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From Artefacts to Algorithms: Federated Infrastructures, Knowledge Representation and AI in the Humanities

Schrade, Torsten

Abstract

The digital transformation blurs the boundaries between research activity and infrastructure in the humanities. Data‑driven methods and AI are gaining importance, yet their outputs hinge on the quality of underlying data and metadata. Initiatives such as the German National Research Data Infrastructure (NFDI) and the European Open Science Cloud (EOSC) foster federated data spaces that enable large‑scale, cross‑modal data retrieval and analysis. Potential gains include accelerated discovery of cultural artefacts, reproducible workflows and new insights through federated data corpora. Risks appear in data fragmentation, algorithmic bias, dependence on evolving platforms, and the need for sustainable digital publication and development of new skills. Core competences of the humanities — close reading, archival work and hermeneutics — still remain essential. The Digital Humanities extend this repertoire with computational text processing and annotation, historical network analysis, computer vision, interactive visualisation and digital knowledge representation. This impulse talk examines how these new methods integrate into everyday scholarship and teaching in the humanities, supported through federated infrastructures such as NFDI4Culture. It closes by asking how digital methods can strengthen, rather than replace, humanities research while safeguarding data quality, data sovereignty and long‑term availability of data and results.

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DiTraRe Symposium 2025 |02.12.2025 | Karlsruhe Torsten Schrade Academy of Sciences and Literature |Mainz University of Applied Sciences Mainz Gefördert durch die Deutsche Forschungsgemeinschaft (DFG) - 441958017 From Artefacts to Algorithms Federated Infrastructures, Knowledge Representation and AI in the Humanities Sculpture Thinker With VR Glasses Desintegrated Into 3D Pixels, Adobe ARTEFACTS: ART HISTORY 3D data from terrestial laserscanning Liebfrauenkirche Oberwesel, UNESCO Weltkulturerbe “Oberes Mittelrheintal” Motion Capture ARTEFACTS: DANCE STUDIES Bernd Alois Zimmermann “Requiem” Studio für Elektronische Musik des WDR, Köln 1969, Bernd Alois Zimmermann und Mesías Maiguashca (r). Foto: Werner Scholz. ARTEFACTS: MUSICOLOGY DATA > 70 data portals with over 100 mio items (64 displayed) Image: Klaus Eschen: Berlin - Westhafen, Zementsilo, 1967.05.09 Deutsche Fotothek, https://www.deutschefotothek.de/documents/obj/70024749 The SILO problem SILOS Research data needs to be connected Example: Are there dragons in the NFDI4Culture Research Data? ICONCLASS 25FF411 Knowledge Representation: Culture Knowledge Graph ART HISTORY MUSICOLOGY Federated Data Access / SPARQL Endpoint ( since 2022) PERFORMING ARTS 18.733.559 items – 106.577.441 triples NicoElNino, Big data technology and data science illustration, iStock 1448152453 ARCHITECTURE EXAMPLE 2 WISE audiovisual search https://meru.robots.ox.ac.uk/cinephile/ Let’s talk [email protected] @[email protected] Harald Sack FIZ Karlsruhe Sarah Ondraszek FIZ Karlsruhe Etienne Posthumus FIZ Karlsruhe Tabea Tietz FIZ Karlsruhe Sasha Bruhns FIZ Karlsruhe Torsten Schrade AWLM Mainz Linnaea Söhn AWLM Mainz Jonatan J. Steller AWLM Mainz Looking forward to your questions Thank you! [email protected] Gefördert durch die Deutsche Forschungsgemeinschaft (DFG) - 441958017