CHORD PAINTING

和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage CHORD PAINTING 和弦绘画 (English Chinese Bilingual Version） （中、英双语版） Li Xiaohong;李晓虹 Email:[email protected] DOI: 10.13140/RG.2.2.14021.17127/1 ASIN: B07L7Y87F1 ISBN: 9780463058800 《和弦语言》，《和弦空间与绘画》书中的图、文由李晓虹创作，拥有全部著作权。 The pictures and texts in "Chord Language" and "Chord Painting" were created by Li Xiaohong and owns all copyrights. 作品注册、登记信息，版权保留 《量子人看宇宙》NAME OF AUTHOR：XIAOHONG LI；For a Literary Work UNITED STATES COPYRIGHT OFFICE TXu 635-761； 《十二平均色律——量子人看宇宙》NAME OF AUTHOR：XIAOHONG LI；For a Literary Work UNITED STATES COPYRIGHT OFFICE TXu 777-504； 《十二平均色律——量子人看宇宙》作者或著作权人：李晓虹登记号：21-1996-A-(0183)-0146 中国.四川省版权局。 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Overview Of Chord Language；和弦语言综述 25 届世界哲学大会论文 ；Papers of the XXV World Congress of Philosophy 和弦语言是量子化频谱（n·f ，1.05946^n·f ）的编码与作用机制。 每一个和弦对应其专属的特征频谱，并据此映射至特定的和弦语义集合。基于这一映射关系，和弦编码并生 成一个统一的现象域，包括：时间（和弦进行—音乐）、空间（膜–弦结构—绘画）与生命（经络系统），呈现为 跨尺度的相干和弦场。 我们在人体与绘画中定量观察到与音乐同构的和弦结构与组织方式，由此扩展了和弦的定义： 和弦是涵盖时空，生命与精神领域的一致性结构与普遍机制。 量子化与和弦是离散物理量的不同观察者视角：前者是第三人称视角，后者是第一人称视角。 Chord language is the encoding and functioning mechanism of a quantized spectrum (n·f, 1.05946^n·f). Each chord corresponds to its own characteristic frequency spectrum, and based on this, it is mapped to a specific set of chord semantics. Based on this mapping relationship, chords are encoded and generate a unified phenomenal domain, including: time (chord progression—music), space (membrane–string structure—painting), and life (meridian system), presenting as a cross-scale coherent chord field. We have quantitatively observed in the human body and in painting chord structures and organizational methods that are isomorphic with music, thereby expanding the definition of chords: Chords are a consistent structure and universal mechanism that encompass the realms of spacetime, life, and spirit. Quantization and chords are different observer perspectives on discrete physical quantities: the former is a thirdperson perspective, while the latter is a first-person perspective. 基本和弦表：1-1、大三和弦（闭弦），1-2、小三和弦（开弦）,2、减七和弦（膜），3、全音阶和弦（膜）， 4、增三和弦（膜），5、半音阶和弦（膜） 和弦频谱公式：N*F，H^N*F ,（H=1.059463，N∈Z） 符号：◆=+音符，●=-音符，音符色=色荷 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage 频谱坐标：MOD12 群 BASIC CHORD TABLE: 1-1, MAJOR TRIAD (CLOSED STRING), 1-2, MINOR TRIAD (OPEN STRING), 2, DIMINISHED 7TH (MEMBRANE), 3, DIATONIC CHORD (MEMBRANE), 4, AUGMENTED TRIADS (MEMBRANE)，5. CHROMATIC CHORDS (MEMBRANE) Chord spectrum formula: n*f, H^n*f, (H=1.059463, n∈Z) Symbols: ◆=+ note, ●=- note, note color = color charge Spectral coordinates: MOD12 group 关键词：时空，音乐，绘画，生命，经络，量子化，膜-弦 Keywords: spacetime, music, painting, life, meridians, quantization, membrane-string Chord Spacetime；和弦时空 时空是宇宙的一致性结构，是一切现象的共同生成域。 Spacetime is the consistent structure of the universe and the common domain of generation of all phenomena. 人类有两类时空观察者：和弦（调性）观察者与非和弦（无调性）观察者，分别观察到两种时空： Humans have two types of spacetime observers: chordal (tonal) observers and non-chordal (atonal) observers, who observe two different types of spacetime respectively: 和弦（调性）时空：以量子化频谱为编码结构，映射到时空语义集合，量子化地生成和弦时空；音乐（时 间域）与绘画（空间域）是其常见形式。 非和弦（无调性）时空：屏蔽了时空的和弦（量子化频谱）结构，只保留几何（图-底）与运动的纯粹关系 性描述，从外部参考系统（如时钟、尺子、参照物）获得定量，常用于经典物理学框架中，也是日常的时空经 验。 Chord (tonal) spacetime: Encoded with a quantized spectrum, it is assigned to a set of spacetime semantics, generating chordal spacetime in a quantized manner; music (time domain) and painting (spatial domain) are common forms. Non-chord (atonal) spacetime: It shields the chordal (quantized spectrum) structure of spacetime, retaining only the purely relational descriptions of geometry (figure-ground) and motion. Quantitative information is obtained from external reference systems (such as clocks, rulers, reference objects), and is often used within the framework of classical physics, as well as in everyday spacetime experience. 量子化与和弦化：和弦频率与量子能量在本质上具有同构性，二者均基于一个基准频率 f，通过整数 n的调 控生成离散的频率谱或能量谱： 和弦频谱通式：𝑓 𝑛= 𝑛 ⋅ 𝑓，其中 𝑛 ∈ ℤ，f为基频。 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage 量子化假设形式：𝐸𝑛= 𝑛 ⋅ 𝑓 ⋅ ℎ，其中 ，n同样为整数。 从数学结构上看，二者均表现为 𝑛 ⋅ 𝑓 的线性离散序列，区别仅在于物理维度的转换（频率→能量）。这种整 数n调控的离散性是构成和谐音程与基础和弦的数学根源。 例如，取 n为连续整数可构造常见和弦的音高结构： n = 1, 2, 3, 4, 5, 6 → 对应频率比 4:5:6 → 大三和弦 n = 1, 2, 3, 4, 5, 6, 7 → 频率比 4:5:6:7 → 大七和弦 n = 1, 2, 3, 4, 5, 6, 7, 8, 9 → 频率比 4:5:6:7:9 → 大九和弦 n = 1 至11 的选择 → 频率比 4:5:6:7:9:11 → 大十一和弦 若以整数比 𝑛: 𝑚 表示频率间的和谐关系，上述和弦可统一表达为： 大三和弦：4 : 5 : 6 大七和弦：4 : 5 : 6 : 7 大九和弦：4 : 5 : 6 : 7 : 9 大十一和弦：4 : 5 : 6 : 7 : 9 : 11 由此可见，整数序列生成的离散频率结构同时支撑了量子能级与和弦构成。在此视角下，量子化可视为物 理世界的“频谱和弦化”，而和弦化亦可视为音乐领域的“频率量子化”。二者共同揭示了一种基于整数生成与离散 对称的普遍结构原理。 Quantization and Chordification: Chord frequencies and quantum energy are essentially isomorphic, both based on a fundamental frequency f, and generated as discrete frequency or energy spectra through the modulation of integer n: General formula for chord spectrum: fn = n⋅f, where n ∈ Z and f is the fundamental frequency. Quantization hypothesis form: E_n = n⋅f⋅ h, where n is also an integer. Mathematically, both represent linear discrete sequences of n⋅ f, differing only in the transformation of the physical dimension (frequency → energy). This discreteness, modulated by integer n, is the mathematical root of harmonious intervals and fundamental chords. For example, taking n as consecutive integers allows us to construct the pitch structures of common chords: n = 1, 2, 3, 4, 5, 6 → Corresponding frequency ratio 4:5:6 → Major triad n = 1, 2, 3, 4, 5, 6, 7 → Frequency ratio 4:5:6:7 → Major seventh chord n = 1, 2, 3, 4, 5, 6, 7, 8, 9 → Frequency ratio 4:5:6:7:9 → Major ninth chord n = choices from 1 to 11 → Frequency ratio 4:5:6:7:9:11 → Major eleventh chord If we use the integer ratio n:m to represent the harmonious relationship between frequencies, the above 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage chords can be uniformly expressed as: Major triad: 4 : 5 : 6 Major seventh chord: 4 : 5 : 6 : 7 Major ninth chord: 4 : 5 : 6 : 7 : 9 Major 11th chord: 4 : 5 : 6 : 7 : 9 : 11 Thus, it can be seen that the discrete frequency structure generated by integer sequences simultaneously supports both quantum energy levels and chord formation. From this perspective, quantization can be seen as the "spectral chordification" of the physical world, while chordification can be seen as the "frequency quantization" of the music field. Together, they reveal a universal structural principle based on integer generation and discrete symmetry. 泛音是一维震荡模式，高维震荡模式涉及到平均律：(1.059463)^n · f₀，两种模式可以切换——前者满足协 和性，后者满足对称性，形成对称-破缺结构。 将 n 切换为 (1.059463)^n，引入指数型量子化能级：Eₙ=h·1.059463^{n}·f₀，通过模 12 群 ℤ₁₂ 的结构，实 现和弦的系统生成。 Overtones are one-dimensional oscillation modes. Higher-dimensional oscillation modes involve equal temporality: (1.059463)^n · f₀. These two modes can be switched—the former satisfies consonance, and the latter satisfies symmetry, forming a symmetry-broken structure. Switching n to (1.059463)^n introduces an exponential quantized energy level: Eₙ=h·1.059463^{n}·f₀. Through the structure of the modulo 12 group ℤ₁₂, a systematic generation of chords is achieved. 时空二相性：和弦时间与和弦空间镜像对称：{-7,-4,0} ↔ {0,4,7} mod 12（互为反和弦，反调），可数学转 换；空间具有定域性，时间具有非定域性，共同表现为时空二相性（定域-非定域二相性），类似波粒二象性。 Spacetime duality: Chord time and chord space are mirror symmetric: {-7,-4,0} ↔ {0,4,7} mod 12 (they are inverse chords, inverse keys), which can be mathematically transformed; space is local and time is nonlocal, which together manifests as spacetime duality (local-nonlocal duality), similar to wave-particle duality. 和弦几何：和弦编码包含几何语义：开弦，闭弦，膜，可生成所有空间状态，也是绘画空间的生成基础。 Chord geometry: Chord encoding contains geometric semantics: open strings, closed strings, membrane, which can generate all spatial states and are also the basis for the generation of painting space. 和弦是先验的量子化时空结构，经验现象是：时空在音乐，绘画中被量子化。 Chords are a priori quantized spacetime structures, and empirical phenomena show that spacetime is quantized in music and painting. 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Chord Geometry - Space And Chord Painting; 和弦几何-空间与和弦绘画 在和弦空间系统中，和弦表现为量子化的色彩频谱，映射到特定的几何结构（膜-弦），生成和弦空间，其本 质是先验的量子化空间结构，绘画是其经验现象，它同样存在于欧几里得几何与膜-弦理论的架构中。 In the chord space system, chords are represented as quantized color spectra, which are mapped onto specific geometric structures (membrane-string) to generate chord space. Its essence is a priori quantized spatial structure, and painting is its empirical phenomenon. It also exists in the framework of Euclidean geometry and membrane-string theory. 核心机制：时空镜像对称 和弦编码（量子化频谱）是时空生成的统一基底：它在时间域展开为音乐，在空间域凝结为绘画。两者展 现出内在的镜像对称关系：-7,-4,0 ↔0,4,7 (mod 12)。这种对称性使得音乐与绘画成为同一和弦系统的两种展开 方式。 Core Mechanism: Spacetime Mirror Symmetry Chord encoding (quantized spectrum) is the unified basis for spacetime generation: it unfolds as music in the time domain and condenses into painting in the spatial domain. The two exhibit an inherent mirror symmetry: -7, - 4, 0 ↔ 0, 4, 7 (mod 12). This symmetry makes music and painting two ways of unfolding the same chord system. 和弦编码的几何语义 和弦编码不仅描述频率比例，也携带几何语义（膜-弦），从而决定空间结构： 开弦（Open String）：对应小三和弦 (−7,−3,0) mod 12，为分面线结构； 闭弦（Closed String）：对应大三和弦 (−7,−4,0) mod 12，为轮廓线结构； 膜（Membrane）：对应对称和弦（Symmetrical Chords），如减七 (0,3,6,9)、全音阶 (0,2,4,6,8,10)、增三 (0,4,8)，半音阶和弦（0,1,2,3,4,5,6,7,8,9,10,11）mod12 代表非线性空间的连续面。 The Geometric Semantics of Chord Encoding Chord encoding not only describes frequency ratios but also carries geometric semantics (membrane - strings), thus determining the spatial structure: Open String: Corresponds to a minor triad (−7,−3,0) mod 12, representing a faceted structure; Closed String: Corresponds to a major triad (−7,−4,0) mod 12, representing a contour structure; Membrane: Corresponds to symmetrical chords, such as diminished seventh (0,3,6,9), whole tone (0,2,4,6,8,10), augmented third (0,4,8), and chromatic chords (0,1,2,3,4,5,6,7,8,9,10,11) mod 12, representing continuous surfaces in nonlinear space. 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage 和弦几何框架 三和弦（开弦与闭弦）定义了对称和弦（膜）的边界，即空间的生成线。由此，和弦几何框架得以确立： 和弦的几何语义（膜-弦）决定空间结构，而和弦的频谱语义（和弦）定义其调性关系。两者共同构成和弦空间 （Chord Space）——一个连接音乐与绘画的统一结构场。 Chord Geometry Framework: Triads (open and closed chords) define the boundaries of symmetrical chords (membrane), i.e., the generating lines of space. Thus, the chord geometry framework is established: the geometric semantics of a chord () determines the spatial structure, while the spectral semantics of a chord (the chord itself) defines its tonal relationships. Together, they constitute the Chord Space—a unified structural field connecting music and painting. 实验验证 这些结果并非理论假设，而源自于绘画中的独立观察与实验。在色彩的离散分布、形态的空间排列中，可 以反复验证上述和弦几何特征。因此，《和弦绘画》不仅是一部艺术专著，更是一份关于和弦空间的实验报告。 它展示了如何从视觉中测得音乐的几何结构，如何以绘画为观测仪器，揭示生命与宇宙的调性秩序。绘画 在此被重新定义：它不再是主观的感知再现，而是和弦结构的可见生成。 每一幅作品，都是一次频谱的空间展开；每一条线、每一个色面，都是和弦在时空中的几何显现。《和弦绘 画》由此成为和弦语言体系的支柱之一——它提供了观测、验证与应用的可视基础，让和弦从音乐的时间流 中，转化为绘画的空间形。 Experimental Verification These results are not theoretical assumptions, but rather stem from independent observation and experimentation in painting. The discrete distribution of color and the spatial arrangement of forms repeatedly verify the aforementioned chordal geometric characteristics. Therefore, *Chord Painting* is not only an art monograph, but also an experimental report on chordal space. It demonstrates how to measure the geometric structure of music visually, and how to use painting as an observational instrument to reveal the tonal order of life and the universe. Painting is redefined here: it is no longer a subjective representation of perception, but a visible generation of chordal structures. Each work is a spatial unfolding of the spectrum; every line, every color plane, is a geometric manifestation of a chord in space and time. *Chord Painting* thus becomes one of the pillars of the chordal language system—it provides a visual foundation for observation, verification, and application, allowing chords to transform from the temporal flow of music into the spatial form of painting. Li, X. H. (2020). Chord Painting. ResearchGate. 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage https://www.researchgate.net/publication/340492620_Chord_Painting Li, X. H. (2024). Chord Language. Zenodo. https://zenodo.org/records/11817631 Chord Biology；和弦生命 人类有两种生命观察者：和弦（调性）观察者与非和弦（无调性）观察者，分别观察两种生命形式：和弦 包（量子化频谱，场）与生物体（细胞，分子等），生命是两者的二层结构。 Humans have two types of life observers: chord (tonal) observers and non-chord (atonal) observers. They respectively observe two types of life forms: chord packages (quantized spectra, fields) and organisms (cells, molecules, etc.). Life is the two-layer structure of these two types. 在人体中，和弦（chord）表现为经络（或脉轮）系统。初步观察表明，十二经络系统展现受激频谱响应， 其频率分布可近似为几何级数： fn=H^n⋅f0，其中 H=2^(1/12)≈1.059463，n∈Z 该式通过对数变换可切换为泛音频线性谱 ( n f )，并与量子化假设 ( n f h )（能量离散结构）数学一致。 这暗示音乐（时间域）、绘画（空间域）、经络（生命域）及量子化假设共享统一的离散数学框架。 In the human body, chords manifest as a meridian (or chakra) system. Preliminary observations indicate that the twelve meridian systems exhibit an excited spectral response, the frequency distribution of which can be approximated as a geometric series: fn=H^n⋅f0, where H=2^(1/12)≈1.059463, n∈Z. This equation can be transformed into a linear overtone spectrum (nf) through logarithmic transformation, and is mathematically consistent with the quantization hypothesis (nfh) (discrete energy structure). This suggests that music (temporal domain), painting (spatial domain), meridians (life domain), and the quantization hypothesis share a unified discrete mathematical framework. Natural Spirit；自然精神 和弦语言是和弦结构（第三人称观察）与和弦语义（第一人称观察）的共现。 Chord language is the co-occurrence of chord structure (third-person observation) and chord semantics (first-person observation). 人类存在两套语言系统：符号语言（后天语言）与和弦语言（先天语言）；前者是人工信息系统，基于语音 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage 符号，如：自然语言；后者是自然信息系统，基于和弦（量子化频谱），如：音乐、绘画，经络等——精神是符 号与和弦二层存有。 Humans possess two language systems: symbolic language (acquired language) and chord language (innate language). The former is an artificial information system based on phonetic symbols, such as natural language; the latter is a natural information system based on 1 chords (quantized spectra), such as music, painting, meridians, etc. Spirit is a dual existence of symbols and chords 人的认识来源于两种观察者：和弦观察者与非和弦观察者。 Human cognition originates from two types of observers: chord observers and non-chord observers. 和弦观察者（Chord Observer） 依托于 和弦观察系统（Chord Observation System）。在此系统中，和弦表 现为物理、数学与自然语义的统一，精神与物理实在的统一。在和弦观察中，心与物、主与客的界限消解，第 一人称观察与第三人称观察紧密耦合。在此，精神是和弦的物理属性之一。 The Chord Observer is based on the Chord Observation System. In this system, chords are represented as a unity of physics, mathematics, and natural semantics, and a unity of spirit and physical reality. In chord observation, the boundaries between mind and matter, subject and object, dissolve, and first-person and thirdperson observations are tightly coupled. Here, spirit is one of the physical properties of chords. 非和弦观察者（Non-Chord Observer） 则屏蔽了和弦系统的共振结构。其观察以符号命名（主体）与经验 对象（客体）的分离为特征：主体反映客体，客体独立于主体。这类观察依赖外部工具与测量，以排除观察者 影响，实现可重复、可验证的客观性。 Non-chord observers, on the other hand, shield the resonant structure of the chord system. Their observation is characterized by the separation of symbolic naming (subject) and experiential object (object): the subject reflects the object, and the object is independent of the subject. This type of observation relies on external tools and measurements to eliminate the influence of the observer and achieve repeatable and verifiable objectivity. 两种认识的形式，分别对应于：自然精神系统（Natural-Spiritual System） —— 主客合一的内在共振性认 知；人类工具系统（Human Instrumental System） —— 主客分离的外在表征性认知。 The two forms of cognition correspond to: The Natural-Spiritual System – an internally resonant cognition that unites subject and object; and the Human Instrumental System – an externally representational cognition that separates subject and object. 两种观察者的根本区别还在于其世界显现方式： 和弦（调性）观察者 所见之宇宙，是一个基于和弦框架而展开的整体性场域。在此框架中，时空、生命与 精神共享同一和弦结构与数学模型，万象共振、层层对应，构成连续而自洽的整体。 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life, Heptachord C major, f sharp minor；静物、七声音阶，C大调、升 f小调 Still life, Heptachord C major, f sharp minor；静物、七声音阶，C大调、升 f小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life, Heptachord A major, f sharp minor；静物、七声音阶，A大调、升 f小调 Still life, Heptachord C major, f sharp minor；静物、七声音阶，C大调、升 f小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life, heptachord, C major, F-sharp minor；静物、七声音阶，C大调、升 f小调 Still life, heptachord, C major, F-sharp minor；静物、七声音阶，C大调、升 f小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life, heptachord, C major, F-sharp minor；静物、七声音阶，C大调、升 f小调 Still life, Heptachord E major, b flat minor；静物、七声音阶，E大调、降 b小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life, Heptachord C major, f sharp minor；静物、七声音阶，C大调、升 f小调 Forbidden City,Heptachord A flat major, b minor；故宫，七声音阶，降 A大调、b小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Huashan, heptachord F major, d minor；华山，七声音阶 F大调、d小调 Huashan, heptachord F major, d minor；华山，七声音阶 F大调、d小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Heptachord F major, d minor；七声音阶 F大调、d小调 Mount Emei,Heptachord A flat major, d minor；峨眉山，七声音阶降 A大调、d小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Heptachord A flat major, d minor；七声音阶，降 A大调、d小调 Heptachord A flat major, d minor；七声音阶，降 A大调、d小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Heptachord A flat major, d minor；七声音阶，降 A大调、d小调 Heptachord A flat major, b minor；七声音阶，降 A大调、b小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Portrait,Heptachord A flat major, d minor；肖像，七声音阶，降 A大调、d小调 Portrait,heptachord A flat major, b minor；肖像，七声音阶，降 A大调、b小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life,Jazz Scale,C major,f# minor；静物、爵士音阶，C大调，f#小调 Still life,Jazz Scale, f# 9 Chord；静物、爵士音阶，f#9 和弦 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life,Jazz Scale, f# 9 Chord；静物、爵士音阶，f#9 和弦 Still life,Jazz Scale,C major,f# minor；静物、爵士音阶，C大调，f#小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life,Jazz Scale, f# 7Chord；静物、爵士音阶，f#11 和弦 Still life,Jazz Scale,C major,f# minor；静物、爵士音阶，C大调，f#小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life, jazz f# 9 chord；静物，爵士 f# 9 和弦 Still life,Jazz Scale,C major,f# minor；静物、爵士音阶，C大调，f#小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life, jazz C 9 chord；静物，爵士 C 9 和弦 Beijing hutong,Jazz Scale C major；北京胡同、爵士音阶 C大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Beijing hutong,Jazz Scale C# major；北京胡同、爵士音阶 C#大调 Beijing hutong,Jazz Scale A major；北京胡同、爵士音阶 A大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Cao Xueqin's Former Residence in Beijing, Jazz Scale A Major；北京曹雪芹故居，爵士音阶 A大调 Poplar forest, Jazz Scale A major；白杨林、爵士音阶，A大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Poplar forest, Jazz Scale A major；白杨林、爵士音阶，A大调 Jinsha River Valley, Jazz Scale in g minor；金沙江河谷，爵士音阶 g小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Fishing Boat, Jazz Scale in f# ninor；渔舟，爵士音阶，f#小调 Riverside,Jazz Scale A-flat major；江边、爵士音阶，降 A大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Xi 'an City Wall, Jazz Scale,C# major；西安城墙，爵士音阶，C#大调 Xi 'an City Wall, Jazz Scale,A major；西安城墙，爵士音阶，A大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Nanhui East Coast, jazz scale C# major；南汇东海岸，爵士音阶 C#大调 Dianshan Lake, Jazz Scale C major；淀山湖，爵士音阶 C大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Huaihai Middle Road under the Sun, Jazz scale C# major；阳光下的淮海中路，爵士音阶 C#大调 Yueyang Road Chinese Academy of Sciences, Jazz scale C major；岳阳路中科院，爵士音阶 C大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Shanghai Huangpi Road, Jazz scale C major；上海黄陂路，爵士音阶 C大调 Suzhou River, jazz scale C major；苏州河，爵士音阶 C大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Morning in Xujiahui, jazz scale C major；徐家汇的早晨，爵士音阶 C大调 Xu Jiahui, Jazz scale C-sharp major；徐家汇，爵士音阶升 C大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Huangpu River, jazz scale C major；黄浦江，爵士音阶 C大调 West Bund Art District, Jazz Scale C Major；西岸艺术区，爵士音阶 C大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Lupe Bridge, jazz scale C major；卢浦大桥，爵士音阶 C大调 Xuhui Riverside, Jazz scale C major；徐汇滨江，爵士音阶 C大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Cherry Blossom Forest, Jazz in C Major；樱花林，爵士 C大调 Lujiazui, Jazz C major；陆家嘴，爵士 C大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Wusongkou, Jazz in C Major；吴淞口，爵士 C大调 Wusongkou Fort, Jazz in C# Major；吴淞口炮台湾，爵士 C#大调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Wu Songkou Sacrifice, Jazz in F# minor；吴淞口祭，爵士 F#小调 Dianshan Lake, Jazz scale in E major, B-flat minor；淀山湖，爵士音阶 E大调，降 b小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Dianshan Lake, Jazz in F Major；淀山湖，爵士音阶 F大调 Wusongkou Battery, Jazz C11 chord；吴淞口炮台，爵士 C11 和弦 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Plaster model,Jazz Scale C# major, g minor；石膏像，爵士音阶，C#大调，g小调 Plaster model,Jazz Scale C major, f sharp minor；石膏像，爵士音阶，C大调，升 f小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Plaster model,Jazz Scale C# major, g minor；石膏像，爵士音阶，C#大调，g小调 Plaster model,Jazz Scale C major, f sharp minor；石膏像，爵士音阶，C大调，升 f小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Plaster model,Jazz Scale A major, e-flat minor；石膏像，爵士音阶，A大调，降 e小调 Jazz Scale C major,f-sharp minor；爵士音阶，C大调，升 f小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Plaster model,Jazz Scale C# major, g minor；石膏像，爵士音阶，C#大调，g小调 Plaster model,Jazz Scale C major, f sharp minor；石膏像，爵士音阶，C大调，升 f小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Plaster model,Jazz Scale C# major, g minor；石膏像，爵士音阶，C#大调，g小调 Plaster model,Jazz Scale C major, f sharp minor；石膏像，爵士音阶，C大调，升 f小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Plaster model,Jazz Scale C# major, g minor；石膏像，爵士音阶，C#大调，g小调 Plaster model,Jazz Scale C major, f sharp minor；石膏像，爵士音阶，C大调，升 f小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Plaster model,Jazz Scale C# major, g minor；石膏像，爵士音阶，C#大调，g小调 Plaster model,Jazz Scale C major, f sharp minor；石膏像，爵士音阶，C大调，升 f小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Plaster model,Jazz Scale C# major, g minor；石膏像，爵士音阶，C#大调，g小调 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage 3. Chromatic；无调性 Still life,Atonal; 静物，无调性 Still life,Atonal; 静物，无调性 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Still life,Atonal; 静物，无调性 Still life,Atonal; 静物，无调性 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Plaster model,Atonal；石膏像、无调性 Plaster model,Atonal；石膏像、无调性 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage 4.Key Group；调群 Plaster model C-D-E,key group；石膏模型、C-D-E 调群 Plaster model C-D-E,key group；石膏模型、C-D-E 调群 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Plaster model C-D-E,key group；石膏模型、C-D-E 调群 Plaster model C-D-E,key group；石膏模型、C-D-E 调群 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Plaster model C-D-E,key group；石膏模型、C-D-E 调群 Plaster model C-D-E,key group；石膏模型、C-D-E 调群 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage C major, f# minor, T-D-S key group | C大调、f#小调，T-D-S 调群 C major, f# minor, T-D-S mixed tone group | C大调、f#小调，T-D-S 混合调群 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage C major, Eb minor, T-D-S key group | C 大调、Eb 小调，T-D-S 调群 C major, f# minor, T-D-S key group | C大调、f#小调，T-D-S 调群 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage C major, Eb minor, T-D-S key group | C 大调、Eb 小调，T-D-S 调群 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Conclusion；结语 《和弦语言》提出了一种以和弦结构为核心的观察方法，区别于以数学推导和假设为主的传统理论物理。 其核心在于直接观察——既包括第一人称的内在体验，也包括第三人称的外在呈现——从而捕捉生命、精神与 宇宙的整体和谐结构。世界在和弦语言中不被外部解释，而是在观察与体验中自我呈现，体现了存在的内在秩 序与相互关联。通过音乐、绘画及直觉式感知，和弦语言架起科学与艺术的桥梁，提供了理解自然、生命与精 神的新途径，为探索宇宙秩序和意识本质提供了一种可操作的实践框架。 Conclusion Chord Language proposes an observational framework centered on harmonic structures, distinct from traditional theoretical physics, which relies primarily on mathematical derivation and hypotheses. Its core lies in direct observation—encompassing both first-person inner experience and third-person external manifestation—thereby capturing the integrated, harmonious structures of life, mind, and the universe. In Chord Language, the world is not externally explained but reveals itself through observation and experience, reflecting intrinsic order and interconnection. Through music, painting, and intuitive perception, Chord Language bridges science and art, offering a novel approach to understanding nature, life, and consciousness, and providing an operational framework for exploring cosmic order and the essence of awareness. Disclaimer；免责声明 本书的少数图片采集自网络，作者信息不详，如果涉及到原作者的知识产权，一经提出，我们将会立即纠 正。 A few pictures in this book were collected from the Internet and the author information is unknown. If it involves the intellectual property rights of the original author, we will correct it immediately once it is raised. 作者：李晓虹，中国、四川、宜宾 Author: Li Xiaohong, China, Sichuan, Yibin 预印本地址： 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage Preprint address: https://www.researchgate.net/profile/Xiaohong-Li-17 https://zenodo.org/records/14583089 References；参考文献 1、Core works (original works by the authors);核心著作（作者原著） 1. Xiaohong Li ;李晓虹. (2016). Chord Language. [预印本]. Zenodo. https://doi.org/10.5281/zenodo.10699309 2. Xiaohong Li; 李晓虹. (2018). 和弦绘画： Chord Painting. [预印本]. Zenodo. https://doi.org/10.5281/zenodo.17431483 2、音乐与和弦理论（Music & Harmony Theory） 2. Pythagoras. On the Harmony of the Spheres. (Fragments). 3. Helmholtz, H. (1877). On the Sensations of Tone as a Physiological Basis for the Theory of Music. Longmans. 4. Hindemith, P. (1940). The Craft of Musical Composition. Schott Music. 5. Schoenberg, A. (1969). Theory of Harmony. University of California Press. 6. Lydian Chromatic Concept of Tonal Organization. Wikipedia. 7. Kocur, J. (n.d.). Chord–Scale Theory. Open Music Theory. 8. Brunner, G., Wang, Y., Wattenhofer, R., & Wiesendanger, J. (2017). JamBot: Music Theory Aware ChordBased Generation of Polyphonic Music with LSTMs. arXiv:1711.07682. 9. Zhao, Y. et al. (2020). Vertical–Horizontal Structured Attention for Generating Music with Chords. arXiv:2011.09078. 10. Lazzari, N., Poltronieri, A., & Presutti, V. (2023). Pitchclass2vec: Symbolic Music Structure Segmentation with Chord Embeddings. arXiv:2303.15306. 11. Cook, N. (1994). A Guide to Musical Analysis. Oxford University Press. 12. Meyer, L. B. (1956). Emotion and Meaning in Music. University of Chicago Press. 13. Wilson, G. (2022). The Geometry of Harmony: Mathematical Foundations of Music. 和弦绘画；李晓虹；DOI: 10.13140/RG.2.2.14021.17127/1；ISBN:9780463058800；ASIN: B07L7Y87F1 Email: [email protected]; https://orcid.org/0000-0001-6461-1239 CHORD PAINTING, Li Xiaohong, DOI: 10.13140/RG.2.2.14021.17127/1, ISBN:9780463058800,ASIN: B07L7Y87F1 Email: [email protected]; https://twitter.com/ChordLanguage 3、物理、宇宙与时间（Physics, Cosmology, and Time） 14. Einstein, A. (1916). Relativity: The Special and the General Theory. 15. Bohm, D. (1980). Wholeness and the Implicate Order. Routledge. 16. Penrose, R. (1989). The Emperor’s New Mind. Oxford University Press. 17. Smolin, L. (2013). Time Reborn: From the Crisis in Physics to the Future of the Universe. Houghton Mifflin Harcourt. 18. Greene, B. (1999). The Elegant Universe: Superstrings, Hidden Dimensions, and the Quest for the Ultimate Theory. 19. Rovelli, C. (2018). The Order of Time. Riverhead Books. 20. Schrödinger, E. (1944). What Is Life? Cambridge University Press. 21. Prigogine, I. (1984). Order Out of Chaos: Man’s New Dialogue with Nature. Bantam Books. 4、语言与认知科学（Language, Cognition & Structure） 22. Saussure, F. de. (1916). Course in General Linguistics. 23. Chomsky, N. (1957). Syntactic Structures. MIT Press. 24. Lakoff, G., & Johnson, M. (1980). Metaphors We Live By. University of Chicago Press. 25. Hofstadter, D. R. (1979). Gödel, Escher, Bach: An Eternal Golden Braid. Basic Books. 26. Dehaene, S. (2020). How We Learn: Why Brains Learn Better Than Any Machine... Penguin Books. 27. Damasio, A. (1999). The Feeling of What Happens: Body and Emotion in the Making of Consciousness. Harcourt. 28. Tononi, G. (2012). Phi: A Voyage from the Brain to the Soul. Pantheon. 5、哲学与精神学说（Philosophy, Spirituality & Consciousness） 29. Plato. Timaeus. 30. Laozi. 道德经 . 31. Zhuangzi. 庄子 · 齐物论 . 32. Spinoza, B. (1677). Ethics. 33. Whitehead, A. N. (1929). Process and Reality. 34. Teilhard de Chardin, P. (1955). The Phenomenon of Man.