work UNITED STATES COPYRIGHT OFFICE TXu 635-761； 《十二平均色律——量子人看宇宙》NAME OF AUTHOR：XIAOHONG LI；For a Literary Work UNITED STATES COPYRIGHT OFFICE TXu 777-504； 《十二平均色律——量子人看宇宙》作者或著作权人：李晓虹登记号：21-1996-A-(0183)-0146 中国.四川省版权局。 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Overview Of Chord Language；和弦语言综述 25 届世界哲学大会论文 ； Papers of the XXV World Congress of Philosophy 引言：和弦编码时空，生命，精神，宇宙基于和弦。 Introduction: Chord coding of space-time, life, spirit, and the universe is based on chords. 和弦语言以量子化频谱为编码结构，涵盖和弦几何（开、闭、膜弦）与和弦数学（代数结构、 群作用）。每个 和弦都有唯一的特征频谱，映射至特定的和弦语义集合，生成：时间（音乐），空间（绘 画），生命（经络），分布 为和弦场（量子场）。 Chord language uses a quantized spectrum as its encoding structure, encompassing both chord geometry (open, closed, and membrane strings) and chord mathematics (algebraic structure and group action). Each chord has a unique characteristic spectrum, mapped to a specific set of chord semantics, generating: time (music), space (painting), life (meridians), and distributed as a chord field (quantum field). 基本和弦表：1-1、大三和弦（闭弦），1-2、小三和弦（开弦）、2、减七和弦（膜弦）、3、全音阶和弦（膜 弦），4、增三和弦（膜弦） ⚫ 和弦频谱公式：N*F，H^N*F ,（H=1.059463，N∈Z ⚫ 符号：◆=+音符，●=-音符，音符色=色荷 ⚫ 频谱坐标：MOD12 群 BASIC CHORD TABLE: 1-1, MAJOR TRIAD (CLOSED STRING), 1-2, MINOR TRIAD (OPEN STRING), 2, DIMINISHED 7TH (MEMBRANE STRING), 3, DIATONIC CHORD (MEMBRANE STRING), 4, AUGMENTED TRIADS (MEMBRANE STRINGS) Chord spectrum formula: n*f, H^n*f, (H=1.059463, n∈Z) Symbols: ◆=+ note, ●=- note, note color = color charge Spectral coordinates: MOD12 group 关键词 ； Keywords： 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage 时空，音乐，绘画，生命，经络，量子化，弦 Space-time, music, painting, life, meridians, quantization, strings Chord Spacetime；和弦时空 人类有两类时空观察者：和弦（调性）观察者与非和弦（无调性）观察者，分别观察到两种时空： Spacetime is the "structure" or "framework" of the universe and the foundation of all physical processes. Humans have two types of spacetime observers: harmonic (tonal) observers and non-harmonic (atonal) observers, who observe two types of spacetime: 和弦（调性）时空：以量子化频谱为编码结构，映射到时空语义集合，生成和弦时空场，音乐（时间域）、绘 画（空间域）是其常见形式。 Chord (tonality) space-time: Using the quantized spectrum as the encoding structure, it is mapped to the space-time semantic set to generate the chord space-time field. Music (time domain) and painting (space domain) are its common forms. 非和弦（无调性）时空：屏蔽了时空的和弦结构，只保留几何（图-底）与运动的纯粹关系性描述，从外部参 考系统（如时钟、尺子、参照物）获得定量，常用于经典物理学框架中，也是日常的时空经验。 Non-chordal (atonal) spacetime : It blocks the chordal structure of spacetime, retains only the purely relational description of geometry (figure-ground) and motion, obtains quantification from external reference systems (such as clocks, rulers, reference objects), is often used in the framework of classical physics, and is also the daily experience of spacetime. 和弦频谱：和弦频谱与能量量子本质相通，均以一个基准频率 f 为单位，在整数 n 的调控下生成一组离散的 频率/能量结构。 泛音频谱公式：n*f ，N∈Z，f=频率 量子化假设：n*f*h（h=6.626×10^−34）N∈Z 两个公式结构一致，当：n=1-6=大三和弦，n=1-7=大7和弦，n=1-9=大9和弦，n=1-11=大十一和弦—— 量子化基于和弦结构。 泛音是一维震荡模式，大于一维的震荡模式涉及到平均律：(1.059463)^n · f₀，两种模式可以切换。 将 n 切换为 (1.059463)^n，引入指数型量子化能级：Eₙ=h·1.059463^{n}·f₀，通过模 12 群 ℤ₁₂ 的结构，实现和 弦的系统生成。 Overtone spectrum formula: n*f, N∈Z, f=frequency 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Quantization assumption: n*f*h (h=6.626×10^−34)N∈Z The two formulas have the same structure when: n=1-6=major triad, n=1-7=major 7th chord, n=1-9=major 9th chord, n=1-11=major 11th chord - quantization is based on chord structure. Overtones are one-dimensional oscillation patterns. Oscillation patterns larger than one dimension involve equal temperament: 1.059463)^n·f₀. these two modes can be switched. Switching n to (1.059463)^n introduces exponential quantized energy levels: Eₙ=h·1.059463^{n}·f₀. Through the structure of the module 12 group ℤ₁₂, systematic generation of chords is achieved. 时空二相性：和弦时间与和弦空间镜像对称：{-7,-4,0} ↔ {0,4,7} mod 12（互为反和弦，反调），可数学转 换；空间具有定域性，时间具有非定域性，共同表现为时空二相性；波粒二象性只能在和弦（调性）时空中成 立。 Space-time duality : Chord time and chord space are mirror-symmetric: {-7,-4,0} ↔ {0,4,7} mod 12 (they are anti-chords and anti-tones), which can be mathematically converted; Space is local and time is non-local, which together manifest as the space-time duality. The wave-particle duality can only hold true in chord (tonal) spacetime. 和弦几何：和弦编码（量子化频谱）包含几何语义：开弦，闭弦，膜弦，可生成所有空间状态，也是绘画空 间的生成基础。 Chord geometry: Chord encoding (quantized spectrum) contains geometric semantics: open strings, closed strings, membrane strings, which can generate all spatial states and are also the basis for the generation of painting space. ±音符：音符具有±属性，这是频率的物理属性，应涉及所有波动、频率，也可以解释物理学中普遍存在的 ±属性。 ±Notes: notes have ± properties, which are physical properties of frequency and should involve all waves and frequencies. They can also explain the ubiquitous ± properties in physics. 整体性：和弦系统具有整体性，其中的所有元素（音符，和弦，和弦包）在全局系统的控制下保持相互关联 状态，与空间距离、尺度无关。 Holism: The chord system has wholeness, where all elements (notes, chords, chord bundles) remain interrelated under the control of the global system, regardless of spatial distance or scale. 和弦涵盖量子化与弦空间，时间（音乐）与空间（绘画）构成其生成域，也是时空自然法则的显现。 Chords encompass quantization and string space, with time (music) and space (painting) forming their generative domain, and they are also manifestations of the natural laws of space and time. 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Chord Space；和弦空间 和弦编码（量子化频谱）分别生成音乐（时间域）与绘画（空间域），两者镜像对称：{-7,-4,0} ↔ {0,4,7} mod 12，可数学转换。 Chord encoding (quantized spectrum) generates music (time domain) and painting (space domain) respectively, which are mirror-symmetric: {-7,-4,0} ↔ {0,4,7} mod 12 and can be mathematically converted. 和弦编码（量子化频谱）包含和弦几何语义 {开弦，闭弦，膜弦} 并构成和弦几何框架，以此定义和弦空间结 构。 The chord encoding (quantized spectrum) contains the chord geometry semantics {open string, closed string, membrane string } and constitutes a chord geometry framework to define the chord space structure. “弦”是“和弦”的几何语义，“和弦”是“弦”的特征频谱。不同和弦映射到不同的几何语义： "String" is the geometric semantics of "chord", and "chord" is the characteristic spectrum of "strings". Different chords map different geometric semantics: 大三和弦 (−7,−4,0)mod 12 ↔ 闭弦（轮廓线） 小三和弦 (−7,−3,0)mod 12 ↔ 开弦（分面线） 等比和弦：减七和弦 (0,3,6,9) mod 12，全音阶和弦 (0,2,4,6,8,10)mod 12，增三和弦 (0,4,8) mod 12 ↔ 膜弦 （非线性空间） 三和弦（开弦，闭弦）定义等比和弦（膜弦）的边界（轮廓线，分面线），生成所有空间状态及相互作用。 Major triad (−7,−4,0)mod 12 ↔ closed string (contour line) Minor triad (−7,−3,0)mod 12 ↔ open string (Facet line) Geometric chords: diminished seventh chord (0,3,6,9) mod 12, diatonic chord (0,2,4,6,8,10)mod 12, augmented triad (0,4,8) mod 12 ↔ membrane chord (nonlinear space) The triads (open strings,closed stirngs) define the boundaries (contours, facets) of the geometric chords (membrane strings), generating all spatial states and interactions. 以上结果来自和弦绘画中的独立观察，在绘画中可重复，并有视觉实验支持。 The above results come from independent observations in chord painting, are repeatable in painting, and are supported by visual experiments. 和弦空间是和弦语言的重要支柱与核心部分，绘画是其主要观察基础与应用领域。 Chord space is an important pillar and core part of chord language, and painting is its main observation basis and application field. 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage 观察、实验案例：Observation and experimental cases: Li, X. H. (2020). Chord Painting. ResearchGate. https://www.researchgate.net/publication/340492620_Chord_Painting Li, X. H. (2024). Chord Language. Zenodo. https://zenodo.org/records/11817631 Griffiths, D. J. (2005). Introduction to Quantum Mechanics. Pearson. Chord Biology；和弦生命 人类有两种时空-生命观察者：和弦（调性）观察者与非和弦（无调性）观察者，分别观察两种时空-生命形 式：和弦包（基于量子化频谱，弦）与生物体（基于细胞），生命包含和弦与形态两个层。 Humans have two kinds of space-time-life observers: chord (tonality) observers and non-chord (atonality) observers, who respectively observe two kinds of space-time-life forms: chord packages (based on quantized spectrum, strings) and organisms (based on cells). Life contains two layers: chords and forms. 在人体中，和弦表现为经络（脉轮）系统，观察表明：十二经络系统具有受激频谱响应，其分布可近似为： fn=H^n⋅f0 其中 H=2^1/12≈1.059463, n∈Z In the human body, the chords are manifested as the meridian (chakra) system. Observations show that the twelve meridian systems have a stimulated spectrum response, and their distribution can be approximated as follows: fn=H^n⋅f0 其中 H=2^1/12≈1.059463, n∈Z 这说明音乐（时间域）、绘画（空间域）与经络（生命域）共享同一组量子化频谱结构，是和弦场（Chord Field）在不同感知维度中的体现。 This shows that music (time domain), painting (space domain) and meridians (life domain) share the same set of quantized spectrum structures, which are the manifestation of the chord field in different perceptual dimensions. 纯小三和弦+导音减七和弦构成生命和弦包——生命的和弦编码形式；在特定状态下，生命和弦包可独立于生 物体，不依赖生物体，具有灵魂的性质。 Pure minor triads + leading tone diminished seventh chords constitute the life chord package - the chord coding form of life; under certain conditions, the life chord package can be independent of the organism, not dependent on the organism, and has the nature of a soul. 和弦（经络）是生命的物理（离散频谱）编码结构。 Chords (meridians) are the physical (discrete spectrum) encoded structures of life. 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Natural Spirit；自然精神 和弦语言是自然编码（量子化频谱）语言。 The chord language is a natural coding (quantized spectrum) language. 人类存在两套语言系统：符号语言（后天语言）与和弦语言（先天语言）；前者是人工信息系统，基于语音符 号，如：自然语言；后者是自然信息系统，基于和弦（量子化频谱），如：音乐、绘画，经络等——精神是符号与 和弦二层存有。 Humans possess two language systems: symbolic language (acquired language) and chord language (innate language). The former is an artificial information system based on phonetic symbols, such as natural language; the latter is a natural information system based on 1 chords (quantized spectra), such as music, painting, meridians, etc. Spirit is a dual existence of symbols and chords 人的认识来自两个观察者系统：和弦（调性）观察者与非和弦（无调性）观察者，前者是和弦系统的内部观 察，依赖观察者的和弦系统，即：和弦系统观察和弦系统，不能区别主观-客观，如：和声学（音乐、绘画）， 经 络（脉轮）等，或许还有量子-波粒二象性；后者屏蔽了和弦系统，主体与客体分离，无关；通常可用观察工具代 替人类观察者，如：常规的科学。 Human cognition comes from two observer systems: the chord (tonal) observer and the non-chord (atonal) observer. The former is the internal observation of the chord system and depends on the chord system of the observer, that is, the chord system observes the chord system and cannot distinguish between subjective and objective, such as: harmony (music, painting), meridians (chakras), etc., and perhaps also quantum-wave-particle duality; the latter shields the chord system, and the subject and object are both isolated systems. The object has nothing to do with the subject, and observation tools can usually be used to replace human observers, such as: conventional science. 两种观察者的重要区别还在于： 和弦（调性）观察者所见是一个基于和弦框架的整体：时空，生命，精神共享和弦结构与数学模型。非和弦 （无调性）观察者所见是随机，孤立事件，宇宙被割裂为碎片——任何观察都与观察者有关。 Another key difference between the two types of observers is this: The chordal (tonal) observer sees a whole based on a chordal framework: spacetime, life, and mind share a chordal structure and mathematical model. The non-chordal (atonal) observer sees random, isolated events, a universe fragmented into pieces—any observation is relative to the observer. 和弦语义无法完全进入自然语言，具有不可言说的本体特征。 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Chord semantics cannot be fully incorporated into natural language and has an unexpressible ontological characteristic. ◼ 和弦语言出版物有：《和弦语言》与《和弦绘画》，前者介绍和弦语言的语法、语义规则及数学模型， 侧重和弦空间语言。后者是和弦绘画（和弦空间）的视觉实验案例。 ◼ CHORD LANGUAGE PUBLICATIONS INCLUDE "CHORD LANGUAGE" AND "CHORD PAINTING." THE FORMER INTRODUCES THE GRAMMAR, SEMANTIC RULES, AND MATHEMATICAL MODELS OF CHORD LANGUAGE, FOCUSING ON THE LANGUAGE OF CHORD SPACE. THE LATTER PROVIDES VISUAL EXPERIMENTAL CASES OF CHORD PAINTING (CHORD SPACE). 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage ◼ Directory；目录 OVERVIEW OF CHORD LANGUAGE；和弦语言综述 2 CHORD SPACETIME；和弦时空 3 CHORD SPACE；和弦空间 5 CHORD BIOLOGY；和弦生命 6 NATURAL SPIRIT；自然精神 7 DIRECTORY；目录 9 1.HEPTACHORD；七声音阶 10 2.JAZZ SCALE；爵士音阶 29 3. CHROMATIC；无调性 65 4.KEY GROUP；调群 77 BRIEF SUMMARY；小结 83 DISCLAIMER；免责声明 83 REFERENCES；参考文献 84 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life, Heptachord E major, b flat minor；静物、七声音阶，E大调、降 b小调 Still life, heptachord, C major, F-sharp minor；静物、七声音阶，C大调、升 f小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life, Heptachord E major, b flat minor；静物、七声音阶，E大调、降 b小调 Still life, Heptachord C major, f sharp minor；静物、七声音阶，C大调、升 f小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Forbidden City,Heptachord A flat major, b minor；故宫，七声音阶，降 A大调、b小调 Huashan, heptachord F major, d minor；华山，七声音阶 F大调、d小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Huashan, heptachord F major, d minor；华山，七声音阶 F大调、d小调 Heptachord F major, d minor；七声音阶 F大调、d小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Mount Emei,Heptachord A flat major, d minor；峨眉山，七声音阶降 A大调、d小调 Heptachord A flat major, d minor；七声音阶，降 A大调、d小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Heptachord A flat major, d minor；七声音阶，降 A大调、d小调 Heptachord A flat major, d minor；七声音阶，降 A大调、d小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Heptachord A flat major, b minor；七声音阶，降 A大调、b小调 Portrait,Heptachord A flat major, d minor；肖像，七声音阶，降 A大调、d小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Portrait,heptachord A flat major, b minor；肖像，七声音阶，降 A大调、b小调 Self-portrait. heptachord A flat major, d minor；自画像，七声音阶，降 A大调、d小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Self-portrait. heptachord A flat major, d minor；自画像，七声音阶，降 A大调、d小调 Heptachord C major, f sharp minor；七声音阶，C大调、升 f小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Heptachord b flat minor, E major；七声音阶 降b小调、E大调 Heptachord f sharp minor, C major；七声音阶 ，升 f小调、C大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Beijing hutong,Jazz Scale C major；北京胡同、爵士音阶 C大调 Beijing hutong,Jazz Scale C# major；北京胡同、爵士音阶 C#大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Beijing hutong,Jazz Scale A major；北京胡同、爵士音阶 A大调 Cao Xueqin's Former Residence in Beijing, Jazz Scale A Major；北京曹雪芹故居，爵士音阶 A大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Poplar forest, Jazz Scale A major；白杨林、爵士音阶，A大调 Poplar forest, Jazz Scale A major；白杨林、爵士音阶，A大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Jinsha River Valley, Jazz Scale in g minor；金沙江河谷，爵士音阶 g小调 Fishing Boat, Jazz Scale in f# ninor；渔舟，爵士音阶，f#小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Riverside,Jazz Scale A-flat major；江边、爵士音阶，降 A大调 Xi 'an City Wall, Jazz Scale,C# major；西安城墙，爵士音阶，C#大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Xi 'an City Wall, Jazz Scale,A major；西安城墙，爵士音阶，A大调 Unnamed Lake,,Jazz Scale,C major,f# minor；未名湖、爵士音阶 C大调，f#小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Lotus,Jazz Pentatonic Scale C major；荷，爵士音阶 C大调 Dutch, Jazz Pentatonic Scale A major；荷、爵士五声音阶 A大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Canyon,Jazz Pentatonic Scale C# major；峡谷、爵士五声音阶 C#大调 Ancient town, Jazz Scale b minor；古镇、爵士音阶，b小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Mountain, Jazz scale C# major | 山、爵士音阶 C#大调 Sun Zhongshan Former Residence in Shanghai, Jazz Scale C Major；上海孙中山故居，爵士音阶 C大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Xu Jiahui's morning, jazz scale C major；徐家汇的早上，爵士音阶 C大调 Shanghai Sinan Road, Jazz Scale C# Major;上海思南路，爵士音阶 C#大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage West Bund Art District, Jazz Scale C Major；西岸艺术区，爵士音阶 C大调 Lupe Bridge, jazz scale C major；卢浦大桥，爵士音阶 C大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Xuhui Riverside, Jazz scale C major；徐汇滨江，爵士音阶 C大调 Cherry Blossom Forest, Jazz in C Major；樱花林，爵士 C大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Lujiazui, Jazz C major；陆家嘴，爵士 C大调 Wusongkou, Jazz in C Major；吴淞口，爵士 C大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Wusongkou Fort, Jazz in C# Major；吴淞口炮台湾，爵士 C#大调 Wu Songkou Sacrifice, Jazz in F# minor；吴淞口祭，爵士 F#小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Dianshan Lake, Jazz scale in E major, B-flat minor；淀山湖，爵士音阶 E大调，降 b小调 Dianshan Lake, Jazz in F Major；淀山湖，爵士音阶 F大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Wusongkou Battery, Jazz Scale in C Major；吴淞口炮台，爵士音阶 C大调 Self-portrait, Jazz scale C major, f# minor |自画像，爵士音阶 C大调，f#小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Self-portrait, Jazz pentatonic scale C major, f# minor |自画像，爵士五声音阶 C大调，f#小调 Self-portrait, Jazz C# major,g minor |自画像，爵士 C#大调，g小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Jazz Scale C major,f-sharp minor；爵士音阶，C大调，升 f小调 Plaster model,Jazz Scale C# major, g minor；石膏像，爵士音阶，C#大调，g小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Plaster model,Jazz Scale C major, f sharp minor；石膏像，爵士音阶，C大调，升 f小调 Plaster model,Jazz Scale C# major, g minor；石膏像，爵士音阶，C#大调，g小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Plaster model,Jazz Scale C major, f sharp minor；石膏像，爵士音阶，C大调，升 f小调 Plaster model,Jazz Scale C# major, g minor；石膏像，爵士音阶，C#大调，g小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Plaster model,Jazz Scale C major, f sharp minor；石膏像，爵士音阶，C大调，升 f小调 Plaster model,Jazz Scale C# major, g minor；石膏像，爵士音阶，C#大调，g小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage 3. Chromatic；无调性 Still life,Atonal; 静物，无调性 Still life, jazz Ab9 chord；静物，爵士 Ab9 和弦 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life, jazz A13 chord；静物，爵士 A13 和弦 Still life, jazz f# 9 chord；静物，爵士 f# 9 和弦 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life, jazz C9 chord；静物，爵士 C9 和弦 Still life,Atonal; 静物，无调性 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life, jazz Ab9 chord；静物，爵士 Ab9 和弦 Still life, jazz A12 chord；静物，爵士 A13 和弦 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life, jazz g9 chord；静物，爵士 g9 和弦 Still life, jazz f#9 chord；静物，爵士 f#9和弦 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life, jazz C9 chord；静物，爵士 C9 和弦 Still life,Atonal; 静物，无调性 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life, jazz A13 chord；静物，爵士 A13 和弦 Still life, jazz f#7 chord；静物，爵士 f#7 和弦 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life,Atonal; 静物，无调性 River valley,Atonal；河谷，无调性 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Fishing boat,Atonal；渔舟，无调性 Lotus,Atonal；荷花，无调性 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage C major, f# minor, T-D-S key group | C大调、f#小调，T-D-S 调群 C major, f# minor, T-D-S mixed tone group | C大调、f#小调，T-D-S 混合调群 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage C major, Eb minor, T-D-S key group | C 大调、Eb 小调，T-D-S 调群 C major, f# minor, T-D-S key group | C大调、f#小调，T-D-S 调群 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage C major, Eb minor, T-D-S key group | C 大调、Eb 小调，T-D-S 调群 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Brief Summary；小结 和弦是时空，生命，精神的自然编码形式，统一的物理框架。 Chords are the natural coding form of time, space, life, and spirit, a unified physical framework. 人类知识的形成源自两种观察者： Human knowledge is formed from two kinds of observers: 和弦观察者：对和弦作用的观察，如：音乐（时间的表达）、绘画（空间的表达）、经络（生命的表达）。 Chord Observer: Observation of the effects of chords, such as music (expression of time), painting (expression of space), meridians (expression of life). 非和弦观察者：屏蔽了和弦的作用，其观察产生了物理学、生物学等体系。 Non-chord observer: blocks the effect of chords, and its observation produces systems such as physics and biology. 尽管这两种观察者探索的领域似乎不同，它们实际上都涉及相同的主题：时空与生命。 Although the two observers seem to explore different areas, they actually deal with the same themes: spacetime and life. 认识的边界即观察者的边界。和弦场（音乐、绘画、经络等）是非和弦观察者的盲区，这产生了一个问题： 两种观察者对时空与生命的描述为何不同？谁的视角更接近真相？ The boundary of cognition is the boundary of the observer. The chord field (music, painting, meridians, etc.) is the blind spot of non-chord observers, which raises a question: Why do the two observers describe time, space and life differently? Whose perspective is closer to the truth? 本书将持续探索这些问题，基于观察结果进行修正与更新。您的关注与批评是我们不断进步的动力。 This book will continue to explore these issues and make revisions and updates based on the observations. Your attention and criticism are the driving force for our continuous progress. Disclaimer；免责声明 本书的少数图片采集自网络，作者信息不详，如果涉及到原作者的知识产权，一经提出，我们将会立即纠 正。 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage A few pictures in this book were collected from the Internet and the author information is unknown. If it involves the intellectual property rights of the original author, we will correct it immediately once it is raised. 作者：李晓虹，中国、四川、宜宾 Author: Li Xiaohong, China, Sichuan, Yibin 预印本地址： Preprint address: https://www.researchgate.net/profile/Xiaohong-Li-17 https://zenodo.org/records/14583089 References；参考文献 和弦语言，作者：李晓虹，DOI:10.13140/RG.2.2.25415.65440 CHORD LANGUAGE, AUTHOR: XIAO-HONG LI, DOI: 10.13140 / RG 2.2.25415.65440 BASIC THEORY OF MUSIC；音乐基础理论 HARMONICS；和声学 GENERAL PHYSICS；普通物理学 经络学(规划教材)、作者:李鼎，上海科学技术出版社、1995 年06 月 MERIDIAN THEORY (PLANNING TEXTBOOK), AUTHOR: LI DING, SHANGHAI SCIENCE AND TECHNOLOGY PUBLISHING HOUSE, JUNE 1995 黄帝内经、作者：佚名，中医古籍出版社，2003-11. HUANGDI'S INNER CLASSIC, AUTHOR: ANONYMOUS, ANCIENT BOOKS OF TRADITIONAL CHINESE MEDICINE PUBLISHING HOUSE, 2003-11.