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A variable in Paulo Mendes da Rocha’s single-storey houses

DELGADO PÁEZ, Fernando

Abstract

At the age of twenty-nine years old, the young Paulo Mendes da Rocha had already designed notable projects, and it was at that age, in 1958, when his work became widely recognised by winning the competition for the Paulistano Athletic Club Gymnasium with a project that soon became a reference in the national architecture context. This moment of maturation in his work corresponds to a period of significant events at the international level. Just two years before, events at CIAM 10 suggested that the generational tension pointed out by Le Corbusier led to the advent of numerous new perspectives affecting international architecture production. In parallel, some authors have already noticed subtle variations in Mendes da Rocha’s work that appeared in the 1970s and share ideas that had arisen in the new international context. Revisiting the twenty-one built and unbuilt single-storey house projects designed by the architect (all of which were designed between 1961 and 2012), by analysing the relationship between the interior ‘public’ and ‘private’ spaces, it is possible to identify variations that mirror shifts at the international level. Noting that there is a divergence of solutions proposed by Mendes da Rocha in his first houses when compared to his latest designs, this paper joins recent contributions of other authors showing heterogeneities in the architect’s work and showing possible new directions in his work that appeared during the post-CIAM years.

Full text

A VARIABLE IN PAULO MENDES DA ROCHA’S SINGLE-STOREY HOUSES Fe nando Delgado Páez Uni e sidade Fede al do Rio de Janei o / Fede al Uni e si y o Rio de Janei o, Rio de Janei o, B azil Abs ac A he age o wen y-nine yea s old, he young Paulo Mendes da Rocha had al eady designed no able p ojec s, and i was a ha age, in 1958, when his wo k became widely ecognised by winning he compe i ion o he Paulis ano A hle ic Club Gymnasium wi h a p ojec ha soon became a e e ence in he na ional a chi ec u e con ex . This momen o ma u a ion in his wo k co esponds o a pe iod o signi ican e en s a he in e na ional le el. Jus wo yea s be o e, e en s a CIAM 10 sugges ed ha he gene a ional ension poin ed ou by Le Co busie led o he ad en o nume ous new pe spec i es a ec ing in e na ional a chi ec u e p oduc ion. In pa allel, some au ho s ha e al eady no iced sub le a ia ions in Mendes da Rocha’s wo k ha appea ed in he 1970s and sha e ideas ha had a isen in he new in e na ional con ex . Re isi ing he wen y-one buil and unbuil single-s o ey house p ojec s designed by he a chi ec (all o which we e designed be ween 1961 and 2012), by analysing he ela ionship be ween he in e io ‘public’ and ‘p i a e’ spaces, i is possible o iden i y a ia ions ha mi o shi s a he in e na ional le el. No ing ha he e is a di e gence o solu ions p oposed by Mendes da Rocha in his i s houses when compa ed o his la es designs, his pape joins ecen con ibu ions o o he au ho s showing he e ogenei ies in he a chi ec ’s wo k and showing possible new di ec ions in his wo k ha appea ed du ing he pos -CIAM yea s. Keywo ds: Paulo Mendes da Rocha; House; Mode n A chi ec u e; B azilian A chi ec u e. ‘Ra ionalised a elas’ Pe haps one o Paulo Mendes da Rocha's mos publicized wo ks is he house he designed o himsel in 1964. On one o he ea lies occasions his house was published, in Ac opolis magazine No. 343 o 1967, he philosophe and a his o ian Flá io Mo a nicknamed he dwelling design p oposed by he a chi ec a ‘ a ionalised a ela’, since ‘e e y pe son accep s he p esence o he o he , wi hou Fe nando Delgado Páez, A a iable in Paulo Mendes da Rocha’s single-s o ey houses 88 solid walls, bu a he in new and desi able condi ions o human espec ’ (Mo a, 1967, p. 18). In Mo a’s wo ds, i was ‘ he space as a social p ojec ’ (Mo a, p. 18). Room pa i ions do no each he ceiling, which means indi idual insula ion is ne e e ec i ely achie ed. As Ana Luiza Nob e poin s ou , ‘ he imposing cha ac e o his p ojec co esponds [...] o a non-con o mi y o cus oms and habi s o com o undamen ally in solida i y wi h a social sys em ha gi es p i ilege o indi idual in e es s, o he de imen o communi y li e’ (Nob e, 2007). As in he FAU-USP building, designed by Vilano a A igas jus h ee yea s ea lie , he low pa i ions in eg a e all spaces unde a single oo , which allows he building o be seized by hose who ind hemsel es in i as a la ge collec i e space. These peculia i ies o he house, as well as he FAU-USP, a e no s ange compa ed o o he p ojec s o wha is called he School o São Paulo. Abou he houses o his pe iod, Segawa commen s ha in e io s ‘we e admi ably open, wi h luid en i onmen s ha a e physically and isually in e connec ed, o en abolishing adi ional hie a chies o use and coexis ence. Communi y spaces we e alued; he p i a e nooks compac ed’ (Segawa, 1998, p. 151). Among he a chi ec u al ea u es poin ed ou by Ru h Ve de Zein o he School o São Paulo, one is p ecisely he sea ch o ‘solu ions ha o e alue he common inne space o inde ini e o open use’ (Zein, 2000, p. 384). Ano he o he cha ac e is ics obse ed by Zein, ‘ he p e e ence o he monobloc solu ion, o in “single olume”, housing all he unc ions o he p og am’ (Zein, p. 384) makes he consequences o he unique pa i ions o his house e en mo e isible. The composi ion o he loo plan and he in e nal spa ial con igu a ion o he p og am also con ibu e o in ensi y he ela ionship be ween in ima e and social spaces, using a design p oposal ha in e s he adi ional solu ion. As Ane e Spi o poin s ou , ‘[ ]he loo plans emain one o he e e sed p inciple o a classical illa. The all-encompassing cen al space has been emo ed om he middle. I is no longe he co e o he house, bu a he now includes all o he o he ooms, inco po a ing hem he ein’ (Spi o, 2002, p.13). The wo longi udinal a eas a he ends o he house –o social cha ac e – su ound he cen al a ea. By REVISITING POST-CIAM GENERATION: deba es, p oposals and in ellec ual amewo k P oceedings. Po o, Ap il 11-13, 2019 89 opening he doo s, i is possible o c oss he en i e house, om acade o acade, h ough he do mi o ies, ein o cing he idea o a single and con inuous space. The unusual wooden shu e doo s o he bed ooms con ibu e o de eloping his idea. Figu e 1. G oup 1 - Low seg ega ion p oposals (Plans: Zein, 2000; Diag am: he au ho )1 Almos all in ima e a eas sha e ligh , ai , wind, sound, smell, and also he same wooden loo boa ds o he social spaces, whose a angemen allows hem o in ade unde he doo s all o he ooms, om he li ing oom h ough he bed ooms, wi hou in e up ion o h eshold o change o ma e ial. The slende conc e e beams also ly o e head, unning h ough all o he ooms. The pa i ions 1 In he diag ams, he analysed spaces we e classi ied as social (o public cha ac e such as he li ing oom o dining oom), in ima e (o p i a e cha ac e like bed ooms o ba h ooms), ansi ional (spaces ha in e connec social and in ima e spaces, sugges ing de achmen o sepa a ion no necessa ily physically delimi ed by doo s o walls, as is he case o co ido s) and se ice (o neu al na u e, such as ki chen, se ice a ea, u ili y oom, laund y oom, o dependencies o employees). A speci ic case a e semi-public ooms, which could no i s ic ly in o social o in ima e, such as an o ice, a elie o lib a y, and which can be conside ed as ansi ional spaces o he pu poses o his analysis, gi en he wo p ojec s in which hey appea . Fe nando Delgado Páez, A a iable in Paulo Mendes da Rocha’s single-s o ey houses 90 –ca e ully execu ed in ein o ced conc e e measu ing only 3cm in dep h– seem o aspi e o disappea . These peculia i ies o Bu an ã House a e no , howe e , an excep ion wi hin he a chi ec 's esiden ial wo k. Fi s because his house was designed almos as i o be buil wice, one nex o he o he . The p ojec con empla ed he cons uc ion o wo win houses, e y simila , one o he a chi ec and ano he o his sis e in he adjacen lo . The win house, Luiz and Lina C uz Secco House, does no di e om Bu an ã in e ms o he adicalism o he solu ions adop ed o he p oblem o he social-in ima e in e ace. The win houses ind hei p eceden in he 1963 Be on Odilon Fe ei a House. We could also conside as a ‘ a ionalised a ela’ he la e houses Nabo Ruegg (1970) and James F ancis King (1972). Al hough hese houses seem o be less adical, hey do no ha e he desi e o spa ial seg ega ion. The doo s o he bed ooms con inue o be di ec ly open o he li ing oom, wi hou he sligh es in en ion o se ing up a space o p i acy ansi ion. I could also be he case o Ma io Mase i House (1968), which has a skyligh and a g a e on he loo se ing as a sub le ansi ion, ye i keeps he doo s o in ima e a eas comple ely open o social spaces, and main ains Bu an ã's sliding shu e doo s, in a desi e o elimina e he ‘solid walls’ o which Flá io Mo a e e ed. This sea ch o he elimina ion o ‘solid walls’ is mo e e ec i e i he whole main p og am o he house is de eloped on a single loo , and his is he case o all he abo e-men ioned houses. The compa men aliza ion o he p og am in o di e en loo s would suppose an unwan ed ansi ion. In ac , wi h only he excep ion o he house Nabo Ruegg, all he p e ious houses ha e wo loo s, howe e , he g ound loo is composed o pilo is and only appo ioned o se ice spaces, esul ing in he owne s’ li ing spaces being delibe a ely con ined o a single loo . The social-in ima e in e ace o hese houses is he e o e one o he ac o s ha has equen ly allowed us o associa e he wo k o Paulo Mendes da Rocha wi h he School o São Paulo, which in u n associa es i sel in he in e na ional con ex wi h he mode n mo emen . In con as , connec ions o la e pe iods a e less equen , and some imes e en ques ioned o denied. Howe e , he las house we REVISITING POST-CIAM GENERATION: deba es, p oposals and in ellec ual amewo k P oceedings. Po o, Ap il 11-13, 2019 91 know ha sha es his ype o p oposal is he a o emen ioned James F ancis King, 1972. Gi en ha he a chi ec is cu en ly s ill p ac icing and ha we know ha he designed nume ous o he single loo houses ha could be compa ed, i seems necessa y o e isi hese p ojec s. Mode a e solu ions Only he six p ojec s al eady examined p esen he a o emen ioned pa icula i ies. O he p ojec s show ha he a chi ec has also de eloped mode a e p oposals. This is he case o he i s o he single-s o ey houses, Heloísa A. de Lima Mo a House (1961), in which he e is a pa i ion ha does no each he ceiling, allowing he c ea ion o ansi ion ci cula ion be ween he li ing oom and he bed ooms. The access o hem in u n ecedes om he wall, con o ming a small hall ha p ecedes he doo . Figu e 2. G oup 2 (Pa I) - Mode a e seg ega ion p oposals (Plans: Zein, 2000; Diag am: he au ho ) Fe nando Delgado Páez, A a iable in Paulo Mendes da Rocha’s single-s o ey houses 92 Figu e 3. G oup 2 (Pa II) - Mode a e seg ega ion p oposals (Plans: Zein, 2000. and Edua do Colonelli A chi e [São Ben o do Sapucaí House]; Diag am: he au ho ) In his house, as in his las single-s o ey house p ojec , in São Ben o de Sapucaí (2012), he e a e wo solu ions ha will be epea ed h oughou he a chi ec 's wo k o con igu e spaces o sligh ansi ion be ween social and in ima e en i onmen s: he co ido and he small ecessed hall. The dis ibu ion co ido appea s imidly a A emio Fu lan House (1973), his ime h ough a 1.40m gap. Mo e clea ly, he co ido appea s p ope ly as such in he i s house designed o Sil io An onio Bueno Ne o (1978). In he second and de ini i e p ojec o he house buil o Ma celo Ni sche, he solu ion is he small ecessed lounge. This also appea s in he House on he Beach o 1978 (in which only he mas e bed oom opens di ec ly o he li ing oom) and Mau ício Thomaz Bas os House (1982). In o he cases, in addi ion o he ecess, he e is an elemen ha gi es g ea e –bu no excessi e– p i acy o he access o he bed ooms. This is he case o he inal p ojec o F ancisco Mal a Ca doso REVISITING POST-CIAM GENERATION: deba es, p oposals and in ellec ual amewo k P oceedings. Po o, Ap il 11-13, 2019 93 House (1964), in which he obs acle consis s o a couple o ba h ooms. An isola ed ba h oom is in e posed in he ecess o wo o he bed ooms o he Cháca a dos Bambus (1973), while he o he bed oom is also p eceded by a small hall. In Ge assi House (1989) his hall is la ge and he elemen ha in e poses sugges ing delimi a ion is he ligh o a skyligh in he ceiling, accompanied by he en ila ion g id ha i p ojec s in he loo . S eps in he opposi e di ec ion Figu e 4. G oup 3 - High seg ega ion p oposals (Plans: Zein, 2000; Diag am: he au ho ) Only a yea a e he p ojec o he James F ancis King House, he las o he ‘ a ionalised a elas’, Paulo Mendes da Rocha designed Ligia/New on Ca nei o J . House, whe e he chosen di ec ion seems o lie agains he i s g oup o his wo ks. This house, designed in 1973, he same da e as he a o emen ioned A emio Fe nando Delgado Páez, A a iable in Paulo Mendes da Rocha’s single-s o ey houses 94 Fulan, sha es wi h i he inco po a ion, o he i s ime in he a chi ec 's single- s o ey houses, o dis inc le els inside he house. Al hough in bo h cases he dimensions gene a e a dis ance om he in ima e en i onmen s in ela ion o hose o social use, in Ligia / New on Ca nei o J . House his one becomes e iden ly mo e in ense. The small gap o only 70cm is now e e sed, loca ing he li ing oom in a lowe le el and no in he opposi e, which esul s in a smalle , mo e p o ec ed heigh , since he oo is le elled in all he house. The 70cm could no suppose a ba ie , bu he ailing seems o ha e been designed in en ionally solid, esul ing he e o e in a wall o app oxima ely 2m o heigh om he li ing oom, ha obs uc s he ision o he access o he bed ooms2. The gap, on he o he hand, demanded he c ea ion o a co ido whose gene ous design makes i possible o unc ion as a g ea hall o ansi ion be ween social and in ima e spaces. This ansi ional space is also emphasized by a zeni h opening in he oo ha sepa a es he slab in wo pa s and ha e e s o he solu ion o Ma io Mase i House. Howe e , his ea u e does no seem o ha e he same meaning as in he a o emen ioned house, since i is no hidden in he acade as in Mase i, bu isible. I is possible o pe cei e om he ex e io ha he e is an in e up ion in he slab, hus indica ing a imid and sub le desi e o b eak he monobloc in o wo pa s ha begin o sepa a e. Fo ha eason, his house seems o be he emb yo o a se ies, which would be ollowed by he houses Paulo/Lucia F ancini (1975) and Helena Ome o (1978). In bo h houses a cen al space unc ions as a cou ya d ha physically sepa a es he house in o wo pa s, he social spaces and he in ima e spaces. Al hough in he wo houses i is no possible om he ou side o see he di ided ceiling, as was he case o he p e ious wo k, he up u e in he in e nal spaces is g ea e , and he co ido o he p e ious wo ks is now a walkway ha signi ican ly sepa a es he li ing oom om he dis ibu ion hall o he bed ooms. The a o emen ioned dis ibu ion hall in Paulo/Lucia F ancini House s ill elies on he ecess o he doo s o he h ee bed ooms mo e exposed o he li ing oom, plus a le el gap o 1,20m abo e he li ing oom. In Helena Ome o House, he ecess o he bed oom doo 2 Acco ding o he d awings consul ed, i is solid, p obably o ein o ced conc e e, which was a ecu ing solu ion a ha ime, as in he ailing o he uppe loo o he Fe nando Millan House. REVISITING POST-CIAM GENERATION: deba es, p oposals and in ellec ual amewo k P oceedings. Po o, Ap il 11-13, 2019 95 exis s bu is smalle , and he e is no di e ence in le el, bu he ki chen is in e posed as an obs acle and he li ing oom, unlike he p e ious case, has i s la ges opening in he opposi e di ec ion o he ooms. The mos emblema ic case o his se ies is he house in Cab eú a (1995). In his house, he seg ega ion be ween he in ima e and social en i onmen s becomes adical, since he house is composed o wo olumes adically di e en , each dedica ed o housing a ype o use. While one olume has la oo , he o he has i inclined. While one is geome ically egula he o he is i egula . In addi ion o hese and many o he di e ences, he wo nuclei a e e en sepa a ed by a wa e cou se. To c oss i om he li ing oom i is necessa y o change le els by climbing some s eps and u ning sha ply, which allows us o walk h ough a co ido ha is in u h mo e o a walkway. A e c ossing i , i is possible o each a second co ido ha only hen allows access o he ooms. This Home ian ou e in Cab eú a has no possible kinship wi h ha o he ‘ a ionalised a ela’. The idea o he home wi hou ‘solid walls’ by Flá io Mo a om he i s houses is un ecognizable he e. I he indi idual space was sepa a ed om he collec i e space in he house in Bu an ã by h ee cen ime es, he e we ha e h ee walls o sepa a ion. In addi ion, one o he h ee walls ha in e pose is he hickes o he whole p ojec , a s uc u al wall o s one, possibly he mos ep esen a i e pa adigm o ‘solid wall’. Pe haps he only emo e eminde o he ‘ a ionalised a ela’ –which he a chi ec cle e ly le as a p o oca ion o he unwa y who seeks o unambiguously o de ini i ely unde s and his wo k– is he disconce ing p ecise alignmen o he single gap o he s one wall wi h he gaps o he h ee walls in he walkway. These gaps allow hose who happen o no ice hem o (albei wi h di icul y) isually c oss he whole house o ‘solid walls’, bu only on his axis, in he junc ion poin ha connec s he wo blocs. I can be seen as a eminde ha he connec ion o he wo olumes is as a duous as i is lee ing. Among he mo e seg ega ed solu ions, we mus add an ea lie p ojec , A lindo Ca alho House, 1974. Al hough no pa o he se ies o bi-nuclea e o quasi- binuclea e houses, i is impo an because i ehea ses, wi hin monobloc p oposals, a signi ican isola ion solu ion in he in ima e ooms. In his case, he h ee s ips appea in he classic e sion quo ed ea lie by Ane e Spi o. The Fe nando Delgado Páez, A a iable in Paulo Mendes da Rocha’s single-s o ey houses 102 Zein, R. V. (2000). A qui e u a b asilei a, Escola Paulis a e as casas de Paulo Mendes da Rocha. Po o Aleg e: P opa -UFRGS. Fe nando Delgado Páez, quali ied as an A chi ec a Uni e si y o Málaga (Spain) and has a Mas e o A chi ec u e deg ee in Theo y, His o y and C i icism om he School o A chi ec u e and U banism o he Fede al Uni e si y o Rio de Janei o (B azil), whe e he was a esea che a he Robe o Seg e A chi e and he is cu en ly a PhD s uden .