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The allegory of the apple in Mark Mehr's "The Smell of Apples": the burden of the past and the sense of guilt

Clouet, Richard

Abstract

La elección de The Smell of Apples, la primera novela de Mark Behr, como objeto empírico de este estudio puede parecer poco convencional. The Smell of Apples se puede considerar como una obra muy compleja que nos hace entrar en la mentalidad Afrikaner, una mentalidad también compleja, con sus puntos débiles y sus contradicciones. Es un libro sobre la pérdida de la inocencia y la importancia de la memoria, sobre la indoctrinación comunista y las abominaciones racistas. Mark Behr concibió su historia al principio de los años 90, una época cuando el país hacía frente a cambios radicales. Después de cincuenta años de supremacia blanca, el país se estaba transformando, poco a poco, en una democracia, pero la mayoría de los escritores, al igual que Mark Behr, quisieron enseñar a sus lectores los horrores del pasado Afrikaner.

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THE ALLEGORY OF THE APPLE IN MARK BEHR‘S 47 REVISTA DE FILOLOGÍA, 22; ene o 2004, pp. 47-53 THE ALLEGORY OF THE APPLE IN MARK BEHR’S THE SMELL OF APPLES: THE BURDEN OF THE PAST AND THE SENSE OF GUILT Richa d Cloue Uni e sidad de Las Palmas de G an Cana ia RESUMEN La elección de The Smell o Apples, la p ime a no ela de Ma k Beh , como obje o empí ico de es e es udio puede pa ece poco con encional. The Smell o Apples se puede conside a como una ob a muy compleja que nos hace en a en la men alidad A ikane , una men alidad am- bién compleja, con sus pun os débiles y sus con adicciones. Es un lib o sob e la pé dida de la inocencia y la impo ancia de la memo ia, sob e la indoc inación comunis a y las abominacio- nes acis as. Ma k Beh concibió su his o ia al p incipio de los años 90, una época cuando el país hacía en e a cambios adicales. Después de cincuen a años de sup emacia blanca, el país se es aba ans o mando, poco a poco, en una democ acia, pe o la mayo ía de los esc i o es, al igual que Ma k Beh , quisie on enseña a sus lec o es los ho o es del pasado A ikane . PALABRAS CLAVE: Sudá ica, na a i a con empo ánea, apa heid, culpabilidad. ABSTRACT Ma k Beh , he au ho o The Smell o Apples (1993), epi omises a new gene a ion o w i e s in he pos -apa heid li e a y landscape o Sou h A ica. These w i e s, in a econciled na ion s ill in limbo, e e o he exc ucia ing pas o explo e i and sea ch o answe s and keys o he p esen . P io o 1990, mos o he A ikane s elied on wha hey had been augh bo h a home and a school o jus i y he colou ba . The accep ance o democ acy, howe e , implied e-e alua ion o he pas and o A ikane dogmas. The eeling o guil made Ma k Beh un eil he A ikane my hs h ough he symbolical and allego ical po ayal o Ma nus’ amily, e ealing he des uc i e powe o he pas and i s e ec on he p esen . KEY WORDS: Sou h A ica, con empo a y ic ion, apa heid, guil . The choice o The Smell o Apples —Ma k Beh ’s i s no el— as a ield o esea ch may appea a he uncon en ional. No ha Sou h A ican li e a u e has hi he o emained beyond he academic pa h. On he con a y, since he demise o apa heid, i has caugh he wo ld’s a en ion as ne e be o e. Ye , in he ligh o he la es s udies on he s a e o li e a u e in Sou h A ica such as W i ing Sou h A ica, Li e a u e, Apa heid, and Democ acy, 1970-1995, The Smell o Apples despi e i s immedia e popula i y and i s posi i e ecep ion when i was published in 1995, seems o ha e, s angely, become o go en. 04.pmd 11/06/2004, 8:3547 RICHARD CLOUET 48 The book was i s w i en in A ikaans in 1993 and e-published in English in 1995. I soon became a bes -selle in Sou h A ica and ecei ed he app o al o nume ous li e a y au ho i ies. Among he hand ul o p izes i was awa ded, we can men ion he p es igious CNA Li e a y Debu Awa d, he Eugène Ma ais P ize, and he Be y T ask Awa d o he bes i s no el published in England in 1995. I was also sho lis ed o he 1996 Gua dian Fic ion P ize. The eade o Beh ’s i s no el is usually en h alled by i s o iginali y and dep h. The p ose is so di e en om wha one usually expe iences ha i mesme ises i s eade and haun s him long a e he las page. The la e is ca ied in o he complexi y o he A ikane men ali y and he da k abyss o he human mind wi h i s weaknesses and con adic ions. In his analysis, we ha e e e ed o he English e sion o Beh ’s no el which was published by Abacus in 1995. Quo a ions om he book a e pu in i alics; e e ences o pages a e ei he inse ed in he cou se o he ex o pu in pa en hesis a he end o he quo e. Ma k Beh d a ed his s o y a he beginning o he 1990s, a a ime when he coun y was swep by emendous change. A e i y yea s o whi e sup emacy, he coun y was slowly mo ing owa ds democ acy. In his econciled na ion s ill in limbo, Ma k Beh epi omises a new gene a ion o w i e s in he pos -apa heid li e a y landscape o Sou h A ica. These w i e s e e o he exc ucia ing pas o explo e i and sea ch o answe s and keys o he p esen . The esul is a book abou he A ikane s by an A ikane . Ma k Beh has kep his explo a ion wi hin he bounda ies o wha he knows bes —his own cul u e—. The o he impo an aspec o his unde aking is he e usal o disown his oo s. His no el is nei he an indic men o no an apology o he A ikane mode o hough . In his espec , he choice o A ikaans as he language o he i s publica ion is e ealing o he au ho ’s in en ion. He chose o w i e in he e nacula ha had been e med in English as « he language o he opp esso ». Though awa e o he inhumani y o seg ega ion, Ma k Beh makes a dis inc ion be ween he ideology and he idiom. I is no in banishing A ikaans li e a u e ha one e ases he e o s commi ed in he pas . Once he language o esis ance o B i ish impe ialism, he e is no eason why i should once mo e become he language o libe y; libe y o ecoun openly wha happened du ing he apa heid e a. This accoun is ca ied ou h ough he s o y o a young boy’s childhood in Cape Town in he yea 1973. Ma nus, he ele en-yea -old na a o , ch onicles he e e yday e en s ha happen o his secu e A ikane amily. I can mean ishing and ba hing wi h his a he (Johan E asmus) —a Gene al in he Sou h A ican a my—, lo ingly wa ching his mo he (Leono e E asmus) d essing o a pa y, o qua elling wi h his supe cilious elde sis e (Ilse) o else iding bicycles wi h his bes iend (F ikkie Delpo ). Supe icially i is an o dina y image o boyhood. Bu —as he saying goes— all ha gli e s is no gold. And he isi in he summe o ha yea o a Gene al om Chile (M Smi h) ma ks a wa e shed in Ma nus’ o ma i e yea s by e ealing he hypoc isy and pe e sion ha lu ked behind his pa en s’ appa en ly idyllic li e. Wi h Ma nus’ s o y, Ma k Beh goes beyond a me e con ibu ion o he e ospec ion unde aken in he ield o li e a u e and poli ics. His ecen 04.pmd 11/06/2004, 8:3548 THE ALLEGORY OF THE APPLE IN MARK BEHR‘S 49 condemna ion by he T u h and Reconcilia ion Commission c ys allises a peculia dimension o his no el. In e wo en wi h he oice o Ma nus as he child is he ma u e ye disillusioned oice o he adul he has become. The yea is 1988, he se ing Angola. Ma nus, aged wen y-six, is an o ice in he Sou h A ican a my engaged in a gue illa wa agains he communis s. Whils igh ing agains ex e nal o ces, he young man despe a ely ies o come o e ms wi h his li e and aspi a ions. O is i Beh ying o come o e ms wi h his own li e and aspi a ions? The cha ac e o Ma nus may be Beh ’s esponse o his own e il spi i . The he o and i s c ea o a e ela ed o one ano he o he poin ha he o me can a guably be iewed as he e lec ion o he la e . Al hough de ails o he au ho ’s li e a e spa se, Ma nus’ s o y is p obably pa ly au obiog aphical. The pu pose o his a icle is o widen ou in e p e a ion o Ma nus’ s o y o he His o y o he A ikane s, o explain why his e hnic g oup which s ands o he opp esso s, e en ually appea s o be opp essed, bound o ea , isola ion and o some ex en , aliena ion. The Smell o Apples. I is maybe in his i le —enigma ic a i s — ha he ul ima e u h lies, he answe o Ma nus’ impossible escape, o his pa en s’ sac ilegious deeds. Indeed why should Beh ha e chosen his i le i no o emphasize he symbolism o he apples in he s o y? In he cou se o he na a i e, Ma nus makes se e al e e ences o he apples. Some imes hese e e ences a e anecdo al (once, we a e old ha he desse ending he dine wi h M Smi h is an apple- a . Ano he ime he ui is linked wi h a d ink, «Apple ise»). As hese de ails add no hing o he plo , we may conclude ha Beh has ied o d aw ou a en ion o he ui be o e disclosing he ull i ony and ho o o he book’s i le on page 179. The i s ime Ma nus eally hin s a he i le, he smell o apples is associa ed wi h whi e sup emacy. When he young boy and his a he e u n om isi ing Uncle Samuel’s a m, hey s op o admi e he sunse o e False Bay and Johan E asmus says: This coun y was emp y be o e ou people a i ed. E e y hing, e e y hing you see, we buil up om no hing. This is ou place, gi en o us by God and we will look a e i . Wha e e he cos . (124) Back in he ca , Ma nus ema ks, ‘Dad, do you smell he apples?’ and his a he eplies, ‘E en he apples we b ough o his coun y’ (124). The a he ’s answe is augh wi h symbolism. Indeed he apple allego ically ep esen s whi e, Eu opean ci ilisa ion as opposed o na i e, p imi i e cul u e. Johan claims ha when his o e a he s se led in Sou he n A ica, hey did no colonise a coun y. They ac ually b ough hei knowledge, hei cul u e and scien i ic achie emen s. The con ic ion ha he A ikane s alone ha e b ough Sou h A ica o i s p esen s age is no Beh ’s ic ional an asy. As an echo o his cha ac e ’s wo ds we can quo e a passage om B iley’s book abou iendship be ween S e en Biko and John Woods. S e e Biko was a he o igin o he Black Consciousness Mo emen in 1973 and his aim was o es o e Black ace and oo s which had been badly a nished 04.pmd 11/06/2004, 8:3549 RICHARD CLOUET 50 by whi e p opaganda. Woods comes o plead Biko’s cause be o e K uge , he Minis y o Police. K uge s ops in his hall o show his English coun e pa some pic u es: We A ikane s came he e in 1652, [...] he poin ed o he old pho o o Cones aga wagon — he T ek ac oss he wilde ness, he homes eading, he concen a ion camps he English pu ou wi es and child en in du ing he Boe Wa . [...] Le me assu e you [...] any A ikane amily could show you he same hing. We didn’ colonize his coun y, M Woods. We buil i .’ (B iley 1987: 95-96) One o he A ikane oo ed my hs and he one ha jus i ied in hei eyes hei undi ided powe is indeed ha he Sou he n pa o he A ican con inen was an un odden e i o y when he Du ch se le s a i ed. Un il ecen ly, e en he o icial Sou h A ican Yea book used o eco d his asse ion al hough his o ian had o long p o ed, in consul ing logbooks and o he documen s, ha he i s colonis s did encoun e Khoisan and Bushmen when hey i s landed on he Sou h A ican coas (Lou el: 42). Some A ikane also used o deny he ac ha Blacks had e e been able o build monumen s in o me Rhodesia (now called Zimbabwe) despi e he e idence unanimously p o ided by he a chaeologis s and no ably ca bon da ing which si ua es he buildings in Zimbabwe back o he i h o six h cen u y AD (Fe o: 193). We can add ha no only did some A ikane s e use o ecognise he A icans’ con ibu ion o he p og ess o hei coun y bu hey also asse ed ha A icans «blindly esis ed o he sp ead o ci ilisa ion» (Thomson: 29). Ci ilisa ion was indeed ega ded as «an exclusi ely ‘whi e’ and ‘Ch is ian’ achie emen » (Thomson: 29). Ac ually i is an all- ime adi ion ha in non-democ a ic na ions, he opp esso s ew i e he pas as i sui s hem. Did no Geo ge O well w i e ha «who con ols he pas con ols he u u e, who con ols he p esen con ols he pas » (O well: 37)? His o y is o e e made by he winne s. In ha manne , he end o apa heid o black s uden s also mean he edisco e y o he na ion’s pas . Indeed, o yea s, cu icula had been d awn by whi e au ho i ies. In schools, he scope o his o y augh o he na i es was s ic ly limi ed o he pe iod con ained be ween he a i al o Jan Van Riebeeck in 1652 and he es ablishmen o apa heid in 1984. Thus he na i es we e s ipped o hei his o y, o a possible glo ious lineage so ha he whi es could claim unila e al igh s o go e n he coun y. I is ue ha in conque ing he Sou h A ican con inen he whi es b ough hei model o ci ilisa ion wi h i s Ch is ian alues, i s economic achie emen s and cul u al he i age. Bu in doing so, hey also des oyed he o mal pa e n o ibal socie ies and eplaced i by a sys em in ec ed by co up ion, mo al degene acy, ha ed and ea . Tha is why he smell o apples —which is a i s linked wi h whi e supe io i y— is e en ually associa ed wi h o : ‘These apples a e o en o some hing’, says F ikkie, and he u ns his apple a ound in his hand a e sni ing a i . ‘They s ink. Smell his’, and he holds he apple o my nose. I smell he apple in his hand. I smells sou . (179) 04.pmd 11/06/2004, 8:3550 THE ALLEGORY OF THE APPLE IN MARK BEHR‘S 51 I is no he apple ha smells sou bu F ikkie’s hand which is s ill co e ed wi h Johan E asmus’ semen. When F ikkie ouches he apple, he ans e s he ma k o he ape on o he ui . The apples bea s he s ain o sin and as such i s smell is allego ically associa ed wi h Johan’s semen — he «con amina ed seed o mili a is pa ia chy» (McMu y, 1995: 103). To pu i plainly we may en u e o say ha Beh assimila es he conques o Sou h A ica by his o e a he s o a ape. The Eden — he A ica o p ime al imes— epi omised by he apple had been desec a ed by he a i al o Eu opean se le s. To lend weigh o his in e p e a ion, we can quo e Paul Rich who de eloped he idea in a con e ence held a New Yo k in 1981. In his add ess Rich e e s o h ee majo li e a y wo ks in which colonisa ion is seen as a i id episode o Sou h A ican his o y. His i s example is aken ou o Hagga d’s no el Jess in which, a one poin , Cap ain Niel’s lo e o Bessie (Jess’ sis e ) is likened o he ‘co up Eden’ o he su ounding A ican e ain (Rich: 123). The second example e e s o a passage o Alan Pa on’s C y Oh Belo ed Coun y which is s ill ega ded as he mas e piece o Sou h A ican li e a u e (Pa on, 1987: 23-28). When Mismangu, he p ies , unde akes his ques o his los son, he is o ced o lea e his small illage o he ci y. On he ain, he desc ibes he Sou h A ican landscape passing be o e his eyes. Paul Rich ema ks ha he eno o he cha ac e ’s language luc ua es om one pa ag aph o ano he in a symbolical manne . Whe eas he he o uses a ich, me apho ical p ose o depic his u al Na al, his s yle suddenly ha dens as he coun yside ecesses be o e he indus ialised su oundings o he own. The image y s yle «e okes ‘ he idyllic wo ld’ o he pas o al», when A ican socie y was o me ly go e ned by a cohesi e se o social s uc u es, be o e he ad en o he whi e man. Then, as he «descen in o hell commences», Mismangu u ns o a d y he o ic s ipped o any emo ion o beau y ha is a he ime when he des uc i e ma k o whi e ci ilisa ion appea s on he e ain (Rich: 131). The hi d example is ound in The Conse a ionis . In he cou se o he na a i e (pp. 128-130), Go dime inse s a e y sensual and sugges i e scene be ween he he o, Meh ing, and a young Po uguese gi l nex o who he is si ing. The episode akes place in a plane. Du ing he ligh o e Sou h A ican e i o y, Meh ing ondles he gi l’s body wi h he esis ing. The symbolism lies in he simul anei y o Meh ing ouching in ima e pa s o he gi l’s body and he je passing ac oss he A ican in e io , « he co up Eden lying a below as he ‘golden eclining nudes o he dese ’» (Go dime : 134). The Boe s, in b inging he apples, ha is in ‘ci ilising’ he Sou he n pa o A ica, we e in ac con amina ing a sac ed soil and u ning he Eden in o a Los Pa adise. In he no el his desec a ion is epi omised in he ecu en image o he ‘ ailway line’ which c osses he Cape o Good Hope and dis igu es he landscape. I is a sca caused by he whi e man’s ad ance on he A ican ea h. The line uns along he sho e and sepa a es Ma nus’ house om he beach and by ex ension he sea. In he na a o ’s mind, he ailway line seems o ep esen an imagina y bu e e -p esen on ie be ween his childhood wo ld and he in ini e su ace o he A lan ic. The Ocean is always e e ed o as being «on he o he side». On he o he side o he acks, na u ally. 04.pmd 11/06/2004, 8:3551 RICHARD CLOUET 52 Main Road was quie and you don’ hea any hing excep he wa es b eaking on he o he side o he ailway line. (17) I can eel asleep a nigh wi h he sound o wa es and he smell o sal wa e and sea bamboo coming om he o he side o he ailway line. (27) Wi h he moon alling h ough he window and wi h he sound o wa es on he o he side o he acks, I all asleep. (199) This is symbolical on ano he le el. The sea being usually associa ed wi h eedom, he line is also he e as an obs acle p e en ing Ma nus om enjoying libe y. He is condemned o hea he sound o wa es coming om he o he side o he line. He is doomed o hea he sound o libe y whils emaining manacled o he sound o his pa en s’ ideology. Jus as Sou h A ican e ain bea s he ma k o Eu opean colonisa ion —epi o- mised in he ailway line— he A icane ’s conscience bea s he ma k o his ac o hei ances o s. In he Book o Exodus in he Old Tes amen , we a e old ha he w ongdoing o a gene a ion e e be a es upon i s successo : You shall no make o you sel an idol in he o m o any hing in hea en abo e o on he ea h benea h o in he wa e s below. You shall no bow down o hem o wo ship hem, o I he Lo d You God am a jealous God punishing he sins o he a he s o he hi d and ou h gene a ion o hose who ha e me. (The Ten Commandmen s, . 20) The e o e, in The Smell o Apples, he cha ac e s appea o labou unde a laye o his o y which weighs hea y on hei shoulde s. This in e p e a ion is suppo ed by he ac ha he biblical p inciple, as quo ed abo e, is p ecisely he one o which he na a o alludes: I know ha i ’s one o he g ea es commandmen s, ne e o ake he name o he Lo d in ain. I ’s one o hose sins whe e he punishmen ge s ca ied om one gene a ion o he nex . E en i you don’ ake he name o he Lo d in ain you sel , bu you g ea -g and a he did, you’ll s ill be punished o i . (10) This ema k i onically o eshadows he boy’s epic ace in he bush o Sou he n Angola. The e, he despe a ely ied o escape om God’s punishmen ( om dea h) bu ins ead emb aced i . In his soul-sea ching, he was o ced o con empla e his pas and ha o his o e a he s. He ealised ha he had e used o acknowledge hei w ongdoing as well as his own. Had he chosen, he migh ha e eed himsel om his bu den. Facing dea h, he a emp ed o make a closing expia o y con ession, «I y o speak o him, o ell him ha I well knew all along, jus like all he o he s.» Bu i was al eady oo la e. He was «dumb» (198). Ma nus su ende ed o dea h as his pa en s su ende ed o decei because hey we e uncomp ehending o omnip esen ye concealed guil . 04.pmd 11/06/2004, 8:3552 THE ALLEGORY OF THE APPLE IN MARK BEHR‘S 53 BIBLIOGRAPHY ATTRIGDE, De ek & JOLLY, Rosema y (1998): W i ing Sou h A ica, Li e a u e, apa heid, and democ acy, 1970-1995, Camb idge: Uni e si y P ess. BRILEY, John (1987): C y F eedom, London: Penguin Books. BRINK, And é (1980): A Whi e D y Season, New Yo k: Mo ow. GORDIMER, Nadine (1974): The Conse a ionis , London: Jona han Cape. LOUVEL, Liliane (1994): Nadine Go dime , Nancy: P esses Uni e si ai es de Nancy. MCMURTRY, Me yn (1998): «Dis o ed i es o passage», Agenda, ol. 37: 101-103. PATON, Alan (1987): C y, Oh Belo ed Coun y, New Yo k: Macmillan. The Holy Bible, Second New In e na ional Edi ion (1983), Michigan: Zonde an Bible Publishe s. THOMSON, Leona d (1985): The Poli ical My hology o Apa heid, New Ha en: Yale Uni e si y P ess. WHITE, L. and COUZENS, T. (1984): Li e a u e and Socie y in Sou h A ica, London: Longman. 04.pmd 11/06/2004, 8:3553