Muralla nazarí, Alto Albayzín (Nasrid Wall, Upper Albayzin): (Recovery of the Cerro de San Miguel and the Darro river area. Rehabilitation of the wall of San Miguel Alto and its surroundings)

BEST PRACTICES In Educating Sustainability and Heritage VLADAN DJOKIĆ MARIA PHILOKYPROU ANA NIKEZIĆ EMANUELA SORBO KONSTANTINOS SAKANTAMIS MAR LOREN-MÉNDEZ EDITORIAL BOARD 2021 Enhancing of Heritage Awareness and Sustainability of Built Environment in Architectural and Urban Design Higher Education PARTNERS: The University of Belgrade - Faculty of Architecture // Serbia Università IUAV di Venezia // Italy The University of Cyprus // Cyprus The Aristotle University of Thessaloniki // Greece The University of Seville // Spain O1 INTELECTUAL OUTPUT Output type: Studies / analysis – Best practice guidelines / report /////////////////////////////////////////////////////////////////// REVIEW IMPRESUM EDITORIAL BOARD: Vladan Djokić, Maria Philokyprou, Ana Nikezić, Emanuela Sorbo, Konstantinos Sakantamis, Mar Loren- Méndez / HERSUS Scientific Coordinators TITLE Review: Best Practices In Educating Sustainability and Heritage PUBLISHER University of Belgrade, Faculty of Architecture DESIGN LAYOUT Aleksandra Đorđević, Aleksandra Milovanović, Mladen Pešić ISBN-978-86-7924-244-0 2021 CONTRIBUTORS: HERSUS CONSORTIUM MEMBERS UB-FA Vladan Djokić Ana Radivojević Ana Nikezić Jelena Živković Nataša Ćuković Ignjatović Milica Milojević Jelena Ristić Trajković Aleksandra Milovanović Aleksandra Đorđević Mladen Pešić Bojana Zeković Tamara Popović Nevena Lukić IUAV Emanuela Sorbo Enrico Anguillari Sofia Tonello UCY Maria Philokyprou Aimilios Michael Panayiota Pyla Odysseas Kontovourkis Maria Nodaraki Theodora Hadjipetrou Stavroula Thravalou Andreas Savvides AUTH Konstantinos Sakantamis Alkmini Paka Kleoniki Axarli Maria Doussi Angeliki Chatzidimitriou Sofoklis Kotsopoulos USE Mar Loren-Méndez Marta García-Casasola Daniel Pinzón-Ayala Julia Rey Pérez José Peral López María F. Carrascal-Pérez Enrique Larive Roberto F. Alonso-Jiménez María Alvarez de los Corrales EXTERNAL COLLABORATORS: Remorker architects Dejan Miljković, Jovan Mitrović, mr Branko Pavić Mihailo Timotijevic, Miroslava Petrovic- Balubdzic Chryso Herakleus, University of Cyprus Fabrizio Antonelli, The Iuav University of Venice Municipality of Thessaloniki Municipality of Pavlos Melas State Museum of Modern Greek Culture Miguel Hernández and Esther López, PhD architects. AF6 Arquitectura Luis Machuca, PhD architect. Luis Machuca y Asociados Miguel Angel Ramos Puertollano, Quality Surveyor. Antonio Jiménez Torrecillas architectural firm Francisco Reina Fernández-Trujillo, architect Victoria Segura Raya, Architect, Responsible of geo urban data IDE Sevilla, Department of Sustainability and Urban Innovation, Sevilla Town Council 3 REVIEW: Best Practices In Educating Sustainability and Heritage IO1 lead: Maria Philokyprou, UCY HERSUS Project leader: Vladan Djokić, UBFA This result has been produced as a part of O1 INTELECTUAL OUTPUT within HERSUS project within Erasmus + Strategic Partnerships for higher education. The creation of these resources has been co-funded under grant no. 2020-1-RS01-KA203-065407 (funding period 2020-2023; total grant 246.922,00 €). This publication [communication] reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein. SERBIA-UBFA CYPRUS-UCY ITALY-IUAV GREECE-AUTH SPAIN-USE Built Architectural and Urban projects Indroduction Editors perspective PROJECTS Nebojša Tower, Kalemegdan Fortress Senjski Rudinik Office building BULEVAR 79 DR Plan for The Old Core of Zemun PROJECTS Urban landscape rehabilitation in Lefkara HYBUILD Multifunctional center Alexandrou Demetriou Tower Vernacular dwelling in Kapedes 14 24 32 40 7 8 14 50 80 106 138 13 80 86 92 100 50 58 64 72 106 114 122 130 138 146 154 162 PROJECTS Punta della Dogana H-FARM and H-CAMPUS Ex-Panificio Santa Marta Area Venzone (UD) PROJECTS Area of Hrimatistiriou Square Kleious 24 Building block defined by Adrianou, Vrissakiou, Kladou and Areos streets Historic barracks in the Pavlos Melas metropolitan park PROJECTS Casa Diáñez Cerro de San Miquel El Caminito del Rey Antigua fábrica de Cerámica Content 5 SERBIA-UBFA CYPRUS-UCY ITALY-IUAV GREECE-AUTH SPAIN-USE Pedagogical and Educational Models Influence of National Policies on the Sustainability of Heritage SERBIA-UBFA ITALYIUAV CYPRUS-UCY GREECE-AUTH SPAIN-USE Conclussions COURSES IASA 48061-01/ 48062–01/ 48063–01 МАSА12050-04 Workshop SAS EEZA 1.10. COURSES ARH 511 ARH 517 ARH 550 CON 500 A-C 174 180 186 192 303 304 312 320 324 330 339 174 198 222 248 276 173 222 228 234 240 198 204 210 216 248 256 264 270 276 282 288 296 COURSES B77001 B76005 B76010 SSIBAP COURSES 02EE02 07EB10 LCIC 01ΕΕ01 / 02ΕΕ01 COURSES 2330051 2330038 2330050 2330042 project SPAIN 02 Marta García-Casasola Daniel Pinzón-Ayala * Information, text, images, drawings and plans provided by Antonio Jiménez Torrecillas Studio 147 /////////////////////////////////////////////////////////////////////////////////////////////////////////// Designations Muralla de San Miguel (San Miguel Wall) Information about the location Peri-urban Mountain Address Albayzin, Granada Country / Region Spain / Granada Coordinates (GIS: ETRS89 / Google Maps: WGS84) 447729.67, 4115576.55 37°11’6.61”N, 3°35’20.02”W City size 10 463 hab. (2017) Albayzín Neighborhood Website N/A Accessibility Public Public visits Yes Category Architectural project Resilience Restoration / Reconstruction Landscape Intervention Preservation Muralla nazarí, Alto Albayzín (Nasrid Wall, Upper Albayzin) (Recovery of the Cerro de San Miguel and the Darro river area. Rehabilitation of the wall of San Miguel Alto and its surroundings) Figure 1. Muralla Nazarí (Nasrid Wall) Authors: David Arredondo and Alberto García, 2006. Source: Antonio Jiménez Torrecillas Studio. IDENTIFICATION //////////////////////////////////////////// Figure 2. Location map of Upper Albayzín and the Alhambra. Author: Elaborated on © Google Maps image by Antonio Jiménez Torrecillas, 2008. Source: Antonio Jiménez Torrecillas Studio. Environmental planning Infrastructure planning Deliberative and participatory planning No Current use Public space Year (period) of the project renovation / restoration 2002 / 2005: Project 2005 / 2006: Construction Area of the building (m2) 56,7 m2 (constructed area) / 49 358 m2 (area involved) / 40 m (wall) Current owner Public: Ministerio de Cultura y Deporte, Gobierno de España (Ministry of Culture and Sport, Spanish Government) Architects Antonio Jiménez Torrecillas Other designers / engineers Collaborators: Michele Panella, Aberto García Moreno, David Arredondo Garrillo, Michele Loiacono, Miguel Dumont Mingorance, Miguel Rodríguez López, Gustavo Romera Clavero, Erwan Blanchard and Maylis Vignau (Architects) Miguel Ángel Ramos Puertollano and María Jesús Conde Sánchez (Quality Surveyor) Manuel Guzmán Castaños (Engineer) Other agents Nicolás Torices Abarca (Art Historian) Emilia García Martínez (Geographer) Carlos Misó Esclapés (Sculptor) Daniel Campos López and Eusebio Alegra Paricio (Archaeologists) Developer Albaicín Foundation, Granada City Council //////////////////////////////////////////// Remarkable attributes / Singularities / Specific Values Opposite the hill of the Alhambra and the Generalife, the San Miguel hill frames the last stretch of the Darro Valley, and its Vega. It is a landscape that is very closed and linked to the city, natural and wild at the same time, but converted into a residual, almost marginal space, where all kinds of rubbish and debris accumulated: in the midst of its disorder, the incomplete, fractured remains of the Nasrid wall, with the marked landscape, historical and constructive values. Scope of application / necessity of the project: > The hill: to preserve this landscape, which is necessary for the understanding of the city in the mountainous structure that determines it, by undertaking a conceptual and physical cleaning of its surroundings, as well as the accesses to it. This will prevent it from being developed. > The wall: re-establish the linear continuity of the wall and restore the primitive protection of its interior with the erection of a new wall, a boundary that characterises a landscape associated with the urban periphery with important heritage connotations, to prevent the passage of road traffic although allowing pedestrian communication established over the last century and a half between the two areas of the city separated by the wall. > The construction of this new section of the wall conceals a newly built residential area that distorts the landscape. KEY FEATURES 149 Building contractor Entorno y Vegetación Cost of the project / execution time 1 mill. € from European Regional Development Fund (ERDF), Local Operational Programme (2000-2006) Previous studies (Ex. Archaeological, historical, structural, materials, etc.) Intervention to consolidate the walls in the 1950s, by Francisco Prieto- Moreno Pardo (architect). Archaeological work was carried out at the same time as work on the walls and the surrounding area, although several investigations had already been carried out beforehand on the walls, their history and materials. HISTORY OF THE BUILDING/SITE ////////////////////////////////////////// Original use Military HISTORIC USES The wall was built as a means of defending the city. Later, with the absence of invasion threats, the wall lost its function and began its slow and steady deterioration. It is now a tourist attraction in the city. CONSTRUCTION PERIOD 14th Century (Developer: Yusuf I) SUMMARY OF MAJOR FUNCTIONAL AND STRUCTURAL CHANGES / YEAR OF INTERVENTION > Destruction of 40 meters of the wall by an earthquake (19th century). > Brick walls to consolidate the walls (ca. 1950) by Francisco Prieto-Moreno Pardo (architect). ARCHITECTS / AGENTS Unknown PHYSICAL CONDITION BEFORE RESTORATION / RENOVATION The surroundings, the accesses, and the wall itself were in a high state of abandonment Figure 3. Photomontage of the wall before the intervention Author: Antonio Jiménez Torrecillas, 2005. Source: Antonio Jiménez Torrecillas Studio. Figure 4. View of the breakage of the wall. Author: Antonio Jiménez Torrecillas, 2008. Source: Antonio Jiménez Torrecillas Studio.