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Roselinde Bon - The Urban (After)Life of the Social Media Hype [Hype Studies Conference 2025 presentation]

Bon, Roselinde

Abstract

The effects of overtourism in popular European cities like Barcelona, Venice, and Amsterdam have become visible through congested streets, public protests, and municipal restrictions. While this is not a new phenomenon, it has evolved with the rise of social media. Platforms like TikTok and Instagram generate online waves of uneven visibility that not only reflect the city, but increasingly choreograph how the city is navigated. I investigate how social media trends become a spatial force: circulating as online imaginaries while also materializing as hyped locations in the city. I propose the concept of the urban feedback loop to describe the cyclical process by which digital trends shape spatial practices, and how those practices by social media users reinforce the production of content and media narratives. Through this lens, I map urban hype ecologies: dynamic systems of visibility and movement in which algorithmicallycurated imaginaries determine how specific spaces in the city are amplified and aestheticized. My analysis draws from an ongoing PhD project based in Amsterdam, combining online trend analysis with on-site observations and interviews. This mixed-methods approach traces how social media trends translate into an urban geography of hype; a geography shaped less by traditional urban planning than by platform logic and aesthetic replicability. By situating Amsterdam within a broader European context, the project examines how online trends do not only reflect the cityscape, but actively reshape it. In doing so, it offers a framework for understanding social media-driven hypes as an emerging urban logic.

Full text

The Urban Feedback Loop: How Social Media Hypes Are Transforming Amsterdam Image source: NH Nieuws (2024) Image source: Guus Dubbelman / de Volkskrant (2024) Image source: Roselinde Bon (2025) Image source: Oleh Slobodeniuk (2024) Transformation of Urban Space Social Media Trends Social media representations shape user behavior in the city. Algorithmic social media logic boosts visibility and repetition. Representations on social media both reflect and reshape the city. New Online Narratives Urban Behavior Users create and share new content about the city, creating a networked urban imaginary. Users visit and interact with urban space through a curated social media lens: a form of platform urbanism. Urban Feedback Loop (Van Dijck & Poell, 2013) (Barns, 2019)(boyd, 2010; Birdsall and Kalkman, 2018). Does it live up to the hype? “This sets up […] an urban feedback loop, whereby entertainment developers capitalise on the collective mental image of a place, creating a recognisable image of a particular city […]. The actual city then has to live up to its image, such that in being offered as an experience to be consumed it effectively reconsumes its own image” (Chaplin and Holding, 2002, p. 186) Chaplin, S., & Holding, E. (2002). Addressing the post-urban: Los Angeles, Las Vegas, New York. In The Hieroglyphics of Space (pp. 199-214). Routledge. Who gets to design that urban image? Who writes the script? Scripted space in the post-urban city Chaplin and Holding (2002): scripted space excludes, directs, supervises, constructs and orchestrates use. 2000s: McDonaldisation and Disneyfication –no unplanned spontaneity: predictable, calculable, efficient, controllable. Theming the city’s USP to attract visitors. Aspirations of tourist were put above needs of local inhabitants, crowd control for distribution. Chaplin, S., & Holding, E. (2002). Addressing the post-urban: Los Angeles, Las Vegas, New York. In The Hieroglyphics of Space (pp. 199-214). Routledge. (Re)scripted space in the post-urban city Now: TikTokification (?) Curated social media lens, algorithmically choreographed paths. ●The city plays into hype, is also subjected to hype. ●City marketing/municipality rescript as a countermeasure. ●Locals protest, start course cases. The Irish Times (2017) Social media hype operates as powerful hyperstitional force: it does not just describe the city but actively reconfigures through recursive loops of online narratives and spatial practices (scripts).