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Linguistic Creativity affects Discourse Expectations related to Contiguity but not Implicit Causality

Bott, Oliver; Solstad, Torgrim; Kankowski, Florian

Abstract

The present study employed a creativity-on-demand task to investigate the variability of discourse biases associated with Implicit Causality verbs when language users are demanded to come up with original discourse continuations. While Implicit Causality turned out to be unaffected by the creativity manipulation, the likelihood to continue with a contiguity relation was influenced by the creativity manipulation. These findings are in line with the Two-Mechanism Account by Solstad and Bott (2022, 2023) grounding Implicit Causality in semantic constraints imposed by lexical semantics and relating other next-mention biases to the Contiguity Principle, a more general discourse pragmatic principle.

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Linguistic Creativity affects Discourse Expectations related to Contiguity Relations but not Implicit Causality Oliver Bott∗,∗∗, Torgrim Solstad∗,∗∗ & Florian Kankowski∗∗ – Projects B01∗&¨ O∗∗, CRC 1646, Bielefeld University CogSci 2025, San Francisco Implicit Causality (IC) (1) a. Max admired Lea. She () / He () . . . b. Max admired Lea because ()/and so () . . . IC verbs: interpersonal verbs with cohesion-related biases ▶Coherence bias:explanation as default relation [2] ▶Coreference bias: strong remention biases [2,3,4,5,6] Biases due to discourse expectations [7,8,9] . . . meets . . . globalist strategy localist strategy change discourse maintain preferred structure discourse structure Linguistic Creativity ▶An utterance is creative if it is original and at the same time communicatively effective [10,11] ▶Only little psycholinguistic research on linguistic features of creative discourse [12,13,14] ▷IC study [14]: Biases unaffected in creative discourse ▶Research question of present study: Is this a general phenomenon or only observed in the context of IC? IC and Beyond – The Empty-Slot Account [15,16,17,18] Psychverbs [16]: (2) a. Mary fascinated Peter b. Peter admired Mary Agent-Evocator (AE) verbs [17, 18]: (3) Peter congratulated Mary (Solstad & Bott, 2022) ▶A proper name argument is not sufficient to fill the empty causal slot of an IC verb – Strong semantic requirement for specification explaining cohesion biases ▶Implicit Consequentiality [19,20,16,17] due to a general discourse principle, the Contiguity Principle [21,22] – purely pragmatic bias, open to globalist strategy? Localist vs. Globalist Strategies – Hypothesis & Examples Hypothesis: Creative discourse strategies are constrained by lexical semantics ▶IC as a semantic constraint is too strong to be overridden by creativity manipulation localist narrative strategies ▶For non-IC verbs (causative agent-patient verbs, [17]) globalist strategies Examples: Creative discourses illustrating localist vs. globalist strategies (4) a. [Max praised Mia.]prompt She had done an incredible job with her excavator and had actually brought the mountain to the prophet, shovel by shovel. (IC, explanation) b. [Mia healed Max.]prompt She healed him of his fears and worries, the suffering of the world, the agony of existence and of life in general. (Non-IC, elaboration) Study Design and Experimental Methods – Adopting the ‘Creativity on Demand’ Task from [14] Production – Baseline Trial Rating: Sample Trial Experiments on Coherence Biases Production Exp., full stop prompts ▶43 native German speakers ▷Openness to Experience score [23,24] ▶20 AE verbs, NP2 biased & 20 Non-IC verbs ▶Creativity manipulation: ▷1st block: BASELINE ▷2nd block: CREATIVE ⇓ Rating Exp. full stop prompts ▶58 native German speakers ▶naive to creativity manipulation ▶for each production ▷originality rating (slider 0-100) ▷felicity rating (slider 0-100) ▶Three ratings per production Experiments on Coreference Biases Production Exp., because prompts ▶40 native German speakers ▷Openness to Experience score [23,24] ▶same 20 IC verbs & 20 Non-IC verbs ▶Creativity manipulation: ▷1st block: BASELINE ▷2nd block: CREATIVE ⇓ Rating Exp. because prompts ▶58 native German speakers ▶naive to creativity manipulation ▶for each production ▷originality rating (slider 0-100) ▷felicity rating (slider 0-100) ▶Three ratings per production Production – Creative Trial Rating: Sample Trial Perceived Originality and Felicity of Continuations in the two Blocks Originality Ratings: ▶Creativity on demand task worked – clear differences in perceived originality (replicating [14]) Felicity Ratings: ▶Continuations provided in the creative block as felicitous as continuations from the baseline block ▶Somewhat higher felicity ratings in the because experiment than in the full-stop experiment. Easier task? Linguistic Features of Creative Productions Coherence Bias: ▶The likelihood of explanations differed between IC and Non-IC verbs ▶. . . but was unaffected by the creativity on demand task [as in 14] ▶However, creativity modulated contiguity in favor of other relations such as elaboration [cf. 12] Coreference Bias: ▶Creativity manipulation did also not affect the coreference in explicit explanations after because prompts ▶IC induced QUD remains unchanged: What was the occasion for NP2 to AE-verb NP1 on? Conclusions ▶Higher degree of elaboration in creative discourse than in default continuations – Also visible in analyses on continuation length and subordination Open Questions ▶What contributes to perceived originality? We are currently identifying the creative strategies using a highlighting task – and compare humans to LLMs References:[1] Garvey & Caramazza (1974). LI 5.[2] Kehler et al. (2008). JoS 25(1).[3] Rudolph & F¨orsterling (1997). PB 121(2).[4] Ferstl et al. (2011). BRM 43.[5] Hartshorne & Snedeker (2013). LCP 28(10).[6] Hartshorne et al. (2013). EP 60(3).[7] Koornneef & van Berkum (2006). JML 54.[8] Pyykk¨onen & J¨arvikivi (2010). EP 57.[9] Rohde & Horton (2014). Cogn. 133(3).[10] Stein (1953). JP 36(2).[11] Runco & J¨ager (2012). CRJ 24(1).[12] Skalicky et al. (2017). CRJ 29(4).[13] Johnson et al. (2023). BRM 57(7).[14] Bott et al. (2023). CogSci Proc..[15] Bott & Solstad (2014). SiTP 44.[16] Solstad & Bott (2022). LCN 37.[17] Solstad & Bott (2023). FLS 2.[18] Solstad & Bott (2024). S&P 17.[19] Stewart et al. (1998). ms.[20] Garnham et al. (2020). BRM 53.[21] Moens & Steedman (1988). CL 14.[22] Kehler (2002). CSLI.[23] McRae (1987). JPSP 52 (6).[24] Goldberg et al. (2006). JRP 40. Bott, Solstad & Kankowski, Projects B01 & ¨ O, CRC1646, Bielefeld University Materials & Analysis Scripts: https://osf.io/xz7d6/